Daily Dose Of Jazz…

Conrad Lanoue was born on October 18, 1908 in Cohoes, New York. He started on piano when he was ten years old and attended the Troy Conservatory.

Beginning his career in his 20s, he played piano at hotels in his hometown. Conrad recorded with Red McKenzie in 1935, and under the combined leadership of trumpeter Eddie Farley and trombonist Mike Riley in 1935–36. During the 1930s he worked for Louis Prima, then Wingy Manone from 1936 to 1940 followed by playing with pianist Joe Haymes.

From the 1940s to the 1960s, he was a member of bands led by Lester Lanin, Charles Peterson, and Hal Landsberry. He also wrote big band arrangements. Pianist and arranger Conrad Lanoue, who never recorded as a leader, retired in 1968 due to illness and transitioned in Albany, New York on October 15, 1972.

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Daily Dose Of Jazz…

David Bee was born on October 17, 1903 in Brussels, Belgium. He was a multi-instrumentalist adept on clarinet, harp, piano, and alto and tenor saxophone. For a year in 1924 he played with the group Bistrouille ADO before co-founding an ensemble with Peter Packay called Red Beans. The group toured widely throughout western Europe.

After returning to Belgium, David joined Robert De Kers’s band, and also played in Paris, France at Chez Florencewith Benny Carter and Willie Lewis. He recorded with Gus Deloof in the early Forties and after World War II he played with Robert Bosmans and Chas Dolne later in the decade. He led his own bands and groups at various times in the 1950s and continued recording late into the decade and the 60s.

As a composer, Bee pennedr the tunes High Tension recorded by Luis Russell) and Obsession recorded by Ted Heath and Reg Owen.

Clarinetist, harpist, pianist, alto and tenor saxophonist, arranger and composer David Bee, also known as Ernest Craps, Ernie Sparks, and Manuel Travo, transitioned in 1992.

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Joseph Lucian Roccisano was born on October 15, 1939 in Springfield, Massachusetts. He received his bachelor’s degree in music education from SUNY-Potsdam in 1963. In 1964 he played in the Tommy Dorsey orchestra under Sam Donahue.

After moving to Los Angeles, California in the mid-Sixties he played with Don Ellis, Ray Charles, Louie Bellson, Lew Tabackin, Toshiko Akiyoshi, Terry Gibbs, Don Menza, Bill Holman, and Don Rader. He assembled the 15-piece ensemble Rocbop in 1976 and played in the Capp-Pierce Juggernaut in 1981.

He formed his own big band, the Joe Roccisano Orchestra, releasing two albums during the 1990s. The musicians joining him in this band included Bill Charlap, Bud Burridge, Jack Stuckey, Franck Amsallem, James E. Pugh, John Basile, Ken Hitchcock, Lou Marini, Matt Finders, Robert Millikan, Scott Lee, Terry Clarke, Tim Ries, Tom Harrell, Scott Robinson, and Greg Gisbert.

He became an arranger for Ellis, Bellson, Doc Severinsen, and Woody Herman. He scored the tune Green Earrings on the 1978 Herman album Chick, Donald, Walter, and Woodrow. Joe was nominated for a Grammy Award for the arrangement. He composed Tenors of the Time, a tune recorded by Pete Christlieb and Warne Marsh.

Saxophonist and arranger Joe Roccisano transitioned on November 9, 1997.

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Kenneth John Moule was born on June 26, 1925 in Barking, Essex, England and was the only child of Frederick and Ethal Moule. Surviving an early childhood illness, left him with a cadaverous look which went well with his ridiculous sense of humor.

In the Forties Moule played piano with the Johnny Dankworth Quartet before leaving to join Oscar Rabin in 1945. He would go on to perform with Remo Cavalotti for a summer season and Joe Daniels before working on the Queen Mary in Bobby Kevin’s Band, with Ronnie Scott and Johnny Dankworth. He closed out the decade working with several bands including Jiver Hutchinson, Bert Ambrose, Frank Weir and Ken Mackintosh.

During the early 1950s Ken worked with Raymonde’s Orchestra, again with Ambrose and then with Frank Weir on several occasions. 1954 saw him form under his own name a septet, which was comprised of two-tenor, baritone, trumpet and three rhythm group. He resigned from the septet in 1955 and from 1956–1959 he arranged for Ted Heath’s orchestra. During this time he composed the suite Jazz at Toad Hall, and was released on Decca Records in 1958. He worked in Sweden and toured Europe with Kurt Weill’s Band until 1960.

The 1960s saw his return to England and worked freelance as an arranger, especially with Lionel Bart. He was the musical director for the shows Fings Ain’t Wot They Used T’Be and Twang!!. From 1962 he broadcast regularly with his 15 piece orchestra, and later broadcasted and recorded with a larger band called The Full Score. His Adam’s Rib Suite was recorded by the London Jazz Chamber Group in 1970 with Kenny Wheeler on the recording issued on Ember Records.

He scored Cole Porter songs for the musical Cole! performed at the Mermaid Theatre in 1974, and worked with Dankworth again around that time with his London Symphony Orchestra collaborations. He worked out of Germany for part of the 1970s before ill health caused him to move to the warmer climate of Spain.

Pianist, composer and arranger Ken Moule transitioned in Marbella in January 27, 1986, aged 60.

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Charles Theodore Straight was born on January 16, 1891 in Chicago, Illinois. He started his career in 1909 at 18 accompanying singer Gene Greene in Vaudeville. In 1916, he began working at the Imperial Piano Roll Company in Chicago, where he recorded dozens of piano rolls.

Becoming a popular bandleader around town during the Jazz Age, his band, the Charley Straight Orchestra, had a long term engagement at the Rendezvous Café from 1922 to 1925 and recorded for Paramount Records and Brunswick Records during the decade.

This period also saw Straight working with Roy Bargy on the latter’s eight Piano Syncopations. Besides working as a pianist or leading an orchestra, he also composed and arranged music, both ragtime and jazz.

Pianist, bandleader and composer Charley Straight transitioned on September 22, 1940 in Chicago after being struck by an automobile while  working as a city sanitary inspector. He was emerging from a manhole in the street.

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