The Quarantined Jazz Voyager
In preparation for the next wave of the pandemic to hit our shores, continual social distancing is a requirement for me as I hope it will be for you. This Quarantined Jazz Voyager is looking forward to listening to the talents of pianist Eric Reed and an album that encompassed some of Broadway’s finest compositions titled Pure Imagination.
Produced by Tommy LiPuma, all songs are written with lyrics by famous songwriters of said productions except for the opening and closing tracks composed by Reed himself, who chose to perform and record them as instrumentals.
This 1998 album was recorded on July 28~29, 1997 and released by Impulse! Records. It contains reinterpretations of traditional songs from classic Broadway and Hollywood productions such as The King & I, Porgy and Bess, and A Little Night Music, among others. Pure Imagination and peaked at #8 on Billboard’s Top Jazz Album charts.
Track Listing | 49:52- Overture
- Maria (Leonard Bernstein, Richard Rodgers, & Stephen Sondheim)
- Hello, Young Lovers (Rodgers and Hammerstein)
- Pure Imagination (Leslie Bricusse, & Anthony Newley)
- 42nd Street (Harry Warren & Al Dubin)
- in the Clowns (Stephen Sondheim)
- My Man’s Gone Now/Gone, Gone, Gone (DuBose Heyward, George, & Ira Gershwin)
- Nice Work If You Can Get It (George & Ira Gershwin)
- You’ll Never Walk Alone (Rodgers and Hammerstein)
- Eric Reed – Piano
- Brian Bromberg – Bass
- Reginald Veal – Bass
- Gregory Hutchinson – Drums
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Daily Dose Of Jazz…
Red Wooten was born Lawrence Bernard Wooten on November 5, 1921 in Social Circle, Georgia and started his career playing country & western before moving to big band jazz. While still in his teens, he landed a six-dollar-a-week gig on Archie “Grandpappy” Campbell’s C&W show on radio station WDOD in Chattanooga, Tennessee. The band included future Sons of the Pioneers guitarist Roy Lanham. Texas crooner Gene Austin hired the band and dubbed them the Whippoorwills. He toured with Austin for a time, then quit the band due to exhaustion.
Red went on to play with several successful big bands of the ’40s, including those led by Jan Savitt and Tony Pastor. Beginning in 1949, he played with a succession of prominent swing bandleaders, including Tommy Dorsey, Woody Herman, and Charlie Barnet. In 1957, he recorded with Harry Babasin’s Jazzpickers in a rhythm section that also included Red Norvo. He hooked up with Norvo and recorded and toured with the vibist in 1957-1958.
He recorded The Most Exciting Guitar with Lanham in 1959. That year, Wootten also toured with Benny Goodman and Frank Sinatra. With Sinatra, he did movies, TV, and worked the Sands Hotel in Las Vegas. In the ’60s and ’70s, he worked mostly in the studios, composed and arranged for film, and authored a book of musical exercises for bass instruments.
In addition to the aforementioned, Wootten played with Merle Travis, Glen Campbell, Eddie Dean, Mary Ford, Tex Williams, Jimmy Bryant, Joe Maphis, and Roy Rogers, among many others. He also worked on Gene Autry’s Melody Ranch radio show. Returning to country and won an Academy of Country Music Award as Best Bassist in 1982.
By the start of the Seventies, he was less active as a jazz musician and concentrated more on studio work. He also composed and arranged film scores. In the mid-1970s he recorded with Anita O’Day. Double bassist Red Wooten, whose name was sometimes spelled Wootten, at present no date of his transition is available.
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Daily Dose Of Jazz…
Jeff Lorber was born November 4, 1952 into a Jewish family in Cheltenham, Pennsylvania. He started to play the piano when he was four years old and after playing in a number of R&B bands as a teen, he attended Berklee College of Music, where he developed his love for jazz. There he met and played alongside guitarist John Scofield and for several years he studied chemistry at Boston University.
Moving to Vancouver, Washington in 1972, his first group, The Jeff Lorber Fusion, released their self-titled debut album in 1977 on Inner City Records. Recording five albums under his name, these early sessions showcased a funky jazz fusion sound, and his 1980 album, Wizard Island, introduced saxophonist Kenny G. In 1982, Lorber recorded his first solo album, It’s a Fact, which explored his R&B roots with a smoother, more synthesizer-heavy sound along with vocals.
Many of his songs have appeared on The Weather Channel segments as well as their compilation albums. He has had six Grammy Award nominations and his Prototype album won for Best Contemporary Instrumental Album in 2018. Keyboardist, composer and record producer Jeff Lorber continues to produce, compose and perform.
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Three Wishes
When asked about his three wishes, Thad Jones told the Baroness he would wish for:
- “Health for my family and myself.”
- “An opportuity for my kids.”
- “Peace.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Jane Monheit was born November 3, 1977 and grew up in Oakdale, New York on Long Island. Her father played banjo and guitar, her mother sang and played records by vocalists beginning with Ella Fitzgerald. At an early age, she was drawn to jazz and Broadway musicals.
She began singing professionally while attending Connetquot High School in Bohemia, New York. She attended the Usdan Summer Camp for the Arts and at the Manhattan School of Music, studying voice under Peter Eldridge, and graduating in 1999.
She was runner-up to Teri Thornton in the 1998 vocal competition at the Thelonious Monk Institute of Jazz, in Washington, DC. The next year when she was 22, she recorded her debut album, Never Never Land that was released the following year. Jane recorded many songs from the Great American Songbook and after recording for five labels, she started her own, Emerald City Records. The label’s inaugural release was The Songbook Sessions in 2016, an homage to Fitzgerald.
Monheit’s vocals were featured in the 2010 film Never Let Me Go for the titular song, written by Luther Dixon, and credited to the fictional Judy Bridgewater.
She has released eleven albums as a leader and has been a guest vocalist on eight albums recorded by David Benoit, Terence Blanchard, Les Brown, Tom Harrell, Harold Mabern, Mark O’Connor, Frank Vignola, and Joe Ascione. Vocalist Jane Monheit continues to perform and record.
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