Requisites
Please Send Me Someone To Love ~ Phineas Newborn Jr. | By Eddie Carter
Phineas Newborn Jr. was an exceptional pianist and one of my favorite musicians growing up. The first album I encountered by him as a teenager is this morning’s selection from the library. Please Send Me Someone To Love (Contemporary Records S7622) hit the stores in 1969 and is an excellent trio album. It was his fourth release for Lester Koenig’s label and is a companion to Harlem Blues, released six years later in 1975. Both albums were recorded during the same sessions, with the superb rhythm section of Ray Brown on bass and Elvin Jones on drums. My copy is the 1969 U.S. deep groove Stereo release.
The first side opens with Percy Mayfield’s Please Send Me Someone To Love, featuring a smooth, slow-tempo melody. Phineas delivers a dreamy solo, evoking a sense of longing and comfort, resulting in one of the album’s most beautiful moments. Ray and Elvin’s gentle accompaniment leads the trio back to the theme and a quiet, reflective conclusion. Rough Ridin’, an upbeat piece by Ella Fitzgerald, Hank Jones, and Bill Tennyson follows with an energetic melody by the ensemble. Phineas showcases his joyful groove with impressive skill as the only soloist, culminating in the group’s lively finish.
Come Sunday by Duke Ellington is a beautiful ballad that starts with Phineas’ tender solo introduction and flows seamlessly into the trio’s lovely melody. The pianist shines as the centerpiece, delivering an attractive, elegant interpretation with great warmth before a soft and gentle ending. Ray’s bass steers the course into Brentwood Blues by Phineas Newborn Jr., setting the stage for the ensemble to swing effortlessly through the melody. Phineas initiates the opening statement, articulating each note and verse with clarity. Ray then takes a brief, soulful walk to the closing chorus and climax.
Side Two starts with He’s A Real Gone Guy by Nellie Lutcher. Elvin’s Latin-flavored introduction breathes life into the track briskly, setting the stage for the trio’s lively theme. Phineas takes the lead with a vigorous interpretation, and Elvin’s electrifying brushwork fuels the finale, bringing the trio’s ending theme to a dynamic close. Black Coffee by Sonny Burke and Paul Francis Webster opens with a profoundly moving piano introduction by Phineas, transitioning into an intimately soft melody. His beautiful performance is anchored by the solid foundation laid by Ray and Elvin ahead of a lovely finale.
Little Niles is a jazz waltz by Randy Weston that is a tribute to his son. The trio’s version is delightfully vibrant, with Ray and Elvin’s introduction effortlessly shifting into the melody. Phineas showcases his impeccable technique during the song’s only solo, leading smoothly to the reprise and the song’s close. Stay On It, by Count Basie and Tadd Dameron, secures a swinging makeover with Phineas’ solo introduction. The trio’s lively opening chorus follows, with Ray and Elvin providing a solid foundation, allowing Phineas to deliver a remarkable interpretation in the song’s only solo, leading to the trio’s exit.
Lester Koenig was the producer and recording engineer for Please Send Me Someone To Love. The album’s impeccable sound quality creates the illusion that the trio is performing live in your listening room. If you seek an outstanding trio album, I wholeheartedly recommend Please Send Me Someone To Love by Phineas Newborn Jr. It is an excellent addition to any jazz library, serving as a perfect introduction for new listeners to his music and a delight for seasoned collectors and fans. This album also pairs beautifully with Harlem Blues and is a must-have for any jazz enthusiast of piano trios!
~ Harlem Blues (Contemporary Records S7634) – Source: Discogs.com
~Come Sunday – Source: JazzStandards.com
~Black Coffee, Little Niles, Please Send Me Someone To Love – Source: Wikipedia.org
© 2025 by Edward Thomas Carter
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Ernest “EC3 Coleman III was born a second generation musician in Naples, Italy on February 9, 1963 to Ernest and Rebecca Coleman. His father, Ernest Jr. was a jazz musician who played tenor saxophone and was a great arranger and composer.
He studied at the Naval Conservatory of Music in Norfolk, Virginia and was awarded a special honor for being the youngest student to graduate from this conservatory. Moving to Los Angeles, California after his tour with the Navy Band, EC began his true musical quest performing for Guys & Dolls, Ain’t Misbehavin, and A Chorus Line.
Getting the call to work with Loretta Holloway in Las Vegas, Nevada he opened for Jay Leno, Bill Cosby, David Brenner, Yakov Smirnoff, Whoopi Goldberg, Don Rickles and many many more. Coleman took over as Loretta’s musical director and traveled around the world. For twelve years.
He eventually got called to play with jazz bassist Al McKibbon. Excited to get the call, he auditioned and got booked for The Bourbon Street Review show. For three years this was his training ground. Al being like a second father to him, they lived together for many years and this was where he attained most of his great knowledge of music.
