Daily Dose Of Jazz…
Quin Davis was born Quinn Hall Davis on March 12, 1944 in Artesia, California. He toured and recorded with Buddy Rich in 19966 to 1967 and again from 1969 to 1970.
Leaving Rich in 1970, Quin was the solo alto saxophonist with Stan Kenton for three years followed by another three year residency with Harry James until 1976.
Little is known or written about alto saxophonist and flutist Quin Davis after this point in his life.
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Daily Dose Of Jazz…
Patty Waters was born on March 11, 1946 in Iowa and started singing semi-professionally in high school. After school, she sang for the Jerry Gray Hotel Jazz Band, then her family moved to Denver, Colorado. There she started listening to Billie Holiday, whose life and singing had a profound influence on her.
The early 1960s saw her following the recommendation of friends to move to New York City. Albert Ayler heard her in a dining club and introduced her to Bernard Stollman, the owner of the experimental jazz label ESP-Disk. Her most influential albums, Sings released in 1965) and College Tour in 1966 were recorded on this label.
In the late 1960s, she spent time in Europe and then left the music world in 1969 to raise her son in California. Almost 30 years later she recorded the album Love Songs in 1996 and began performing in public again. In 2004 she released You Thrill Me: A Musical Odyssey, a collection of rare and unissued recordings from the years 1962–1979.
She returned in 2019 with the album Live recorded at the First Unitarian Congregational Church in Brooklyn. The album was followed in 2020 by another live recording entitled An Evening In Houston. That same year she released an unissued 1970 LP titled Plays via her own label.
Vocalist Patty Waters, best known for her free jazz recordings in the Sixties and her recording of the nearly fourteen minute version of the traditional song Black Is the Colour (Of My True Love’s Hair from Sings, which is rendered in a haunting, anguished wail, continues to record, perform and tour.
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Daily Dose Of jazz…
David Darling was born March 4, 1941 in Elkhart, Indiana. Interested in music from an early age, he began piano when he was four, cello at ten, and string bass in high school. He studied classical cello at Indiana State University and after graduating remained there another four years as a teacher.
Working as a studio musician in Nashville, Tennessee he was a member of the Paul Winter Consort until 1978. During the following year Gus was part of the chamber jazz group Gallery with Ralph Towner and released his first solo album, Journal October. His performance and composition draw on a wide range of styles, including classical, jazz, Brazilian, African, and Indian music.
He has written and performed music for more than a dozen major motion pictures from 1988 to 2004 and recorded a collaboration with the Wulu Bunun, a group of Taiwanese aborigines. In 2007 he recorded The Darling Conversations, with Julie Weber discussing his music philosophy. He followed this in 2009 with the release of the Grammy-winning Prayer for Compassion.
In the Eighties he began his life as an educator of young children by joining Young Audiences, founded Music for People, which seeks to encourage self-expression through musical improvisation. He became part of a collaboration of music teachers and performers offering a training program in holistic and intercultural approaches to healing with sound and music at the New York Open Center Sound and Music School.
Cellist and composer David Darling died in his sleep on January 8, 2021.
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Jazz Poems
MOOD INDIGO
it hasn’t always been this way
ellington was not a street
robeson no mere memory
du bois walked up my father’s stairs
hummed some time over me
sleeping in the company of men
who changed the world
it wasn’t always like this
why ray barretto used to be a side-man
& dizzy’s hair was not always grey
i remember i was there
i listened in the company of men politics as necessary as collards
music even in our dreams
our house was filled with all kinds of folks
our windows were not cement or steel
our doors opened like our daddy’s arms
held us safe & loved
children growing in the company of men
old southern men & young slick ones
sonny til was not a boy
the clovers no rag-tag orphans
our crooners/ we belonged to a whole world
nkrumah was no foreigner
virgil aikens was not the only fighter
it hasn’t always been this way
ellington was not a street
NTOZAKE SHANGE
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Claude Ranger was born in Montréal, Canada on February 3, 1941 and studied drums briefly with several teachers and arranging with Frank Mella. Beginning his career with Montréal show bands, he was a leading figure among the city’s jazz musicians by the mid-1960s.
A sideman to Lee Gagnon, Pierre Leduc, and Ron Proby among others, Claude led the bands heard on the CBC’s Jazz en Liberté. He was a member of Aquarius Rising with Brian Barley, Michel Donato and Daniel Lessard from 1969 to 1971. Moving to Toronto, Canada he lived there for fifteen years beginning in 1972. It was here that Claude was a member of the Moe Koffman Quintet and accompanied Canadian and U.S. musicians when they came through the city, such as, Lenny Breau, George Coleman, Larry Coryell, Sonny Greenwich, James Moody, Doug Riley, Don Thompson, and Phil Woods.
His own bands appeared at the Music Gallery, Jazz City, the Festival International de Jazz de Montréal (FIJM) and the Ottawa International Jazz Festival. A Ranger quintet was a finalist in the 1986 FIJM, receiving a special jury citation for his drumming. Relocating to Vancouver, Canada he served as a mainstay of the du Maurier International Jazz Festival, again as an accompanist to Canadian and U.S. musicians and as a leader of his own groups.
West Coast musicians Ron Samworth, Clyde Reed, Bruce Freedman and drummer Dylan vander Schyff also influenced Claude’s career. He was considered a jazz musician and drummer with natural swing, in the bebop-based tradition of Max Roach. Displaying great stamina, he sometimes worked against the grain of jazz in Canada. His ensembles ranged from a trio to the 15 and 19-piece Jade Orchestra that debuted at the 1990 Vancouver festival.
Ranger played a role in Canada similar to the one created by Art Blakey in the US – that of a veteran musician whose bands served as an important platform for the development of younger players. His discography included recordings by Allen, Barley, Breau, Gagnon, Greenwich, Koffman, Riley, Thompson, Jane Bunnett, P.J. Perry, Herb Spanier, Michael Stuart, and U.S. musicians Dave Liebman, and Michael Munoz.
Drummer, composer, arranger, and teacher Claude Ranger continues to pursue his career in music.
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