Daily Dose Of Jazz…

Mel Lewis was born Melvin Sokoloff on May 10, 1929 in Buffalo, New York. He started playing professionally as a teen, eventually joining Stan Kenton’s outfit in 1954. H e moved to Los Angeles to further his career in 1957 and then cross-country to New York City in 1963.

By 1966 in New York, he teamed up with Thad Jones to lead the thad Jones/Mel Lewis Orchestra. The group started as an informal jam session with the top studio and jazz musicians of the city, but eventually began performing regularly on Monday nights at the Village Vanguard. Though it was a sideline gig for the musicians, in 1979 the band won a Grammy for their album Live in Munich. When Jones moved to Denmark it became known as Mel Lewis and the Jazz Orchestra.

Mel recorded and performed in small group configurations occasionally but he led the band until shortly before his death. It has now become known as the Vanguard Jazz Orchestra and has released several CDs. Over his career Lewis recorded with Manny Albam, Chet Baker, Bud Shank, Bob Brookmeyer, Kenny Burrell, Eric Dolphy, Dizzy Gillespie, Joe Lovano, Herbie Mann, Jack McDuff, Gary MacFarland, Jimmy McGriff, James Moody, Chico O’Farrill, Shirley Scott, Sonny Stitt, Thad Jones, Pepper Adams and Jimmy Witherspoon to name a few.

In the late 1980s, Lewis was diagnosed with melanoma in his arm, then surfaced in his lungs and ultimately traveled to his brain. The drummer and bandleader played exclusively on a lighter Turkish made Istanbul cymbals that exuded a dark, overtone-rich sound, as well as his wood-shell drums were considered warm and rich in their sound. Mel Lewis passed away on February 2, 1990 in New York City, just days before his band was to celebrate its 24th anniversary at the Village Vanguard.


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Maynard Ferguson was born Walter Maynard Ferguson on May 4, 1928 in Verdun, Quebec, Canada. Encouraged by his musician parents he was playing piano and by the age of four. A child prodigy violinist, at nine he heard a cornet and ask for one. By thirteen, he was heard soloing regularly with the Canadian Broadcasting Corporation Orchestra, featured on “Serenade for Trumpet in Jazz, and won a scholarship to the Conservatoire de Musique du Quebec a Montreal where he studied from 1943 through 1948.

Dropping out of Montreal High School at 15 to pursue his music career ore actively, Ferguson began playing in various dance bands and then took over his saxophonist brother Percy’s band. He played around Montreal and became an opening act for touring bands. This brought him to the attention of many bandleaders in the U.S. and he started getting offers to cross the border.

Maynard eventually relocated to the United States in 1948, intent on joining Stan Kenton’s organization. However, it had just disbanded so he started playing with Boyd Raeburn, Jimmy Dorsey and Charlie Barnet’s bands. When Barnet retired he went to work with Stan Kenton’s newly formed 40-piece Innovations Orchestra in 1950. For three years running, 1950, 1951, and 1952, he won the Down Beat Readers’ Poll as best trumpeter. In 1953, become a session player for Paramount Pictures, soon becoming the first-call player and appeared on 46 soundtracks, and to get around the studio contract that prevented him from playing jazz clubs he would appear under aliases Tiger Brown, Foxy Corby and others.

By 1956, Ferguson became the leader of the Birdland Dream Band, a 14-piece all-star big band formed by Birdland’s owner Morris Levy. He has played with Slide Hampton, Don Ellis, Don Sebesky, John Bunch, Joe Zawinul, Joe Farrell, Jaki Byard, Nino Tempo and others as well as arrangers Bob Brookmeyer, Jimmy Guiffre, Bill Holman and Marty Paich to name a few.

He went on to guest with the New York Philharmonic, then moved to the Hitchcock estate with Timothy Leary, Ram Dass and their Harvard community in 1963 and experimented with LSD, psilocybin and other psychedelic drugs for spiritual awakening. After three years he moved to India, engaged with a guru and established the Sri Sathya Sai Institute of Higher Learning Boys Brass Band and taught for several years.

By 1969, Maynard was in England, signed with CBS Records, formed a big band with British musicians and performed on television then returned to debut his new band in New York. He would recruit young talent from jazz programs from institutions like Berklee College of Music, North Texas State University and the University of Miami and targeting young audiences.

For the next couple of decades he would play the Olympics, work with large ensembles, formed the Big Bop Nouveau, backed vocalists such as Diane Schuur and Michael Feinstein, performed, toured and recorded big band albums. Ferguson has been an influence in the worlds of big band, swing, bebop, cool jazz, Latin, jazz-rock, fusion classical and opera. As an educator he has conducted scores of master classes with amateurs and professional trumpeters over the course of his career. In addition to trumpet he plays the flugelhorn, valve trombone, baritone horn and French horn.

