Requisites
Byrd in Paris, Volume 1 ~ The Donald Byrd Quintet Featuring Bobby Jaspar | By Eddie Carter
The Donald Byrd Quintet enters this morning’s spotlight with Byrd in Paris, Volume 1 (Brunswick 87 903), the first of two albums taken from the group’s 1958 appearance at The Olympia Theatre. Its companion release is Parisian Thoroughfare, and both were recorded at the conclusion of the quintet’s tour to Europe. Byrd in Paris was initially a French release in 1958 and would make its way to the U.S. two years later. The personnel is Donald Byrd (tracks: A1, A2, B3) on trumpet, Bobby Jaspar on flute (B1) and tenor sax (A1, A2, B3), Walter Davis Jr. on piano, Doug Watkins on double bass, and Art Taylor (A1, A2, B2, B3) on drums. My copy is the 2014 Sam Records French Mono audiophile reissue, sharing the original catalog number.
The set opens with Dear Old Stockholm, and as the song begins, Donald is off in the distance behind the quintet. He brings the horn into the forefront as he walks to the microphone, and the ensemble completes the melody. Bobby opens with a marvelous first solo. Donald is equally loose and free in the following reading. Doug offers one of the song’s best musical moments in the closing statement preceding the theme’s reprise and finale. Donald introduces Paul’s Pal by Sonny Rollins next and all the remaining tunes. The group begins with a mid-tempo melody. Bobby starts the solos with an easygoing statement. Donald follows with a neatly paced reading, and then Walter greets the finale like an old friend before the group takes it out.
Side Two gets underway with Bobby Jaspar on flute for his tune, Flute Blues. Bobby and Doug introduce the song’s first chorus with a two-instrument conversation before Walter joins them. Bobby dives into the opening statement with a consummate feeling. Doug finds a few new things to say in the second solo, and then Bobby and Doug are in complete agreement in the closing interpretation, leading back to the theme. The spotlight is on the rhythm section in Ray’s Idea by Ray Brown. Donald and Bobby sit this one out, and the trio works in perfect balance on the song’s speedy melody. Walter is the first to solo and puts the piano through a vigorous workout, then he and Art share an energetic exchange into the theme’s reprise, climax and audience’s approval.
The Blues Walk by Sonny Stitt is off and running from the ensemble’s theme. Donald opens at a blistering pace; then Bobby continues blowing up a storm. Walter communicates his ideas confidently next, and then Doug makes a few quick remarks. Art generates considerable heat in an aggressive conversation with Donald and Bobby, leading to the song’s climax and a huge ovation from the audience. Bruno Coquatrix produced the original session, and the reissue was remastered from the original tapes. This Sam Records audiophile reissue was also pressed at Pallas in Germany on 180 grams of audiophile vinyl, and the front and rear covers are sturdy. The album possesses an excellent soundstage, placing the listener in the audience. Also included is an additional insert with a photo of Donald Byrd.
I thoroughly enjoyed listening to Byrd in Paris, Volume 1. After hearing this Sam Records reissue, I’m going to revisit a few other titles I have in the library and feature them in future columns. If you’re in the mood for a live hard bop album with great tunes and tight musicianship. I invite you to consider Byrd in Paris, Volume 1 by The Donald Byrd Quintet Featuring Bobby Jaspar, on your next record treasure hunt. It’s a wonderful live album that still sounds great over six decades later and shouldn’t be missed for a spot in any jazz library!
~ Parisian Thoroughfare (Brunswick 87 904) – Source: Discogs.com ~ Dear Old Stockholm – Source: Wikipedia.org © 2024 by Edward Thomas Carter
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Ralph Morris Penland was born on February 15, 1953 in Cincinnati, Ohio. While in high school he was a percussionist with the Cincinnati Symphony Orchestra. He attended the New England Conservatory of Music and played in Boston, Massachusetts with Gil Scott-Heron and Webster Lewis.
In New York City in the early 1970s he played with Freddie Hubbard among others. By 1975 he was in Los Angeles, California and led his own group, Penland Polygon; he also worked as a session musician for Chet Baker, Kenny Burrell, Eddie Harris, Harold Land, Charles Lloyd, Ronnie Matthews, and Nancy Wilson.
In the 1980s he worked with George Cables, Dianne Reeves, Buddy Montgomery, Charlie Rouse, Jimmie Rowles, Rick Zunigar, Andy Simpkins, Dave Mackay, Bunky Green, Richard Todd, and John Nagourney. In the 1990s he toured with Frank Sinatra, Herbie Hancock, and Carlos Santana.
Ralph was active as a studio drummer, recording with Bob Cooper, Eddie Daniels, James Leary, Marc Copland, Dieter Ilg, Lou Levy, Carmen Bradford, Janis Siegel, Fred Hersch, Rickey Woodard, Carmen Lundy, Joe Sample, and Miki Coltrane.
