Requisites
Rough ‘n’ Tumble is an album by saxophonist Stanley Turrentine recorded on July 1, 1966 at Van Gelder Studios in Englewood Cliffs, New Jersey and released in October on the Blue Note label. The session featured the arrangements by Duke Pearson, the engineer was Rudy Van Gelder and with Alfred Lion, producer.
Tracks: 37:09
- And Satisfy (Ronnell Bright) – 6:48
- What Could I Do Without You (Ray Charles) – 4:35
- Feeling Good – (Anthony Newley, Leslie Bricusse) – 7:15
- Shake – (Sam Cooke) – 5:55
- Walk On By – (Burt Bacharach, Hal David) – 5:57
- Baptismal – (John Hines) – 6:39
The Octet:
Stanley Turrentine – Tenor Saxophone, Blue Mitchell – Trumpet, James Spaulding – Alto Saxophone, Pepper Adam – Baritone Saxophone, McCoy Tyner – Piano, Grant Green – Guitar, Bob Cranshaw – Bass, Electric Bass, Mickey Roker – Drums
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Requisites
The year was 1967 when a young lady from Philadelphia recorded the first of two sessions for the album Girl Talk. Her name was Shirley Scott. On January 12th & 13th the organist went into the studio and recorded nine tracks that were released on the Impulse! label.
The cover design was by Robert and Barbara Flynn with photography by Charles “Chuck” Stewart. The sessions were produced by Bob Thiele.
The Trio
- Shirley Scott — organ
- George Duvivier – bass
- Mickey Roker – drums
The Songs | 34:32
- Girl Talk (Neil Hefti, Bobby Troup)
- Come Back To Me (Burton Lane, Alan Jay Lerner)
- We’ll Be Together Again (Carl Fischer, Frankie Laine
- Love Nest (Louis Hirsch, Otto Harbach)
- Swingin’ the Blues (Count Basie, Ed Durham)
- Keep The Faith, Baby (Shirley Scott)
- Chicago, My Kind of Town (Jimmy Van Heusen, Sammy Cahn
- On The Trail | From Grand Canyon Suite (Ferde Grofé
- You’re A Sweetheart (Jimmy McHugh, Harold Adamson)
Recorded at Capitol Studios in New York City on August 22, 1966 (tracks 1, 4, 6 & 7) and January 12, 1967 (tracks 2, 3, 5 & 8).
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Requisites
George Otsuka gathered his Trio and went into the Columbia Records studio in Japan to lay down the tracks for his Page 1 on October 14, 1967 for the Tact Jazz Series. The session was recorded by Shuji Otsuke.
Songs: A1 Page 1 A2 Bye Bye Blackbird A3 Theme B1 Blues For Alice B2 It Might As Well Be Spring B3 Potato Chips B4 Theme Personnel: Bass – Masaoki Terakawa Drums – George Otsuka Piano – Hideo Ichikawa
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Requisites
In 1961 trombonist Bennie Green along with Johnny Griffin on tenor saxophone, Junior Mance on piano, bassists Paul Chambers (tracks 2, 3, 6 & 7) and Larry Gales (tracks 1, 4 & 5) alternating duties and drummer Ben Riley went into the studio and recorded 39 minutes and 31 seconds of jazz on March 9th and 22nd that would be released as Glidin’ Along on the Jazzland label.
The sessions were produced by Orrin Keepnews with Chambers in the mix on the 9th and Gales on 22nd. The quintet came out of the studio with seven songs composed by two members of the group, Green and Griffin
- African Dream – (Bennie Green)
- Sweet Sucker – (Johnny Griffin)
- Glidin’ Along – (Babs Gonzales)
- Green’s Scene – (Gonzales, Green)
- Milkshake – (Griffin)
- Stardust” (Hoagy Carmichael, Mitchell Parish)
- Expubidence (Gonzales)
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Requisites
The Phantom is the twelfth album by American pianist and arranger Duke Pearson featuring performances recorded in 1968 and released on the Blue Note label.
Two separate sessions recorded the six tunes for a little over a half hour of music totalling thirty-eight minutes and thirty-six seconds, considered your average length in those days. The compositions are The Phantom, Blues for Alvina, Bunda Amerela (Little Yellow Streetcar), Los Ojos Alegres (The Happy Eyes), Say You’re Mine and The Moana Surf.
All compositions were composed by Pearson except #2 by Willie Wilson and #6 by Jerry Dodgion. Track #3 was recorded on June 24, 1968 and on September 11, 1968 they laid down the other five tunes.
Along with Pearson on the sessions were Jerry Dodgion – flute, alto flute, Bobby Hutcherson – vibes, Sam Brown and Al Gafa – guitar, Bob Cranshaw – bass, Mickey Roker – drums, Victor Pantoja – congas and Carlos ‘Patato’ Valdés – conga, güiro.
The recording session was produced by Francis Wolff at the Van Gelder Studios in Englewood Cliffs, New Jersey. Wolff is credited for the cover photography as well and the design was by Florenza Venosa Associates.
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