Daily Dose Of Jazz…
Anthony Wilson was born in Los Angeles, California on May 9, 1968 to bandleader Gerald Wilson. A guitarist and composer, he was influenced by Duke Ellington, Gil Evans, Wes Montgomery and T-Bone Walker. He received his degree in music composition from Bennington College.
Wilson released his debut self-titled album in 1997 that was nominated for a Grammy and his sophomore project the following year, Goat Hill Junket, garnered notice. He has recorded with his 9-piece band, two trio albums with organ, worked with Joe Bagg, Eva Scow, Larry Goldings, Jim Keltner and Jeff Hamilton.
Since 2001 Anthony has been a member of Diana Krall’s group performing notably the Grammy-winning Live in Paris. He has recorded ten albums as a leader and collaborated with Brazilian guitarist Chico Pinheiro on “Nova,” released in Brazil and the U.S. on their respective labels.
Guitarist Anthony Wilson can also be heard on a number of his father’s recordings and often plays live with the Gerald Wilson Orchestra whenever his schedule permits.
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Daily Dose Of Jazz…
Pablo Aslan was born in Buenos Aires, Argentina on May 5, 1962 and began playing bass in his youth. He received his music education at University of California – Santa Cruz, CalArts and UCLA, and in the 90’s in the clubs of New York.
Pablo has led several groups like New York Buenos Aires Connection, Avantango, and New York Tango Trio, which included musicians such as the late Thomas Chapin, pianist Ethan Iverson (now of The Bad Plus), drummer Kenny Wollesen, saxophonist Donny McCaslin, and bandoneonists Raul Jaurena and Tito Castro.
Aslan has worked with Yo Yo Ma, Lalo Schifrin, Pablo Ziegler, Osvaldo Golijov, Arturo O’Farrill, Emilio Solla and Fernando Otero. In 2009 he released “Tango Grill” that was nominated for both a Grammy and Latin Grammy. He has collaborated with Paquito D’Rivera, “Tango Jazz” Live at Jazz @ Lincoln Center” and also for a tribute to tango master Astor Piazzolla on the 90th anniversary of his birth. Bassist Pablo Aslan continues to champion the fusion of jazz and tango as he records, performs and tours.
Daily Dose Of Jazz…
Tommy Smith was born April 27, 1967 in Edinburgh, Scotland and grew up in Wester Hailes. Encouraged to lean the tenor saxophone from age 12, by sixteen he had a scholarship to Berklee College of Music. While at Berklee he formed his first group ”Forward Motion” with Laszlo Gardony, Ian Froman and Tene Gewelt and joined Gary Burton’s group.
During his tenure with Burton at age eighteen he toured and recorded “Whiz Kids”, worked in jazz groups and big bands, and has recorded and toured with world-renowned jazz musicians including Joe Lovano, David Liebman, Benny Golson, Joe Locke, Chick Corea, Tommy Flanagan, John Scofield, Joanne Brackeen, Jack DeJohnette and Kenny Wheeler to name a few.
He has recorded twenty-three albums as a leader Hep, GFM, Linn, Blue Note and his own record label Spartacus and since the late-1980s and the musical director and driving force behind the Scottish National Jazz Orchestra and his own Youth Jazz Orchestra.
He has composed for and performed with classical orchestras and ensembles including the Orchestra of St. John’s Square, the Scottish Ensemble, the Edinburgh Youth Orchestra, BBC Symphony Orchestra and the Scottish National Jazz Orchestra. His work in jazz education has him presenting master classes all over the world, teaching at Broughton High School, Napier University and created the curriculum for the National Jazz institute and is Artistic Director of a new conservatoire-level course in jazz at the Royal Scottish Academy of Music and Drama. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Issi Rozen was born on April 20, 1967 in Haifa, Israel, his family moved to Tel Aviv during his childhood. His earliest musical memories were lullabies his mother sang. He began playing guitar at age 10, and as a teenager was practicing several hours a day. In 1991, after completing his service in the Israeli Defense Forces, he moved to Boston to study at Berklee College of Music.
After finishing his studies at Berklee, Rozen settled in the Boston suburb of Brookline, released his debut album Red Sea in 1998for Brownstone Records. A year later he released Homeland Blues and in 2003, he released Dark Beauty.
Issi is clearly influenced by jazz guitarists Pat Metheny and Jim Hall but utilizes musical components from his native Israel leaning towards traditional Hebrew song sung primarily by Mizrah Jews while juxtaposing the bebop of the Charlie Parker tune Segment and his original compositions. This hybrid of different genres has given guitarist Issi Rozen critical acclaim as he continues to perform, record and tour.
