Daily Dose Of Jazz…
Gene Taylor was born Calvin Eugene Taylor on March 19, 1929 in Toledo, Ohio. Beginning his career in Detroit, Michigan he worked with Horace Silver from 1958 until 1963, then joined the Blue Mitchell Quintet, with whom he recorded and performed until 1965.
From 1966 until 1968, he toured and recorded with Nina Simone, including a Taylor composition she recorded titled Why? (The King of Love is Dead), written following the assassination of Martin Luther King, Jr. He then began teaching music in New York City public schools.
Working with Judy Collins from 1968 until 1976, Gene made numerous television appearances accompanying Simone and Collins. He went on to record with Junior Cook, Barry Harris, Coleman Hawkins, Junior Mance, Eddie Jefferson, Eric Kloss and Duke Pearson.
Double-bassist and songwriter Gene Taylor never led a recording session before passing away on December 22, 2001 in Sarasota, Florida where he had been living since 1990.
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Etienne Bouyer was born on March 18, 1982 in Saint-Denis on the island of Reunion and took violin lessons from age four to 11, opting to play the saxophone. In 1995 he played tenor saxophone in the big band of the Conservatoire d’Antibes and joined the Nice CNR in 1997, where he studied classical saxophone and contemporary music.
1999 saw Etienne gaining admittance to the Baccalauréat Général in Paris, France to study in the American School of Modern Music. For the next five years he studied saxophone, harmony, arrangement and composition, writing for big band and string quartet. Leading an active professional life while studying, he plays in numerous bands and orchestras of all styles including big band, salsa, gypsy and co-founded La Brocante, recording and performing in concert in France and Morocco.
In 2004 he joined the Didier Lockwood Music Center and where he studied with a host of musicians like André Villéger, Pierrick Pedron and Stéphane Guillaume among others. During this period Bouyer met many other musicians with whom he works regularly, taking part in the electro-jazz project Blözar and forming his quartet, the Etienne Bouyer Group with Pierre Antoine, Martin Berauer and Alexis Sébileau.
Following graduation he began teaching, studying privately in New York City with Dave Liebman and Sam Newsome, taking a week-long master class with Charlie Haden and began working with the Belgian violinist Cécile Broché, that led to recordings. He returned to Europe to study in Paris and Brussels, taking master classes with Bob Mintzer, François Jeanneau and creating the Collective Of Active Composing. Etienne has been a member of the Yuval Amihai Ensemble that won the Jazz Festival Tremplin in Saint-Germain-des-Prés.He has performed with Avishai Cohen, Rabih Abou-Khalil, Bojan Z, Kyle Eastwood and Manu Katché.
Tenor and soprano saxophonist Etienne Bouyer teaches at the Conservatory of Music and Dance of Châtenay-Malabry and the Conservatoire with Regional Radiation of Amiens Métropole. He currently Is the coordinator of the Jazz & Current Music Department at the Amiens Metropole Regional Conservatory and continues to perform, record and compose.
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Junior Raglin was born Alvin Raglin on March 16, 1917 in Omaha, Nebraska. He started out on guitar but had picked up bass by the mid-1930s. He played with Eugene Coy from 1938 to 1941 in Oregon, and then joined Duke Ellington’s Orchestra, when Ellington returned to using two basses, then replaced Jimmy Blanton after his departure from the orchestra. He remained with Duke from 1941 to 1945.
After leaving Ellington, Raglin led his own quartet, and also played with Dave Rivera, Ella Fitzgerald, and Al Hibbler. He returned to play with Ellington again briefly in 1946 and 1955. Falling ill in the late 1940s, he quit performing;
Double-bassist Junior Raglin, who performed mainly during the swing era and never recorded as a leader, passed away on November 10, 1955 at age 38.
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Arif Mardin was born on March 15, 1932 in Istanbul, Turkey into a family of privilege that included statesmen, diplomats, leaders and business owners of the Ottoman Empire and the Turkish Republic. He grew up listening to Bing Crosby and Glenn Miller, met jazz critic Cuneyt Sermet, who turned him onto this music and eventually became his mentor. After graduating from Istanbul University in Economics and Commerce, he studied at the London School of Economics. Though never intending to pursue a career in music, influenced by his sister’s music records and jazz, he became an accomplished orchestrator and arranger.
In 1956 fate took him down a different path when he met Dizzy Gillespie and Quincy Jones at a Ankara concert. He sent three demo compositions to his radio friend Tahir Sur who subsequently took these compositions to Jones and Mardin became the first recipient of the Quincy Jones Scholarship at the Berklee College of Music in Boston, Massachusetts. Two years later with fiancé Latife, he relocated to Boston. After graduating in 1961, he taught at Berklee for one year and then moved to New York City to try his luck.
His career began at Atlantic Records in 1963 as an assistant to Nesuhi Ertegün. He rose through the ranks quickly, becoming studio manager, label house producer and arranger. In 1969, Arif became the Vice President and later served as Senior Vice President until 2001. He worked closely on many projects with co-founders Ertegün and Jerry Wexler, as well as noted recording engineer Tom Dowd. The three of them, Dowd, Mardin, and Wexler, became legendary and were responsible for establishing the Atlantic Sound.
He recorded two solo albums in the Seventies, Glass Onion and Journey, the latter wearing the hats of composer, arranger, electric pianist and percussionist. Mardin performed with Randy and Michael Brecker, Joe Farrell, Gary Burton, Ron Carter, Steve Gadd, Billy Cobham and many others. He composed, arranged, conducted and produced The Prophet in 1974, an interpretation of Kahlil Gibran’s The Prophet voiced by Richard Harris.
Arif produced George Benson, The Manhattan Transfer, Vince Mendoza, and the Modern Jazz Quartet, but not limited to jazz he also produced, among others, Margie Joseph, Roberta Flack, Donny Hathaway, Raul Midón, Patti Labelle, Aretha Franklin, Barbra Streisand, Bette Midler, Diana Ross, Queen, Jeffrey Osborne, and numerous others. In 1975 he discovered Barry Gibb’s distinctive falsetto that became the Bee Gees trademark.
Over a 40 year career Mardin produced forty gold and platinum albums, 11 Grammy Awards, was inducted into the National Academy of Recording Arts and Sciences Hall of Fame, and was a trustee of Berklee and awarded an honorary doctorate
Pianist, percussionist, producer, arranger, studio manager and vice president Arif Mardin passed away at his home in New York City on June 25, 2006 following a lengthy battle with pancreatic cancer.
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Sonny Cohn was born George T. Cohn on March 14, 1925 in Chicago, Illinois and started playing in small groups in his hometown with King Fleming while still a teenager. He sat in with Red Saunders’ group in 1945, while Saunders was out of the Club DeLisa and working with a sextet instead of his usual mid-sized band.
Fresh out of military service, on a recommendation from Leon Washington Sonny joined the Saunders group at the Capitol Lounge in Chicago. He was featured on Saunders’ first recordings as a leader for Savoy, Sultan, and behind Big Joe Turner on National. He performed on the records that Saunders made for OKeh Records from 1951–1953 and for Parrot and Blue Lake 1953–1954. In 1958 he was apart of the James Moody recording session on the Last Train From Overbrook on the Argo label.
Sonny Cohn survived several downsizings of the Red Saunders band, as well as the closure of the Club DeLisa, but eventually accepted an offer from Count Basie, with whom he worked from 1960 through 1984, and recording twenty-eight albums with the band..
After Basie’s death, he returned home and remained active for another two decades. Trumpeter Sonny Cohn, who never recorded as a leader, passed away on November 7, 2006 in Chicago at the age of 81.
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