Reqisites
The Blues Book was released in 1964 on the Prestige record label. As one of his series of Books, Booker Ervin and his quintet, trumpeter Carmell Jones, pianist Gildo Mahones, bassist Richard Davis and drummer Alan Dawson perform four very different blues. They open with the minor-toned Eerie Dearie, the speedy One for Mort, followed by a low-down No Booze Blooze, and close with the modal True Blue.
The four tunes ran a total of 41.18 and was recorded by Rudy Van Gelder on June 30, 1964 at the Van Gelder Studios in Englewood Cliffs, New Jersey. The producer, cover design and photography were by Don Schlitten and Ira Gitler wrote the liner notes.
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Requisites
In Town is the 1965 release by Romanian-German pianist and vocalist Eugen Cicero. Recorded for the MPS label, the cover design was by Grafisches Atelier C. Revellio and the photograph was taken by Sepp Werkmeister.
Three songs made up Side A: It’s De-Lovely, Autumn Leaves and Und Bach?. Side B has Hello Dolly, Little Niles and Por Favor. The album is 29:36 long and gives a great representation of his talent.
The trio was comprised of Eugen Cicero on piano, Peter Witte on bass and drummer Charly Antolini. The session was produced by Hans Georg Brunner-Schwer.
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Requisites
Alexandria The Great was recorded in 1964 by vocalist Lorez Alexandria and released and distributed on the MCA Impulse! label. Emerging from the Los Angeles, California studio, this now classic recording sessions, three, each with a different group of musicians, rendered ten songs for a total time of 36:25, proving that greatness does not require length.
The compositions are a group of standards that we’ve heard time and again but not in the emotive manner that Lorez relates. This album reflects her soulful, playful and swinging sides with a hint of her gospel roots. Her ballads remind of us how good love is as she speaks to our hearts of relationships new and old.
The songs are listed as: Show Me, I’ve Never Been in Love Before, Satin Doll, My One and Only Love, Over the Rainbow, Get Me to the Church On Time, The Best Is Yet to Come, I’ve Grown Accustomed to His Face, Give Me the Simple Life and I’m Through With Love.
Along with vocals added finger snaps and contributing to the liner notes, her musical colleagues included Paul Chambers on bass, Jimmy Cobb on drums, Ray Crawford on guitar, Victor Feldman on piano and vibraphone, Paul Horn on flute and alto saxophone, Wynton Kelly on piano, Al McKibbon on bass and Bud Shank on flute.
Session and design personnel were Tutti Camarata/producer and original recording producer, Bill Marx/arranger, Ken Druker/executive producer, Mark Cooper Smith/production assistant, Sherniece Smith/art producer, Bob Thiele/producer & liner notes, Joe Lebow/liner design, Hideaki Nishimura/mastering, Hollis King/art direction, Bryan Koniarz/producer, Roger Marshutz/photography and cover photo, and Robert Flynn did the cover design.
Though Lorez Alexandria never received her due as a jazz singer, probably due in part to her long layoff from recording for 11 years. This, however, is an excellent introduction to a fine vocalist worthy of much wider recognition.
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Requisites
Natural Essence is the debut album by tenor saxophonist Tyrone Washington released on the Blue Note label. All the compositions are by Tyrone Washington were recorded at Rudy Van Gelder Studio in Englewood Cliffs, New Jersey on December 29, 1967
Only 23 at the time of the recording, the tenor saxophonist composed six originals and is joined by other promising young lions Woody Shaw on trumpet, James Spaulding on alto saxophone and flute, pianist Kenny Barron, bassist Reggie Workman and drummer Joe Chambers, who went onto great careers.
One hears the influence of John Coltrane during his rapid-fire runs but memorable is his straight-ahead work on the session. The six song session kicks off with the title track Natural Essence, Yearning for Love, Positive Path, Soul Dance, Ethos and Song of Peace.
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The Morning Of The Musicians was composed, arranged, produced and recorded by Brazilian guitarist Gay Vaquer on the RCA label in 1972. The photograph was taken by Enrico Neckheim and the cover design was by Joselito.
The album was comprised of seven compositions totaling a time of 34 minutes and 01 seconds. Side A consisted of 5:20, Peoples Blues, A Cybernetic Tragedy and Dimensions, and Side B is Awakening In Absolution Elsewhere, Fantastic Realism and Da Capo Al Fine.
The personnel on the recording session were Gay Vaquer on acoustic and electric guitar, Novelli on acoustic bass, drummer Bill French, percussionist Everaldo Ferreira, Paulo Moura on flute, alto and soprano saxophone, keyboardist Luiz Eça and vocals by Jane Vaquer.
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