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Requisites
Step Lightly ~ Blue Mitchell | By Eddie Carter
In this morning’s discussion, trumpeter Blue Mitchell takes center stage with an underrated, yet delightful album. Step Lightly (Blue Note Classic LT-1082) was his debut on Blue Note, but his ninth recording session as a bandleader. It was initially recorded in 1963. But the album remained unreleased in the United States until seventeen years later. I first heard him on “Blowin’ The Blues Away,” by Horace Silver, “Open House,” and “Plain Talk” by Jimmy Smith, and “Steppin’ Out,” by Harold Vick. For his first effort, Mitchell is joined by an all-star cast: Leo Wright on alto saxphone (tracks: A1 to A3, B1, B3), Joe Henderson on tenor sax (tracks: A1, A2, B1 to B3), Herbie Hancock on piano, Gene Taylor on bass, and Roy Brooks on drums. The copy I own is the 1980 U.S. stereo release.
Side One gets underway with Mamacita by Joe Henderson, which first appeared on Kenny Dorham’s “Trompeta Toccata” in 1965. The sextet’s infectious bossa nova melody sets the tone for Blue to swing straight ahead in the lead solo. Leo follows with a sparkling statement, then Joe emerges to give a buoyant reading. Herbie steps up last for a short interpretation before the ensemble reconvenes for the closing chorus. Sweet and Lovely by Gus Arnheim, Jules Lemare and Harry Tobias slows the tempo down for the trio’s lovely introduction ahead of the group’s theme. Mitchell opens with a warm and sensitive statement. Wright compliments him gracefully next, and Henderson beautifully embraces the third reading. Hancock finishes with a delicately gentle interpretation preceding the group’s romantic reprise and ending.
Andrea, by Roger Boykin, closes out the first side with a catchy mid-tempo melody by the sextet. Blue is up first and leads the way with a charming interpretation. Leo takes over next with an attractive tone that’s very pleasing, then Herbie has a well-executed reading before the theme’s restatement and soft climax. Side Two kicks off with Joe Henderson’s Step Lightly which Blue would record again on 1965’s “The Thing To Do.” The group’s relaxed vibe on the theme sets things in motion for Mitchell’s breezy opening solo. Henderson follows with a soulful statement, and Wright is as smooth as silk in the third reading. Hancock wraps up everything with an easygoing interpretation leading to the ensemble’s closing theme and fade-out.
Cry Me a River by Arthur Hamilton comes to life with the ensemble’s poignantly sensitive theme. Blue starts the solos by pouring pure sincerity into every note from his trumpet. Joe comes in next and delivers an equally touching interpretation, then Herbie ends with a thoughtful statement before the group’s return to take the song out softly. The sextet ends the album on an upbeat note with a trip to Bluesville by Sonny Red Kyner. Mitchell lets his trumpet do the talking in the first of two infectious interpretations. Henderson comes right behind him and turns in one of his best solos on the album. Mitchell returns to ride the medium groove to a satisfying conclusion before the ensemble’s theme returns, and they take it out.
Alfred Lion produced the original recording session, and Rudy Van Gelder operated the recording console. Michael Cuscuna produced the album for release. The reissue’s sound quality is first-rate, bringing the musicians into your listening room to perform with stunning fidelity. Blue Mitchell recorded twenty-eight albums as a leader and contributed to an extensive discography as a sideman. He worked with Horace Silver from 1958 to 1964. After Silver disbanded the quintet, he formed a group featuring a few of the members. He also performed with John Mayall, Louie Bellson, Bill Holman, and Bill Berry, and eventually became the main soloist for Tony Bennett and Lena Horne. His last group was a quintet co-led with Harold Land until he passed away from cancer at age 49 on May 21, 1979.
If you’re a fan of jazz trumpet and in the mood for an excellent hard bop album, I offer for your consideration, Step Lightly by Blue Mitchell on your next record store visit. It’s a terrific release by a musician deserving of greater recognition, with tight musicianship and exceptional performances that are definitely worth exploring for a spot in your jazz library!
~ Blowin’ The Blues Away (Blue Note BLP 4017/BST 84017), Open House (Blue Note BLP 4269/BST 84269), Plain ~ Talk (Blue Note BST 84296), Steppin’ Out (Blue Note BLP 4138/BST 84138), The Thing To Do (Blue Note BLP4178/BST 84178), Trompeta Toccata (Blue Note BLP 4181/BST 84181) – Source: Discogs.com ~ Sweet and Lovely – Source: JazzStandards.com ~ Cry Me a River – Wikipedia.org © 2026 by Edward Thomas Carter
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