Daily Dose Of Jazz…
Joki Freund was born Walter Jakob Freund on September 5, 1926 in Höchst, Frankfurt am Main, Germany. He began playing the accordion as a child, switching to tenor saxophone after World War II ended.
Early in the postwar era, he played with Joe Quitter, Carlo Bohlander, Gerry Weinkopf, Joe Klimm, and Jutta Hipp, before forming his own ensemble. He began performing with American musicians, including Donald Byrd, Art Taylor, and Doug Watkins during their European festival appearances.
He went on to play with and arranged for Albert Mangelsdorff in the jazz orchestra of Hessischer Rundfunk, and Erwin Lehn in the Süddeutscher Rundfunk orchestra. He played with the Frankfurt Jazz Ensemble on soprano saxophone in the 1970s, also performing as a leader around this time.
Saxophonist Joki Freund, who predominantly played in a quintet setting but also in orchestras or big bands, transitioned on February 15, 2012 in Schwalbach am Taunus, Germany.
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Daily Dose Of Jazz…
Warren Covington was born on August 7, 1921 in Philadelphia, Pennsylvania and played with Isham Jones in 1939, then with Les Brown in 1945-46 and Gene Krupa in late 1946. Following this he became a staff musician for CBS radio.
By the end of the decade he was working with Ralph Flanagan and again in the mid Fifties. He played briefly with Tommy Dorsey but by 1956 he replaced Eddie Grady as leader of the Commanders, a Decca recording and touring band which lasted until the middle of 1957. Covington recorded two albums and one single with this band.
Post Tommy Dorsey’s sudden death in 1956, the band continued under the direction of Jimmy Dorsey. However, Tommy’s estate took back his arrangements and approached Warren to form a new Tommy Dorsey band, which he led, touring and recording for Decca, into 1961. Among his hits with the Dorsey band was Tea for Two Cha Cha, which sold over one million copies and was awarded a gold disc.
A player who also occasionally played, with a variety of the baritone horn, baritone and tenor saxophone, Covington participated in the big bands of Charles Mingus, Randy Weston, Bobby Hackett, and George Benson on recordings, and also a number of film soundtracks.
Big band trombonist Warren Covington, who was also an active session player, arranger and bandleder, transitioned on August 24, 1999 in New York.
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Daily Dose Of Jazz…
Thomas “Bones” Malone was born June 16, 1947 in Honolulu, Hawaii. He began playing professionally as lead trumpeter for Brenda Lee at a club in Jackson, Mississippi while enrolled at the University of Southern Mississippi. In response to a call from Warren Covington, leader of the Tommy Dorsey Orchestra, he began contracting musicians. After transferring to North Texas State University, Malone continued working as both a player and a contractor for groups. He graduated from North Texas State University with Lou Marini, and both were members of the One O’Clock Lab Band at North Texas.
After graduation, he worked in bands of Woody Herman in 1969, and during the early Seventies he worked with Duke Pearson, Louie Bellson, Doc Severinsen, Frank Zappa, and Blood, Sweat & Tears. In 1973, Malone began a close, fifteen-year association with Gil Evans, whom he has called a mentor. He recorded albums with Evans and toured Europe, Japan, and the Far East. In 1975 Malone toured with Billy Cobham and in 1976 with The Band.
From 1975 to 1985 he worked as arranger for Saturday Night Live and from 1981 to 1985 as musical director. He wrote the chart for the skit that introduced John Belushi and Dan Aykroyd as the Blues Brothers and worked on the film score for Blues Brothers 2000. He joined the CBS Orchestra in 1993, and contributed more than 1,600 arrangements to the Late Show with David Letterman.
As a studio musician, he has been heard on more than 1,000 records, more than 3000 radio and television commercials, and over 4,000 live television shows. In 2007 Bones was invited by music director Geoffrey Moull to arrange and perform a concert with the Thunder Bay Symphony Orchestra. In 2011 Malone was a guest artist with the University of Southern Mississippi Symphony Orchestra.
Trombonist, arranger, and producer Tom Malone, who also plays saxophone, trumpet, tuba, flute, and bass guitar, continues to expand his creative reach.
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Daily Dose Of Jazz…
Allen Nicholas Farnham was born May 19, 1961 in Boston, Massachusetts and first played piano when he was 12. In 1983 he graduated from the Oberlin Conservatory of Music in Ohio.
Moving to New York City in the following year Allen freelanced before signing with Concord Records in 1986. Between 1986 and 1990 he led his own quartet, with either Joe Lovano or Dick Oatts on saxophone and Drew Gress and Jamey Haddad filling out the rhythm section and from 1990 he was pianist and music director for Susannah McCorkle.
He has produced more than fifty albums, is on the faculty of New Jersey City University and has recorded several albums under his own name. Pianist, record producer, educator, composer and arranger Allen Farnham continues to pursue all his musical endeavors.
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Daily Dose Of Jazz…
Skip Martin was born Lloyd Vernon Martin on May 14, 1916 in Robinson, Illinois. He was an active arranger during the swing jazz band era of the 1930s and 1940s. working with Count Basie, Charlie Barnet, Benny Goodman and Glenn Miller. He doubled as a reedist with the latter three, and recorded with trumpeter Cootie Williams in the early 1940s as well.
Later in the 1940s Skip worked with Les Brown before moving to Los Angeles, California in the 1950s, where he did extensive work as a staff and freelance orchestrator, studio conductor and popular song arranger Tony Martin, The Pied Pipers, the Andrews and De Castro sister groups, and Barbara Ruick.
Martin recorded three albums as a leader and produced material for West Coast jazz and swing concept albums such as Scheherajazz in 1959 for Somerset Records. In 1963 he joined Nelson Riddle on a dream team of arrangers working on the Sinatra-Burke compilation albums for the ambitious Reprise Musical Repertory Theatre project, featuring the singing members of the Rat Pack, plus Bing Crosby, Rosemary Clooney and Jo Stafford.
In Hollywood, Skip was one of the team of orchestrators contributing to Singin’ in the Rain, Guys and Dolls, and shared arrangement credits with Conrad Salinger on Summer Stock, Kiss Me Kate and Funny Face, where a few songs of the Great American Songbook came from. He retained sole credit as orchestrator for Judy Garland’s comeback vehicle A Star Is Born, which gave us The Man That Got Away and It’s A New World.
Saxophonist, clarinetist, and music arranger Skip Martin transitioned on February 12, 1976, in Los Angeles, California.
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