Daily Dose Of Jazz…
John Laird Abercrombie was born in Port Chester, New York on December 16, 1944. Growing up in the 1950s in Greenwich, Connecticut he was attracted to the rock and roll of Chuck Berry, Elvis Presley, Fats Domino, and Bill Haley and the Comets. He also liked the sound of jazz guitarist Mickey Baker of the vocal duo Mickey and Silvia. He had two friends who were musicians with a large jazz collection and they listened to albums by Dave Brubeck and Miles Davis.
The first jazz guitar album he heard was by Barney Kessel, and taking guitar lessons at the age of ten, asked his teacher to show him what Kessel was playing. After high school, John went to Berklee College of Music and while there he was drawn to the music of Jim Hall, Sonny Rollins, and Wes Montgomery. He cites George Benson and Pat Martino as inspirations. His playing around Boston, Massachusetts led to his meeting the Brecker Brothers and organist Johnny Hammond Smith, who invited him to go on tour.
From Berklee in 1967 to North Texas State University to a move to New York City in 1969 where he became a popular session musician. He joined the Brecker Brothers in the jazz-rock fusion band Dreams, followed by recordings with Gato Barbieri, Barry Miles, and Gil Evans. He continued to play fusion in Billy Cobham’s band until an invitation from drummer Jack DeJohnette led to the fulfillment of Abercrombie’s desire to play in a jazz-oriented ensemble.
Around the same time, record producer Manfred Eicher, founder and president of ECM Records, invited him to record an album. He recorded his first solo album, Timeless, with DeJohnette and keyboardist Jan Hammer. who had been his roommate in the 1960s. In 1975 he formed the band Gateway with DeJohnette and bassist Dave Holland.
Between 1984 and 1990, Abercrombie experimented with a guitar synthesizer. Free jaz became a mainstay for him in the 1990s and 2000s as he formed many new associations. Drummer Adam Nussbaum, and Hammond organist Jeff Palmer became his trio and made a free-jazz album, then replaced Palmer with organist Dan Wall and released three albums between 1992 and 1997. Adding trumpeter Kenny Wheeler, violinist Mark Feldman and saxophonist Joe Lovano to the trio he recorded Open Land in 1999.).
He continued to tour and record until the end of his life. who recorded 59 as a leader, 4 with Gateway, 6 with Andy LaVerne and 93 as a sideman for the who’s who in jazz. Guitarist John Abercrombie, whose work explored jazz fusion, free jazz, and avant-garde jazz, passed away of heart failure in Cortlandt Manor, New York, at the age of 72 on August 22, 2017.
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Daily Dose Of Jazz…
Mark Helias was born October 1, 1950 in New Brunswick, New Jersey. He started playing the double bass at the age of 20, graduating from Yale University’s School of Music with a Masters degree in 1976 and also studied at Rutgers University.
He has performed with a wide variety of musicians, first and foremost with trombonist Ray Anderson, with whom Helias led the ironic 1980s avant-funk band Slickaphonics. He also led a trio with drummer Gerry Hemingway, formed in the late 1970s, which was later renamed BassDrumBone.
Helias has performed with members of Ornette Coleman’s band, Don Cherry, Dewey Redman, and Ed Blackwell, and with musicians affiliated with the AACM, such as Anthony Braxton and Muhal Richard Abrams.
>Since 1984 Mark Helias has released six recordings under his own name and further six albums leading the archetypal improvising trio Open Loose since 1996. The group comprises Helias on bass, first Ellery Eskelin, then Tony Malaby on tenor saxophone and Tom Rainey on drums.
Double bassist and composer Mark Helias continues to perform and teaches at Sarah Lawrence College, The New School, and SIM (School for Improvised Music.
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Daily Dose Of Jazz…
William E. Clark was born July 31, 1925 in Jonesboro, Arkansas. He worked professionally starting shortly after World War II, playing drums with Jimmy Jones, Dave Martin, Mundell Lowe, and George Duvivier.
He was principally active in the 1950s, working with Lester Young, Mary Lou Williams, Lena Horne, Hazel Scott, Duke Ellington, Don Byas, Arnold Ross, Bernard Peiffer, George Shearing, Toots Thielemans, Ronnell Bright, Jackie Paris, and Rolf Kuhn. Later in his career Bill worked with Eddie Harris and Les McCann.
Drummer Bill Clark, known for his versatility playing Dixieland, swing, bebop, avant-garde and fusion, passed away on July 30, 1986 in Atlanta, Georgia.Share a dose of a Jonesboro drummer to inspire inquisitive minds to learn about musicians whose legacy lends their genius to the jazz catalog…
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Daily Dose Of Jazz…
Travis Sullivan was born in 1971 in New York City and founded his 18 piece genre bending jazz orchestra Björkestra in New York City in 2004. Led by the alto saxophonist, musical arrangements are by Sullivan, Kevin Schmidt, and Kelly Pratt. The Björkestra performs the music of eclectic musician Björk.
Since its debut at the Knitting Factory in New York City, the group has performed around the country. In 2007 Sullivan conducted his arrangements with the Sicilian Jazz Orchestra in Palermo, Sicily.
Members of the orchestra, that includes vocalist Becca Stevens, have performed with Arcade Fire, Dr. Dre, Charlie Hunter, Avishai Cohen, Ana Cohen, Jane Monheit, Clark Terry, Rachel Z, Phil Woods, The Spam All Stars, Maria Schneider, and the Saturday Night Live Band, as well as, with Donny McCaslin, Kurt Rosenwinkel and Ben Monder.
His project Altois: The Masters Of Alto Sax interprets the music of the most influential alto saxophonists of the bebop era. Alto saxophonist, pianist, composer and arranger Travis Sullivan continues to further his exploration of jazz.
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Daily Dose Of Jazz…
Ernest Hood was born on June 2, 1923 in Portland, Oregon. During the 1940s he was a jazz guitarist in the Portland, Oregon area in the 1940s. He played with his brother Bill and saxophonist Charlie Barnet.
Hood contracted polio in the 1950s, which confined him to using a wheelchair for the rest of his life. No longer able to hold a guitar, he started playing the zither. He played zither on some of Flora Purim’s early albums.
His only studio album, Neighborhoods, was recorded and self~released in 1975 and is a work of ambient music that explores the soundscapes of Portland, Oregon suburbia through a collage of field recordings layered with Hood’s zither and synthesizer melodies. Only one thousand copies were pressed during its original production run. After remaining in obscurity for over 40 years, it was reissued by Freedom to Spend in 2019.
Hood, who often went by Ern or Ernie, was a major figure in Portland’s music scene. He helped found KBOO, a nonprofit FM radio station that still exists today in the city. The radio show he hosted, Radio Days, on KBOO and KOAP, aimed for the same kind of audience his record Neighborhoods did, one that wanted to relive the serenity of the past.
He was also involved in launching the city’s first jazz club, The Way Out. Avant~garde zither and keyboardist, and radio host Ernest Hood, passed away in 1995.
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