Hollywood On 52nd Street
I’ll Remember April is a jazz standard with music written by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. The song made its debut in the 1942 Abbott and Costello comedy Ride ‘Em Cowboy starring the comedy team along with Dick Foran, Anne Gwynne, Johnny Mack Brown, Ella Fitzgerald, Samuel S. Hinds, Douglas Dumbrille, and Morris Ankrum. The film was directed by Arthur Lubin, the song was sung by Foran. Musical numbers were staged by Nick Castle.
The song’s story is about a romantic relationship ending. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength.
The Story: The author of best-selling western novels, Bronco Bob Mitchell (Dick Foran), has never set foot in the west. A newspaper article has exposed this fact to his fans, and his image is suffering because of it. He decides to make an appearance at a Long Island charity rodeo to bolster his image. When a steer escapes while he is riding a horse nearby, he is thrown. Not knowing what to do, a cowgirl, Anne Shaw (Anne Gwynne), comes to his rescue and saves his life by bulldogging the steer. Shaw gets hurt, retreats to her father’s dude ranch followed by Mitchell who eventually becomes a decent cowboy.
Cast Fact: This is Ella Fitzgerald’s first screen role, where she plays Ruby, who fills several roles as one of the employees of the ranch. At the opening rodeo, she is dressed as a rodeo clown and comes to Anne’s side when she is hurt. Later in the film, she can be seen removing an apron before singing. Ella sings A-Tisket, A-Tasket on the bus, as the ranch crew drives from the railway station to the ranch. Ruby and the other employees interact playfully during the song.
Daily Dose Of Jazz…
Jan Leder was born in Queens, New York on May 20, 1944 and showed musical talent from an early age, tapping out melodies on the family piano at the age of three. Quickly surpassing her older siblings, at the age of five, she began six years of piano lessons with her classically trained mother. It was not until junior high school that she first picked up the flute. Formally she studied classical flute but in her free time, she taught herself to improvise rock & roll and pop/R&B tunes alongside local guitarists in New York’s Central Park.
At 17 years old Leder began studying with jazz pianist Lennie Tristano, with whom she continued until his death in 1978. Although crediting Tristano with helping her come into her own as a musician, real recognition and commercial success eluded her until the late 1990s. Her first big break came when Buddy Scott and colleagues from Monad records heard her playing in 1994 at The Dockside in Tarrytown, New York. Her tape of a live date with Art Lillard and others at the Five Spot in New York so impressed Scott, that he signed her to a Monad Records contract and released the live recording intact as the CD Passage to Freedom.
Unfortunately, Passage to Freedom, which includes some really nice work by drummer Lillard, pianist Jon Davis, bassist Yosuke Inoue, and guitarist Mark McCarron, was released just as Monad Records met its demise, leaving Leder’s debut effort largely unavailable and unnoticed for close to two years. In 1998 and 1999, exposure via the internet brought her to the attention of a wider audience and earned her very favorable reviews for Passage to Freedom.
1998 saw A-Records vocalist Diane Hubka recorded Leder’s original composition “Thinking of You” on her own debut CD, Haven’t We Met, which was nominated for a Jazz Award in the Best Debut CD category. Her contribution to Hubka’s CD ultimately led to her signing a recording contract with A-Records, a division of the Dutch label, Challenge Records. The following year she released her second CD, Nonchalant, on which she added the talents of bassist Sean Smith, percussionist Daniel Moreno, and vocalists Angela DeNiro, Mary Foster Conklin, and Cleve Douglass to the already strong instrumental talents of Passage to Freedom collaborators Lillard, McCarron, and Davis. Flutist Jan Leder continues to perform and record.
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Daily Dose Of Jazz…
Chip Jackson was born on May 15, 1950 in Rockville, New York. He became a jazz bassist and over the course of his career, he became a member of the Chuck Mangione Quartet, Manhattan Jazz Orchestra, Pratt Brothers Big Band, Red Rodney Quintet, The Danny Gottlieb Trio, The Super Septet, Woody Herman And His Orchestra, Woody Herman And The Thundering Herd.
As a sideman and session musician, he has recorded with Al Di Meola, Teddy Edwards, Danny Gottlieb, Elvin Jones, Jack Walrath, Ernestine Anderson, Michael Wolff, Liza Minelli, Sonny Fortune, Anita O’Day, Ian Shaw Chris Connor, and Gerry Mulligan among others.
Bassist Chip Jackson, who was Billy Taylor’s favorite, continues to perform and record.
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Daily Dose Of Jazz…
Bruce Forman was born in Springfield, Massachusetts on May 14, 1956 and first took piano lessons at an early age before picking up the guitar at age thirteen. In 1971, his family moved to San Francisco, California where he led his own groups in the area and performed with local jazz musicians, such as Eddie Duran, Vince Lateano, and Eddie Marshall.
He would go on to perform and record with nationally renowned musicians, such as Ray Brown, George Cables, Joe Henderson, Freddie Hubbard, Bobby Hutcherson, and Woody Shaw.
He performed regularly at the Monterey Jazz Festival and played with Richie Cole from 1978 to 1982. Bruce recorded his first of sixteen albums to date, Coast To Coast, in 1981. His most successful album as a leader was 1992’s Forman on the Job, which hit #14 on the U.S. Billboard Top Jazz Albums chart.
As a sideman he has recorded with Richie Cole, Clint Eastwood, Dan Hicks, Roger Kellaway, Mark Murphy, Charlie Shoemake, Lanny Morgan, Tom Harrell, Rare Silk, Dave Eshelman, Lorez Alexandria, Geoff Muldaur, Les DeMerle, Tony Monaco, Molly Ringwald, Chuck Deardorf. Guitarist Bruce Forman continues to perform, record and tour.
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Daily Dose Of Jazz…
Trevor Ramsey Tomkins was born May 12, 1941 in London, England. As a young teenager, he first took up the trombone before switching to the drums on which he made his first professional appearance. Although he studied extensively, mostly in the classical vein, he was deeply interested in jazz, studied harmony and music theory, and in the early 60s moved permanently into this field.
Trevor worked and recorded several albums in small groups with trumpeter Ian Carr, as well as pianist Michael Garrick and saxophonist Don Rendell in the late 1960s and early 1970s. In the Seventies, he was a member of the jazz-fusion group Gilgamesh that was part of the Canterbury scene in Kent, England. He also performed and recorded with saxophonist Barbara Thompson, pianist Mike Westbrook, and others.
After spending some time in the United States, he returned to England and became one of the most sought after jazz drummers in the UK. Tomkins worked with Ian Carr’s Nucleus, Giles Farnaby’s Dream Band, David Becker, and Henry Lowther’s Quaternity. He appears on the 1971 album First Wind by Frank Ricotti and Mike de Albuquerque and on Tony Coe’s 1978 album Coe-Existence. He is also in demand as accompanist to American jazzmen visiting the UK, amongst them Lee Konitz.
Mainstream and bop drummer Trevor Tomkins, who has never been a leader and was a member of various trios and other line-ups with Roy Budd, remains a first call drummer and much-respected teacher on the jazz scene.
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