Drummer and percussionist Ralph Penland, who over the course of his career recorded on fifty-six albums across a wide genre of music, died from a heart attack on March 13, 2014.
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Gianni Mimmo was born on February 13, 1957 in Pavia, Italy. He developed a unique blend of abstract lyricism and contemporary flavours and has built an international reputation for his unique treatment of musical timbre and his exploration of the advanced techniques on the soprano saxophone. His peculiar work is mainly focused on the relationship among distant artistic declinations and his style is based on a deep knowledge of the instrument and on a sound consciousness which is the constitutional element of his voice.
As composer he often works with graphic scores where elements coming from different musical languages find a new form where fragments and more unbound ideas ask for a fresher interpretation and performing responsibility.
His pantheon is pretty crowded and includes several names coming from art, music and philosophy: painters like Jackson Pollock, John McLaughlin, Toti Scialoja, Mario Sironi, Felice Casorati; adventurous jazz musicians like Steve Lacy, Roscoe Mitchell, contemporary souls like John Cage, Robert Ashely, Earle Brown, philosophers and beautiful minds like Giorgio Agamben and John Berger, writers like Yasunari Kawabata and Herman Melville, poets like Marina Cvetaeva and Wisława Szymborska.
He has numerous current projects and extensively tours in Europe and USA invited by international festivals and venues. In addition, he runs the indie label Amirani Records. Saxophonist and composer Gianni Mimmo continues to perform, compose and record.
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Ron Horton was born on February 12, 1960 in Bethesda, Maryland and attended Berklee College of Music from 1978 to 1980. He moved to New York City two years later where, as a longtime member of Jane Ira Bloom’s band (1983-2000), he became an integral part of the jazz scene.
Since 1992 Ron has been a member of the New York Jazz Composers Collective and the Herbie Nichols Project under Frank Kimbrough and Ben Allison. From 1998 to 2003 he was also a member of Andrew Hill’s sextet, and appeared on his album Dusk (1999).
Horton worked as a sideman with Ted Nash, Allan Chase, Bill Mays, Jon Gordon, Andy Laster, Phillip Johnston, Matt Wilson, Roberta Piket, Rez Abbasi, Walter Thompson, Pete Malinverni, Jamie Baum, Bill Gerhardt, Rich Rosenzweig, John McKenna, Michael Jefry Stevens, Peggy Stern and others.
He has given master classes and workshops at The New School in New York, the New England Conservatory of Music, the University of North Carolina, and Oxford University.
Trumpeter Ron Horton, who released his debut album as a leader in 1999, continues to perform and record.
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Sophia Domancich was born January 25, 1957 in Paris, France and began learning piano at the age of six. She attended the Conservatoire de Paris from 1968 to 1975 where she won first prize for piano and chamber music. She began her career as an accompanist in vocal and dance lessons, with the Paris Opera and the Théâtre de Caen.
In 1979 she met Steve Lacy, Bernard Lubat and Jean-Louis Chautemps who introduced her to the world of jazz and improvisation. By 1982 she formed a duet with Laurent Cugny and joined the big band Lumiére. She later participated in Quoi D’Neuf Docteur? with Steve Grossman, Glenn Ferris and Jack Walrath.
The following year during a brief collaboration with the group Anaïd, she met several English musicians from the Canterbury scene, drummer Pip Pyle, saxophonist Elton Dean and bassist Hugh Hopper, forming the group L’Equip Out in late 1984. The group included for a time a fifth member, Didier Malherbe on the flute and the tenor saxophone. In 1990, L’Equip Out recorded a second album, Up!, with bassist Paul Rogers.
With the latter and drummers Bruno Tocanne and Tony Levin, she formed the Sophia Domancich Trio with which she toured for eight years and recorded five studio albums. Also with Rogers, she created a 1995 quartet with the original composition, this time with two trumpeters, Patrick Fabert and Jean-François Canape.
Through the 1990s and into the new century, Domancich continued collaborating and recording with John Greaves and Vincent Courtois’ Trouble with Happiness, and with Simon Goubert. She was a pianist under Didier Levallet in the Orchester National de Jazz. In 2000 she formed the Quintet Pentacle, in 2006 the Trio DAG (Domancich, Avenel, Goubert) creating three albums as a trio and an album “free 4 DAG” with saxophonist Dave Liebman. Sophia ventured into electronic music, formed three more groups to continue to express herself through her music.
She became the first woman to receive the Prix Django Reinhardt from the Jazz Academy as French Musician of the Year. By 2007 found herself included in the French Ministry of Foreign Affairs and the Ministry of Culture collaborative book, 100 Jazz Titles, that included her 2002 Pentacle Quintet release.
She has recorded 10 albums as a leader, 7 as a co-leader and 20 as a member of other groups. Pianist and jazz composer Sophia Domancich continues to compose, explore, perform and reinvent herslf.
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