Daily Dose Of Jazz…
Jimmy Deuchar was born James Deuchar on June 26, 1930 in Dundee, Scotland. Taught trumpet by WWI bugler John Lynch, after national service he began his professional career in the John Dankworth Seven in 1950. He would go on to work with the Oscar Rabin Band, Ronnie Scott, and Kurt Edelhagen’s Orchestra through the decade.
By the Sixties he was working with Tubby Hayes and sitting in with visiting Americans at Ronnie Scott’s club. A highly gifted player and a leading exponent of the “modern” style, he was in demand and achieved success as a touring player in Europe and the United States.
He joined the Kenny Clarke-Francy Boland Big Band during the late 60 and early 70s, returned to London and freelanced, arranged for the BBC Big Band, the BBC Scottish Radio Orchestra and played in a number of settings.
He recorded a number of albums as a leader and sideman beginning in the Fifties utilizing many of his compositions on albums such as The Deuchar Plays Deuchar, Down In The Village, Pal Jimmy and Live In London.
With his health deteriorated, on September 9, 1993 jazz trumpeter and arranger Jimmy Deuchar, who was influenced by Fats Navarro and whose small range was broad and fat toned, passed away at age 63.
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Daily Dose Of Jazz…
Lalo Schifrin was born Boris Claudio Schifrin in Buenos Aires, Argentina on June 21, 1932. At the age of six he began a six-year course of study on piano with Enrique Barenboim and at 16 studied piano with Andreas Karalis and harmony with Argentine composer Juan Carlos Paz. By twenty he was attending the Paris Conservatoire during the day and playing at night in jazz clubs.
1955 saw Lalo playing with Astor Piazzolla and on stage at the International Jazz Festival in Paris. Back in Argentina he formed a jazz orchestra, met Dizzy in ’58 and wrote Gillespiana for his big band. He would go on to work with Xavier Cugat, move to New York, take the piano chair in Dizzy’s quintet and wrote a second extended composition titled, The New Continent.
The Sixties had MGM signing Schifrin to his first movie score, he moved to Hollywood, changed The Man from U.N.C.L.E. to a jazz melody and won an Emmy for the theme. He would go on to score television and movies like Mission Impossible, Mannix, Cool Hand Luke, Dirty Harry, The Exorcist, Bullitt and even ABC’s Eyewitness News.
Over the course of his career Lalo Schifrin has recorded over 50 albums and soundtracks, 90 television and film scores as a leader, composer and conductor; and has worked with Cannonball Adderley, Eddie Harris, Count Basie, Luiz Bonfa, Candido Camera, Louis Bellson, Al Hirt, Jimmy Smith, Sarah Vaughan, Cal Tjader, Paul Horn and many others.
In 1997, the composer founded Aleph Records; played an orchestra conductor in Red Dragon, has had his music sampled by hip-hop artists, has been nominated twenty-one times and won four Grammy Awards, one Cable Ace Award, received six Oscar nominations and has a star on the Hollywood Walk Of Fame. He continues to compose, conduct and perform.
Daily Dose Of Jazz…
Lammar Wright Sr. was born on June 20, 1907 in Texarkana, Texas but grew up in Kansas City, Missouri. He began his musical career playing and recording with Bennie Moten’s band in 1923. Relocating to New York City in 1927 Lammar played with The Missourians, staying with the group after Cab Calloway became its leader. Wright remained Calloway’s lead trumpeter until 1942.
Playing sporadically with Calloway through the rest of the decade, Wright would also played with Don Redman, Claude Hopkins, Cootie Williams, Lucky Millinder, Sy Oliver and Louis Armstrong.
In the 1950s and 1960s he taught music and worked as a studio musician, in addition to recording with Arnett Cobb, Count Basie, the Sauter-Finegan Orchestra and George Shearing.
Wright led his own groups from time to time, had a role in the 1968 film The Night They Raided Minksy’s. Trumpeter Lammar Wright passed away on April 13, 1973 in New York City.
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Daily Dose Of Jazz…
Sam Wooding, born on June 17, 1895 in Philadelphia, Pennsylvania learned to play piano as a child, eventually becoming a bandleader who led several big bands in both the United States and abroad. In 1925 while performing at Small’s Paradise in Harlem, a Russian impresario hired him to be the pit band for the Chocolate Dandies in Berlin. That date led him to a record date for Vox Records with Doc Cheatham, Herb Fleming in the band.
In 1929, with a change in personnel, Wooding’s orchestra made more recordings in Barcelona and Paris for the Parlaphone and Pathé labels. He would remain in Europe, performing on the Continent, in Russia and England through most of the 1930s. He became an expatriate and his overseas stays made him virtually unknown in the States, building staunch jazz fans that liked what his orchestra offered.
Returning home in the late 1930s, when World War II seemed a certainty, Wooding began formal studies of music, attained a degree, and began teaching full-time, counting among his students trumpeter Clifford Brown. During this period he would lead and tour with the Southland Spiritual Choir. By the early 1970s, he formed another big band and took it to Switzerland for a successful concert, but this venture was short-lived. Pianist, arranger and bandleader Sam Wooding passed away on August 1, 1985 at age 89.
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Daily Dose Of Jazz…
Buddy Catlett was born George James Catlett on June 13, 1933 and grew up in Seattle, Washington. During his childhood he listened to records his mother brought home, and learned to play the cornet around age 10 after hearing Louis Armstrong, and by fourteen had saved enough money from his movie theater job to buy a saxophone. He would soon be gigging with his childhood friend Quincy Jones till 5:30 in the morning and then the two would go to Garfield High School a few hours later. It was during this time that he also met and performed with Ray Charles.
He first professional gig was with vibraphonist Bumps Blackwell’s band that included Ernestine Anderson, but by 17 had to stop performing due to tubercular pleurisy that hospitalized him for two years. Not to be beaten, he started taking bass lessons with Tiny Martin of the Seattle Symphony. Learning quickly he was soon asked to join pianist Horace Henderson’s band and on the road he went. This was followed up with a stint with Cal Tjader, a move to New York in 1958, and a European tour with Quincy Jones playing for the musical Free and Easy starring tapper Harold Nicholas.
Throughout his career he performed with Billie Holiday, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Count Basie and Louis Armstrong among others. He has appeared on over 100 recordings and is recognizable on the Sinatra/Basie arrangement of Fly Me To The Moon and Armstrong’s What A Wonderful World. With declining health, bassist Buddy Catlett scaled down his jazz performances in his hometown of Seattle but has not lost his popularity or respect from an admiring community. Bassist Buddy Catlett passed away on November 12, 2014, at age 81 at the Leon Sullivan Health Care Center in Seattle’s Central District.