Three Wishes

When the ladies took a moment for themselves, Nica inquired of Alice Coltrane what her three wishes would be if they were able to be given and she told her: 

1. 1. “I’d like to see my little daughter graduate from the University in Paris.”

   2. “I would dig an artist’s colony. Like one block of buildings, or area, where artists and musicians could get together, and teach, and study. Artists could display their art. Writers ~ we’d allow them in, too, but it’d be mostly artists and musicians. We’d have a library, concerts, and sessions, and rooms for tapings. Artists could come in and record. You know, you’ve got it!”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Donald Ernest Friedman was born in San Francisco, California on May 4, 1935 and began playing the piano at the age of four, switching from classical music to jazz after his family moved to Los Angeles, California when he was fifteen. His early jazz piano influence was Bud Powell and he briefly studied composition at Los Angeles City College.

He began playing in Los Angeles and moved to New York City in 1958. During the 1960s, he played with both modern stylists and more traditional musicians. The former included Coleman, Eric Dolphy, Jimmy Giuffre, Booker Little, and Attila Zoller; the latter, Bobby Hackett and Herbie Mann.

His debut album as a leader was A Day in the City, recorded in 1961. A few of his early albums received top ratings from DownBeat, which also gave him its critics’ poll New Star award. On the West Coast, Friedman performed with Dexter Gordon, Chet Baker, Buddy DeFranco, and Ornette Coleman. He was also a member of Clark Terry’s big band.

Pianist Don Friedman, who was also an educator in New York and had many fans in Japan, transitioned from pancreatic cancer on June 30, 2016 at his Bronx home.

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Three Wishes

Harold Vick was asked what his three wishes would be and he told Pannonica this:

1. 1. “To be able to play my instrument.”

   2. “Some money.”

   3. “And help a chick. You know: We have a common understanding!”

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Daily Dose Of Jazz…

Alexander von Schlippenbach was born into the Schlippenbach noble family on April 7, 1938 in Berlin, Germany. He started to play piano from the age of eight and went on to study composition at Cologne under Bernd Alois Zimmermann. While studying he started to play with Manfred Schoof.

At the age of 28 he founded the Globe Unity Orchestra. In 1988, he founded the Berlin Contemporary Jazz Orchestra, a big band that has over the years had, among others, Willem Breuker, Paul Lovens, Misha Mengelberg, Evan Parker, Schlippenbach’s wife Aki Takase and Kenny Wheeler.

Alexander has produced various recordings and worked for German radio channels. He played in a free jazz trio with saxophonist Evan Parker and drummer Paul Lovens with many players of the European free jazz community.

In 1994, he was awarded the Albert Mangelsdorff prize. He recorded 43 albums as a leader, eighteen with Globe Unity Orchestra, and another thirty-three with numerous others. Since the 1990s, pianist Alexander Von Schlippenbach has explored the work of more traditional jazz composers such as Jelly Roll Morton or Thelonious Monk, recording the latter’s complete works which were released on CD as Monk’s Casino.

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Daily Dose Of Jazz…

Kenny Baldock, was born on April 5, 1932 in the affluent district of Chiswick in London, England. Having studied both piano and bass, he continued on the instruments at the Guildhall School of Music and Drama in London. By the early ’60s he began showing up on jazz bandstands as a bassist in the company of players such as Peter King and the John Dankworth Orchestra, with whom he continued to be associated into the mid Seventies.

In 1972 he joined pianist Oscar Peterson at the Montreux Jazz Festival, and his performance opened opportunities to collaborate with Freddy Randall’s all-star caravan, and many more engagements with Peterson.

Summer in Montreux presented recording circumstances with guitarist Barney Kessel and  the following year Baldock was leading own band projects featuring some of Britain’s heavy hitters. He worked in the Ronnie Scott Quartet that led to backup stints at Scott’s club behind many visiting American jazz performers.

By the early 1980s, Kenny seemed most interested in intimacy and stuck to a small group, often using electric guitarists as sidemen. Throughout his career he performed with among others, the Bobby Wellins Quartet, Freddy Randall~DAve Shepherd Jazz All Stars, Gordon Beck + Two, and the Laurie Holloway Quartet.

Active as an educator, bassist Kenny Baldock, whose composition Kosen Rufu garnered him an Arts Council award in 1983, transitioned from cancer on March 22, 2010.

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