Daily Dose Of Jazz…
Antonio Ciacca was born in Wuppertal, Germany March 14, 1969 and raised in Italy. He began playing the piano at the age of seven and studied with Steve Grossman, Jaki Byard, Bruce Barth and Barry Harris.
Ciacca toured Europe with the Larry Smith Quartet in 1995 and 1996, played in Japan with the Eiji Nakayama Quartet in 1998, and toured Europe with Wes Anderson and Steve Lacy in 1999. His study with Jaki Byard in 1998–99, and dedicated the album Hollis Avenue to him.
He founded the Detroit Gospel Singers, and toured Europe with them in 2000. He earned his undergraduate Diploma at the G.B. Martini Conservatory in Bologna, Italy. He became Director of Programming at Jazz at Lincoln Center from 2007 to 2011. Earning his master’s degree in jazz studies at City College in New York City and his DMA, Doctor of Musica Arts at Stony Brook University.
Pianist Antonio Ciacca is currently the adjunct professor of Jazz History at Marymount Manhattan College, and Professor of Jazz Arranging and Composition at the G. Nicolini Conservatory in Piacenza, Italy.
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Daily Dose Of Jazz…
Anne Phillips was born on February 17, 1935 in Wyomissing, Pennsylvania. Studyinged piano growing up in suburbia, she didn’t hear jazz until she was a senior in high school. She studied at Oberlin College where she joined a jazz club and sang with the school’s big band and had a radio show.
By the time she turned nineteen she was in New York City playing piano and clubs six nights a week. Phillips started working in demo recordings for songwriters in the 1950s, and was a member of the Ray Charles Singers on the Perry Como Show. In 1959, she recorded her first jazz album, Born to Be Blue, for Roulette Records.
She went on to work as a singer, music arranger, conductor, writer, and producer for national commercials including Pepsi, Revlon, and Sheraton. Her Pepsi campaign included The Turtles, The Four Tops, The Hondells, and the Trade Masters. Anne has worked with Carole King, Burt Bacharach, and Neil Diamond
Composing and arranging then became more of her musical life. She went on to write the Christmas album Noel Noel for 25 singers a cappella. She followed this by writing The Great Grey Ghost of Old Spook Lane, a children’s musical, then an environmental piece What Are We Doing To Our World?, and a full musical, Damn Everything But The Circus. for which I wrote both music and lyrics with book writer Stephanie Braxton, has had several readings and is close to production.
Founding Kindred Spirits, a not-for-profit organization founded with her husband, Bob Kindred, the organization sponsors a yearly performance of Bending Towards the Light – A Jazz Nativity, which she composed. They also have an educational program for inner-city children called The Kindred Spirits Children’s Jazz Choirs which teaches jazz music.
Vocalist, composer, arranger, producer Anne Phillips is celebrating her 90th birthday.
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Daily Dose Of Jazz…
Terry Vosbein was born in New Orleans, Louisiana on February 8, 1957. He received his Masters in Composition from James Madison University and his Doctorate in Composition from the Cleveland Institute of Music. He has composed works for orchestra, wind ensembles, chamber ensembles and choirs. He has written works for jazz bands of all sizes and his compositions have been performed all over the world.
His latest release with the Knoxville Jazz Orchestra is titled Fleet Street and is infused with a sense of humor, adding a special dimension that is too often missing in contemporary big band writing. His 2009 Progressive Jazz album also with the Knoxville Jazz Orchestra has garnered critical acclaim.
He has been awarded seven residencies and a fellowship at University College in Oxford, where he composed Masque for Cello and Orchestra. Terry also teaches music composition at Washington and Lee University in Lexington, Virginia.
For over twenty-five years Vosbein was an active jazz bassist and arranger, performing and arranging for a variety of ensembles, including the Glenn Miller Orchestra and the Atlanta Pops. He has performed in a wide range of genres from country western twang to big band swing, disco and country club wallpaper, and continues to play a never ending assortment of jazz combos and studio sessions.
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Daily Dose Of Jazz…
Werner Dies was born on January 15, 1928 in Frankfurt, Germany. An autodidact on guitar and saxophone, he studied clarinet and composition starting in 1947. From 1947 to 1955 he played guitar in the dance band of Willy Berking, and was a member of the bands Hotclub Combo and Two Beat Stompers.
He led his own ensemble, went on a tour of Yugoslavia in 1955 and from 1955 to 1965 he was a member of Hazy Osterwald’s sextet, and also worked as a session musician and arranger. He toured with Joe Turner and, in 1968, Charly Antolini.
He had a hit in Germany in 1954 with Schuster bleib bei deinen Leisten (The Little Shoemaker) that spent eight weeks at #1 on the German hit parade starting in October 1954. He later worked for Howard Carpendale, Adam & Eve, Graham Bonney, and other singers, and produced easy listening music with his own ensemble, the Werner Dies Sax Band.
He wrote a treatise on clarinet improvisation that was published in 1967. He produced the group Bläck Fööss from 1973 to 2003. Tenor saxophonist, clarinetist, guitarist, composer, and arranger Werner Dies died on February 5, 2003.
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Daily Dose Of Jazz…
John Josephus Hicks Jr. was born December 21, 1941 in Atlanta, Georgia, the eldest of five children. As a child he moved around the United States as his father, Rev. John Hicks Sr, took up jobs with the Methodist church. His mother was his first piano teacher after he began playing at six or seven in Los Angeles, California. He took organ lessons, sang in choirs and tried the violin and trombone. Once he learned to read music around the age of 11, he started playing the piano in church.
His development accelerated once his family moved to St. Louis, Missouri when Hicks was 14 and he settled on the piano. Attending Sumner High School and played in schoolmate Lester Bowie’s band, the Continentals, which performed in a variety of musical styles. Hicks worked summer gigs in the southern United States with blues musicians Albert King and Little Milton with the latter providing his first professional work in 1958.
He studied music in 1958 at Lincoln University in Pennsylvania, where he shared a room with drummer Ronald Shannon Jackson. He also studied for a short time at the Berklee School of Music in Boston, Massachusetts before moving to New York in 1963.
In New York, John first accompanied singer Della Reese, then went on to play with Joe Farrell, Al Grey, Billy Mitchell, Pharoah Sanders, Jimmy Witherspoon, Kenny Dorham and Joe Henderson before joining Art Blakey’s Jazz Messengers in 1964. From 1965 to 1967 he worked on and off with vocalist Betty Carter, then joined Woody Herman’s big band, where he stayed until 1970, playing as well as writing arrangements for the band.
From 1972 to 1973, Hicks taught jazz history and improvisation at Southern Illinois University. From the 1970s onward he had a prolific career as a leader recording his debut in England followed by fifty-three more albums and as a sideman he recorded 300.
Towards the end of his life, he taught at New York University and The New School in New York. In 2006 John played in a big band led by Charles Tolliver, recorded his final studio album On the Wings of an Eagle.
Pianist, composer and arranger John HIcks, whose collection of papers, compositions, video and audio recordings are held by Duke University, died from internal bleeding on May 10, 2006.
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