Daily Dose Of Jazz…
Christopher Burnett was born in Olathe, Kansas on November 2, 1955 and grew up in a military family that moved often before settling in the Kansas City area. He was exposed to music growing up as his mother introduced him to the piano and he was a member of the youth choir at his church. He took up saxophone and clarinet in his school band. After high school, he enlisted in the U.S. Army Music Program where he performed and pursued higher education, studying at the Armed Forces School of Music, Webster University, Missouri’s Columbia College, Berklee College of Music, and American University.
Spending 22 years in the military, Chris rose to the rank of 1st Sergeant in the position of Enlisted Bandleader, staff and faculty assignment at the Armed Forces School of Music, and the leading Chief Petty Officer of the NATO Band in Naples, Italy. He served as NATO Ceremonial Band Conductor, directed the jazz band, played the lead alto saxophone chair with the West Point Military Academy Band’s Jazz Knights, and a featured soloist with the Hof Symphony Orchestra in Germany.
After leaving the military Burnett continued to teach, holding the position of director of the jazz ensemble program and adjunct lecturer at Missouri University of Science and Technology, formerly University of Missouri-Rolla, where he worked as an Adjunct Lecturer for a decade.
He has performed with artists like Bobby Watson, Will Matthews, Marcus Hampton, Ahmed Alaadeen, and many more. Burnett is the Founder and Artistic Director of KC Area Youth Jazz and along with colleagues Erica Lindsay and Sumi Tonooka is a co-founder of the large independent recording label, Artists Recording Collective.
He has held residencies at the historic Drum Room and the Black Dolphin in Kansas City, and appeared as a guest artist and clinician for the Northwest Missouri State Jazz Festival. He released his debut album as a leader, Time Flies in 2013, Firebird in 2014, in 2021 The Standards, Vol. 1, and Live at The Drum Room in Kansas City in 2022.
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Daily Dose Of Jazz…
David Panton was born on October 20, 1946 in the Midlands, England where his formative musical experience revolved around singing in the local church choir and later with a mixed voice choir and an amateur operatic society. He began teaching himself classical piano from the age of twelve and by fifteen had begun to compose by improvising at the keyboard. At seventeen he joined the army as a bandsman, taking up the oboe and being posted for a year in 1964 to Kneller Hall, the Military School of Music. He later attended Birmingham School of Music for piano tuition under the late William Fellowes for a year from 1966. His composing took on a more modern direction which was largely unintelligible to his military colleagues.
After four years as bandsman he resigned to pursue a musical career back in civilization, taking up the alto saxophone as a result of hearing some of the American and British free jazz players of the time such as Ornette Coleman and Mike Osborne. He formed several groups and gave solo performances at the Birmingham Arts Lab, Midlands Arts Centre, Birmingham and Midlands Institue as well as numerous pubs. He made contact with London based musicians John Stevens, Evan Parker, Derek Bailey and Maggie Nichols which led to occasional appearances around the city.
He ventured into folk music with the group Forest, followed by the experimental theatre group Chameleon Laboratory Theatre. In 1979 he received an Arts Council jazz bursary, allegedly the first provincal based musician to do so, with a second following in 1981. By 1989 he abandoned music and started up an audio cassette duplication business. When the demise of the audio cassette undermined business viability, David opted to take up a civil service post in the late Nineties from which he retired in 2006.
In 2009 he was awarded the MA in Music from the Open University and has continued to pursue music activities in academia.
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Daily Dose Of Jazz…
Joseph Bowie was born October 17, 1953 in St. Louis, Missouri and was greatly influenced by his older brothers, saxophonist Byron and trumpeter Lester. His first international tour was with Oliver Lake of the Black Artists Group in 1971. During this time in Paris, France he worked with Alan Silva, Frank Wright, and Bobby Few. He also worked with Dr. John in Montreux, Switzerland in 1973.
Moving to New York City, and with the help of Off Broadway Theater impresario Ellen Stewart he established La Mama children’s theater. He performed with Cecil Taylor, Human Arts Ensemble, Nona Hendryx, Leroy Jenkins, Vernon Reid, Stanley Cowell, Sam Rivers, Philippe Gaillot, Dominique Gaumont and Ornette Coleman.
In 1976 Joseph relocated to Chicago, Illinois where he led bands for Tyrone Davis and other R&B artists. Returning to New York City in 1978 he began singing with punk and funk musician James Chance and the Contortions. Defunkt was born during that time and over the next 25 years, Defunkt recorded 15 albums.
Bowie has collaborated with Jean-Paul Bourelly and Jamaaladeen Tacuma. He has performed “big band funk” arrangements with Ed Partyka at Music School Lucerne, Barbary Coast Ensemble at Dartmouth College, JazzArt Orchestra, and the HR Frankfurt Radio Big Band. The first Defunkt Big Band debuted in 1999 in New York City at the Texaco Jazz Festival sponsored by the Knitting Factory.