When the show closed Billy Higgins was there to offer EC work with saxophonist Azar Lawrence and for the next year and a half they were on the road. A move to Las Vegas, Nevada saw him working with Frank Sinatra’s pianist and conductor Vincent Falcone. Meeting jazz pianist Kevin Toney led him to play with Kevin bassist Brad Bobo.
He went on to work with Kenny Burrell, Russell Malone, Lorendo Alameida, Lorez Alexandria, John Clayton, George Cables, Herman Riley, Charlie Owens, Frank Sinatra, Vic Damone, Diahann Carroll, Pudgy, and the orchestras of Caesar Palace, Harrah’s Tahoe and Reno, and The Las Vegas Symphony.
Since then he embarked on a solo career as a leader, recording eight albums and producing thirteen records for Misha, Wendy C, Wendy B, Rayshun Lamarr, Zac Williams, Fabian, and Troy “Sol” Edler.
Drummer, producer and bandleader Ernest “EC3” Coleman continues to expand the language of his musical talent.
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Chris Minh Doky was born on February 7, 1969 in Copenhagen, Denmark of Vietnamese-Danish heritage. He started playing at a young age and as a teenager was discovered by guitarist Mike Stern. He quickly became a sought-after collaborator, joining the bands of the Michael Brecker Quartet, Brecker Brothers, David Sanborn, Ryuichi Sakamoto, and the Mike Stern Band. These collaborations shaped his artistry and connected him to the traditions of jazz.
As a leader, Chris has released numerous albums to widespread acclaim, earning both gold and platinum awards as well as a Grammy nomination. He has established himself as a pioneering voice in contemporary music with projects like The Nomads and New Nordic Jazz.
His passion is a love for the bass and a relentless drive to create new music. His desire to share it with the world pushes his artistry to transcend genres. As a composer Doky’s work include soundtracks for films and collaborations with the ballet companies of Royal Danish Ballet and Twyla Tharp.
Chris was knighted in 2010 by Queen Margrethe II of Denmark due to being recognized for his contributions to the arts. Bassist Chris Minh Doky continues to explore new musical landscapes, blending Nordic serenity with American soul, and redefining the bass as a solo instrument.
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Jacqueline Caryl Dankworth was born on February 5, 1963 in Northampton, Northamptonshire, England to jazz singer Cleo Laine and saxophonist John Dankworth. She attended St. Christopher School in Hertfordshire and is an alumna and fellow of Guildhall School of Music & Drama.
She worked as an actress with the Royal Shakespeare Company, the Royal National Theatre, and in West End theatre. She played Cinderella in the musical Into the Woods and appeared in the film Shoreditch, singing the song My Man by Billie Holiday.
2003 saw Dankworth releasing her debut album As the Sun Shines Down On Me on Candid Records. This album brought her to the attention of Michael Parkinson and BBC Radio 2, and she appeared regularly on air throughout that year.
She was featured on Courtney Pine’s album Devotion, and performed with him at the Royal Festival Hall as part of the London Jazz Festival. Her sophomore album with the 2004 release, Detour Ahead. Since then she has recorded a total of seven albums.
She was appointed Member of the Order of the British Empire (MBE) in the 2019 Birthday Honours for services to music. Vocalist Jacqui Dankworth continues to perform, tour and record.
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Daily Dose Of Jazz…
Cindy Scott was born in Tupelo, Mississippi on February 3, 1966 into an extended family of musicians and educators. Her mother was a concert pianist, and her father played fifteen instruments and they were both band directors. She has two sisters who are musicians and educators, and her cousin, guitarist and teacher Charlie Hall founded the Black Rose Acoustic Society in Colorado Springs and Colorado Roots Music Camp.
She received a music scholarship by Louisiana State University and played flute and piccolo in the wind ensemble while earning a degree in German. She later earned a Masters in International Business from the University of South Carolina. Scott embarked on a corporate career while continuing to perform and study music. 2005 saw Cindy dedicating herself fully to her musical pursuits and enrolled in the Jazz Studies program at the University of New Orleans.
Although Scott spent many years working in the corporate world, she always had one foot in the music world as a performer, bandleader, and student of the music. She recorded her first album Major to Minor in Houston, Texas in 2001 and released it the following year. She would go on to record a total of albums as a leader, eight as a sideperson and has produced two albums to date.
Cindy has held the position of Associate Professor of Music at the Berklee College of Music in Boston, Massachusetts since 2016 and is also the Director of Berklee’s Vocal Summit.
Vocalist Cindy Scott, who also plays the guitar and flute, continues to teach at camps and workshops around the world in addition to her performing and touring.
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