Daily Dose Of Jazz…
John Zorn was born September 2, 1953 in New York City, New York and attended the United Nations International School, where he studied piano, guitar and flute from an early age. Exposed by his families musical tastes in classical, world, jazz, French chansons, country doo-wop and rock and roll records, he spent his teenage years exploring classical and film music, listening to The Doors and playing bass in a surf band. He explored experimental and avant-garde music as well as cartoon soundtracks and film scores. He went on to teach himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada.
After discovering Anthony Braxton’s album For Alto when he was studying composition at Webster College in St. Louis, Missouri, Zorn began playing saxophone and attended classes taught by Oliver Lake. While at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings.
Leaving Webster after three semesters, John lived on the West Coast before returning to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. He immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman
Zorn entered New York City’s downtown music scene in the mid-1970s, collaborating with improvising artists while developing new methods of composing experimental music. Over the next decade he performed throughout Europe and Japan and recorded on independent US and European labels. In 1986 he received acclaim with the release of his radical reworking of the film scores of Ennio Morricone, The Big Gundown, followed by Spillane, an album featuring his collage-like experimental compositions. Spy vs Spy and Naked City both demonstrated his ability to merge and blend musical styles in new and challenging formats.
Having spent time in Japan in the late 1980s and early ’90s John returned to Lower East Side Manhattan to establish the Tzadik record label in 1995, enabling him to establish independence, maintain creative control, and ensure the availability of his growing catalog of recordings. He prolifically recorded and released new material for the label, issuing several new albums each year, along with recordings by many other artists.
He performs on saxophone with the groups Naked City, Painkiller, and Masada but more often conducts bands like Moonchild, Simulacrum and several of his Masada-related ensembles. He composes concert music for classical ensembles and orchestras, produces music for opera, sound installations, film and documentary, and tours Europe, Asia, and the Middle East. Composer, conductor, saxophonist, arranger and producer John Zorn continues his exploration of music and adds to his diverse repertoire.
Bestow upon an inquiring mind a dose of a New York City composer to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
Muvaffak “Maffy” Falay was born on August 30, 1930 in Karşıyaka, Turkey and moved later with his family to Kuşadası,Turkey. In 1942 he heard that a teacher would be arriving in Kuşadası to establish a municipal band team and ast the age of 12 started his career in music in Kuşadası Municipality Band. He learned to read music and to play the trumpet with excellent skills with 5 hours of practice per day in just 3 months.
He studied trumpet and piano in Ankara Conservatory and in 1960, he joined the radio orchestra of Kurt Edelhagen in Cologne, Germany. After departing from Edelhagen he toured Europe with the Kenny Clarke/Francy Boland Big Band and played on six of the band’s albums.
Maffy’s next gigs were playing in orchestras led by Benny Bailey, Åke Persson, Phil Woods, Sixten Eriksson and Quincy Jones. By 1965 he decided to move to Sweden where he played for the radio jazz orchestra, and toured around the Americas at the same time. 1970 saw him playing in the Dizzy Gillespie Reunion Orchestra, and he also played with Dexter Gordon, Stan Getz, and Elvin Jones.
In 1971, he formed the band Sevda, featuring Bernt Rosengren, Okay Temiz, Gunnar Bergsten, Ove Gustafsson and Salih Baysal. In 2005, he received the Lifetime Achievement Award at the Istanbul Jazz Festival. Trumpeter Maffy Falay transitioned on February 22, 2022 at the age of 91.
Bestow upon an inquiring mind a dose of a Karşıyaka trumpeter to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
Leslie Allen was born on August 29, 1902 in Ealing, London, England and at the age of 3, he and his family moved to Canada. As a child, he played clarinet alongside his father in the Queen’s Own Rifles Band and later learned to play the saxophone. He performed with the dance bands of Burton Till and Luigi Romanelli and in 1922 worked briefly in New York City before travelling to England in 1924 as part of a band of fellow Canadians recruited by Hal Swain. Intending his band to play at the Rector’s Club in London, once there, he found it closed.
The band found a residency at the New Prince’s restaurant in Piccadilly and became The New Princes Toronto Band. Under this name, they recorded for Columbia Records for eighteen months with Allen serving as alto saxophonist and occasional vocalist. Between 1926 and 1927, Allen joined several of his NPTB colleagues on a European tour where they performed as Dave Caplin’s Toronto Band under the leadership of banjoist Caplin.
After returning to England in 1927, Allen spent the next five years playing and singing with several leading British dance orchestras, including those of Carroll Gibbons, George Melachrino and Geraldo and making a number of freelance recordings, with duets with Al Bowlly.