In 2003, he moved to the Netherlands where he met Hans Dulfer and was introduced to the Dutch music scene. He has performed with Hans, Candy Dulfer, Saskia Laroo Band, Naked Ears, Monsieur Dubois, Emergency Room, Funkateer, Seven Eleven, and Almost Three.
In 2014 he produced Sax Pistols Allergy for the U.S (ZIP Records) with lyricist Hilarius Hofstede. The album Defunkt Mastervolt was released in 2015 on ZIP Records. Robin van Erven Dorens directed the documentary In Groove We Trust about Bowie’s life.
Trombonist and vocalist Joseph Bowie continues to perform and record.
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Daily Dose Of Jazz…
Pharoah Sanders was born Ferrell Lee Sanders on October 13, 1940 in Little Rock, Arkansas, an only child. He began his musical career accompanying church hymns on clarinet but his initial artistic accomplishments were in the visual arts. When he was at Scipio Jones High School in North Little Rock, he began playing the tenor saxophone.
After graduating from high school in 1959, Sanders moved to Oakland, California, where he lived with relatives. He briefly studied art and music at Oakland City College. He earned a Bachelor of Fine Arts from an unknown art institution.
He began his professional career playing tenor saxophone in Oakland, then moved to New York City in 1962. The following year he was playing with Billy Higgins and Don Cherry and caught the attention of Eric Dolphy and John Coltrane. In 1965, he became a member of Coltrane’s band, as the latter gravitated towards the avant-garde jazz of Albert Ayler, Sun Ra, and Cecil Taylor.
Sanders first recorded with Coltrane on Ascension, followed by their dual-tenor album Meditations, then joined Coltrane’s final quintet. Pharoah released his debut album as a leader, Pharoah’s First, was not what he expected. In 1966 he signed with Impulse! and the years Sanders spent with the label were both a commercial and critical success.
The 1970s had Sanders continuing to produce his own recordings including the 30-minute wave-on-wave of free jazz, The Creator Has A Master Plan from the album Karma, featuring vocalist Leon Thomas and to work with Alice Coltrane on her Journey in Satchidananda album. Although supported by African-American radio, Sanders’ brand of brave free jazz became less popular.
His major-label return came in 1995 when Verve Records released Message from Home, followed by Save Our Children (1998). But again, Sanders’s disgust with the recording business prompted him to leave the label. In the 2000s, a resurgence of interest in jazz kept Sanders playing festivals and was awarded a NEA Jazz Masters Fellowship for 2016 and was honored at a tribute concert in Washington DC on April 4, 2016.
In 2020 he recorded the album Promises, with the English electronic music producer Floating Points and the London Symphony Orchestra. It was widely acclaimed as a clear late-career masterpiece.
Saxophonist Pharoah Sanders, known for his overblowing, harmonic, and multiphonic techniques, died on September 24, 2022 at his home in Los Angeles at the age of 81.
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Daily Dose Of Jazz…
Joëlle Léandre was born September 12, 1951 in Aix-en-Provence, France on Opera Street across from a theatre. She studied the standard double-bass repertoire intensively in her hometown conservatory and at the Conservatoire National Superieur de Musique de Paris. By her late teens she was subbing in the bass sections of large classical ensembles. Drawn to Paris jazz clubs, she wasn’t involved in the scene because her pizzicato playing off-putting the jazz field’s standard.
Her appreciation of improvisation came from her chance discovery of Bowin’ Swingin’ Slam, by swing bassist Slam Stewart. Around the same time Joëlle received a one-year scholarship to study at the Center for Creative and Performing Arts in Buffalo, New York. Not only was she exposed daily to serious music from composers and travelled to New York to listen to improvisers.
She began her career in the early 1970s when she was still a student at the Conservatoire National Supérieur de Musique in Paris, France. She studied with renowned bassist Jean-Louis Rassinfosse and developed a unique style that fused avant-garde jazz with classical music. In 1974, she formed the ensemble Musica Elettronica Viva with Italian composer and electronic musician Luciano Berio.
Collaborating with many on the avant-garde jazz scene including John Cage, Anthony Braxton, Derek Bailey, Anthony Braxton, George E. Lewis, India Cooke, Steve Lacy, Sylvie Courvoisier, John Zorn and Cecil Taylor, among others. She is also a founding member of the improvising trio Fish Music with saxophonist Evan Parker and drummer Barry Guy. Aside from performing as a soloist, her bands have been trio, quartet configurations.
In 1983 she became a member of the European Women Improvising Group (EWIG), which evolved from the Feminist Improvising Group. In the early 1990s she co-founded the feminist improvising trio Les Diaboliques, with Irène Schweizer and Maggie Nicols.
Double bassist, vocalist, and composer Joëlle Léandre remains active in new music, avant~garde and free improvisation.
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