He has been inducted into the Down Beat Jazz Hall of Fame, is a member of Kappa Kappa Psi, honorary member of Phi Mu Alpha’s Xi Chi Chapter, received Phi Mu Alpha Sinfonia Charles E. Lutton man of Music Award, has an honorary doctorate from and The Maynard Ferguson Institute of Jazz Studies at Rowan University, and his extensive memorabilia is housed at the Sherman Jazz Museum in Texas. He passed away on August 23, 2006 at age 78 in Ventura, California.


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Matso Limtiaco was born May 2, 1963 and majored in music education as an undergraduate. After a brief period teaching public school music, he earned his MA in music theory/composition at Washington State University in 1990. After spending six years teaching music at all levels from junior high band to university jazz ensembles, arranging music for groups he led and for a variety of local performers.

Limtiaco gained his first notoriety as a marching band arranger for Washington State University, and then for the University of Washington. Matso quit teaching music full-time and is active as a freelance composer, arranger, and performer in the Seattle area. His baritone saxophone work has anchored the Emerald City Jazz Orchestra saxophone section since 1994, and the band’s two recordings “Alive and Swinging” and “Come Rain or Come Shine” feature his charts.

After spending several years in music education, he left teaching and now works as an independent composer/arranger, with a “day job” as a technical writer for a large manufacturing company. Among jazz arrangers and composers Matso is not the most well-known nor the most prolific but he rapidly established himself as one of the most polished and professional writers anywhere.


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Karl Curtis George was born on April 26, 1913 in St. Louis, Missouri. Early in his career he played with McKinney’s Cotton Pickers in 1933, and Cecil Lee.   in the 1930s he spent time in the Jeter Pillars Orchestra and then in the orchestras of Teddy Wilson from 1939–40, followed by a year-long stint with Lionel Hampton in 1941.

George served in the Army from 1942 to 1943, then moved to California and played with Stan Kenton, Benny Carter, spent a spring with Count Basie and in Los Angeles with Happy Johnson, his final collaboration of note.

He also played in sessions led by Charles Mingus, Slim Gaillard, Oscar Pettiford, Dinah Washington and Lucky Thompson. During years1945-1946 Karl led his own group on record the track “Peek-A-Boo” by the Karl George Octet, originally released on Melodisc, has been reissued on a Topnotch compilation.

Jazz trumpeter Karl George retired back in his hometown once his health got the better of him, while recordings he had played on continued to be stocked on record store shelves. He lived out the rest of his life in almost total obscurity until passing away in May 1978.


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Henry Mancini was born Enrico Nicola Mancini on April 16, 1924 in the Little Italy neighborhood of Cleveland, Ohio and was raised in the steel town of West Aliquippa near Pittsburgh, Pennsylvania. He began piccolo lessons at age eight, by 12 began piano lessons and played flute in the Aliquippa Italian immigrant band, “Sons of Italy”. After graduating from high school he went to Juilliard School of Music and after one year of study was drafted into the Army, where in 1945 was part of the liberation force of a southern Germany concentration camp.

After the war years Mancini entered the music industry as a pianist and arranger for the newly re-formed Glenn Miller Orchestra. He went on to broaden his skills in composition, counterpoint, harmony and orchestration during subsequent studies. By 1952 he joined the Universal Pictures music department and over the next six years contributed music to over 100 movies, most notably The Glenn Miller Story, The Benny Goodman Story, Touch of Evil and The Creature from the Black Lagoon. It was also during this period that he wrote his first hit single for Guy Lombardo and His Royal Canadians titled I Won’t Let You Out of My Heart.

Henry left Universal International to work as an independent composer and arranger in 1958 and soon scored the television series Peter for writer and producer Blake Edwards. This was the genesis of a relationship in which Edwards and Mancini collaborated on 30 films over 35 years and was one of several pioneers introducing jazz elements in the late romantic orchestral film and TV scoring prevalent at the time.

Mancini’s scored film songs Moon River, Days of Wine and Roses, The Pink Panther, A Time For Us, Baby Elephant Walk, and the Love Theme from Romeo and Juliet as well as many TV shows and movies such as the Thorn Birds, Peter Gunn and Remington Steele. Among his many singers he worked with frank Sinatra, Tony Bennett, Julie London, Peggy Lee among a host of others. He recorded over 90 albums, eight certified gold by the RIAA, a twenty-year contract with RCA that culminated in 60 commercial albums. Many of his songs have become jazz standards, most notably, Charade, Moment To Moment, Two For The Road, Love Story, Slow Hot Wind, Moonlight Sonata, The Pink Panther, The Days of Wine and Roses and Moon River.

Composer, arranger and conductor Henry Mancini died of pancreatic cancer in Los Angeles, California on June 14, 1994. He was working at the time on the Broadway stage version of Victor/Victoria, which he never saw on stage. Mancini was nominated for an unprecedented 72 Grammys, winning 20; nominated for 18 Academy Awards, winning four; won a Golden Globe Award, nominated for two Emmys, was posthumously Grammy Lifetime Achievement Award and honored with a 37 cent postage stamp in 2004.


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