In 1932, he joined Henry Hall’s BBC Dance Orchestra as a featured vocalist and enjoyed national hits with The Sun Has Got His Hat On and Auf Wiedersehen My Dear. Parting ways with Hall in 1934, he began a solo career, scoring hits with Tell Me Tonight, Love Is The Sweetest and the children’s ballad, Little Man You’ve Had A Busy Day on which his wife Anne and son Norman had speaking parts.
In 1935, he starred in the musical comedy Heat Wave, subsequently formed his own bands, the Les Allen Melody Four and the male voice singing group, Les Allen & His Canadian Bachelors, with fellow countrymen lead singer Jack Curtis, tenor Herbie King, and baritone and arranger Cy Mack.
During World War II, Les travelled and entertained Canadian troops. After the war, he played the juvenile lead in the 1945 revival of Miss Hook of Holland before returning to Toronto, Canada in 1948, where he started a second career in the office supply trade. Retiring in 1971, alto saxophonist and vocalist Les Allen transitioned in Toronto on June 25, 1996.
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Daily Dose Of Jazz…
Philip William Seamen was born on August 28, 1926 in Burton upon Trent, Staffordshire, England. He began playing drums at the age of six, turning professional at the age of 18 by joining Nat Gonella and his Georgians in 1944. At 20 he spent a year with Gordon Homer Big Band at the Coronation Ballroom in Ramsgate. He joined the Tommy Sampson Orchestra in 1948 and by 1949, Seamen and tenor saxophonist Danny Moss formed a bebop quintet from within the ranks and was featured on a radio broadcast by the orchestra.
He then went on to play in the Joe Loss Orchestra for about 14 months before taking the top job with Jack Parnell from 1951 until midway 1954. Seamen, being much sought after during the 1950 played in Kenny Graham’s Afro-Cubists projects from 1952 to 1958, from 1954 onwards with the Joe Harriott Quartet, the Ronnie Scott Orchestra and Sextet. He was recruited opn countless sessions as well to perform with Dizzy Reece, Victor Feldman, Jimmy Deuchar, Kenny Baker, Vic Ash, Don Rendell, Stan Tracey, Laurie Johnson, Big Bill Broonzy and Josh White, to name a few.
In 1957 Phil was on his way to America with the Ronnie Scott Sextet as part of a Musicians’ Union exchange tour deal. Unfortunately the Southhampton custom officers found him in possession of drugs, killing his lifelong dream of visiting the States. In 1958, the West End production of West Side Story opened with him after Leonard Bernstein reputedly specifically asked for him, so the producers hired him.
During the first half of the 1960s, he worked often with Tubby Hayes, Joe Harriott, played a couple of nights with Dexter Gordon at Ronnie Scott’s, and recorded with Carmen McRae. In 1964 he played R&B with Alexis Korner and Georgie Fame.
He started teaching in 1962, one of his pupils being Ginger Baker, who went on to influence a whole generation of rock drummers. However, his addiction to alcohol, heroin and other drugs hampered his health and career as many bandleaders refused to hire him with the exception of Freddie Hubbard in 1964 and Roland Kirk in 1967 with a UK tour. On October 13, 1972 drummer Phil Seaman transitioned in his sleep at his home in Old Paradise Street Lambeth, South London, at the age of 46.
Bestow upon an inquiring mind a dose of a Burton upon Trent drummer to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
Daily Dose Of Jazz…
Meredith Irwin Flory, was born on August 27, 1926 in Logansport, Indiana and was encouraged by his organist mother to learn clarinet as a child. During World War II he was an Army Air Force pilot and after his discharge went on to matriculate through Indiana University, graduating with a degree in philosophy.
Known professionally as Med Flory, in the early 1950s he played in the bands of Claude Thornhill and Woody Herman, before forming his own ensemble in New York City. 1955 saw him relocating to California and starting a new group, which played at the 1958 Monterey Jazz Festival. In the late 1950s, he played with Terry Gibbs, Art Pepper, and Herman again, playing both tenor and baritone saxophone. He was cast in twenty-nine episodes from 1956 to 1957 of the ABC variety show, The Ray Anthony Show.
In the 1960s Med turned his attention away from music and concentrated on acting and screenwriting in television and film. His long list of credits include mostly westerns and crime dramas, which were popular at the time.
By the mid Sixties Flory returned to music and worked with Art Pepper and Joe Maini on transcriptions and arrangements of Charlie Parker recordings. In 1972, he co-founded Supersax, an ensemble devoted to Parker’s work. Supersax’s debut album, Supersax Plays Bird, won a Grammy Award.
Tenor and baritone saxophonist, bandleader, and actor Med Flory transitioned on March 12, 2014 in North Hollywood, Los Angeles, California.
Bestow upon an inquiring mind a dose of a Logansport saxophonist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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