Daily Dose Of Jazz…
John Lee was born June 28, 1952, in Boston, Massachusetts. He is the son of a minister and a social worker. Growing up in Greenwich, Connecticut, Amityville, New York, and Philadelphia, Pennsylvania he began string bass lessons at 10 with Carolyn Lush. At Philadelphia’s Overbrook High School he met drummer Gerry Brown, who together studied at the Philadelphia Musical Academy for two years.
In 1971 Lee began performing with Carlos Garnett and Joe Henderson, and toured with Max Roach thru the spring of 1972 while still a student in Philadelphia. The same year he and Brown relocated to Europe with Den Haag, Holland as their base. Together they toured Europe and recorded in bands led by Chris Hinze, Charlie Mariano, Philip Catherine, Joachim Kühn, and Jasper Van’t Hof.
Moving to New York City in 1974, John played with Joe Henderson, Lonnie Liston Smith, and Norman Connors before joining The Eleventh House with Larry Coryell. The following year he and Gerry Brown signed a recording contract with Blue Note Records and formed a working band. In 1977 they moved over to Columbia Records and began producing records the same year.
From 1982 to 1984, Lee worked with McCoy Tyner, then became Dizzy Gillespie’s bassist, touring and recording with Dizzy’s Quintet, his Big Band, his Grammy winning United Nation Orchestra and the Back to the Future Band that Dizzy co-lead with Miriam Makeba until 1993 when Makeba died.
Lee has performed in over 100 countries around the world and has toured in the bands of Sonny Rollins, James Moody, Jimmy Heath, Pharoah Sanders, Jackie McLean, Gary Bartz, Hank Jones, Walter Davis Jr., Wolfgang Lackerschmid, Alphonse Mouzon, Claudio Roditi, Jon Faddis, Slide Hampton, Roy Hargrove, and Roberta Gambarini, as well as Aretha Franklin and Gregory Hines.
He is a founding member of The Fantasy Band with Chuck Loeb, Marion Meadows, and Dave Samuels. In 1996, at the bequest of Dizzy’s wife Lorraine Gillespie and the Dizzy Gillespie Estate, he became the director and bassist of the Dizzy Gillespie Alumni All-Stars as well as the Dizzy Gillespie All-Star Big Band, and the Dizzy Gillespie Afro-Cuban Experience. They have recorded five albums and toured extensively around the world.
In 2009 he co-founded the jazz recording label JLP (Jazz Legacy Productions), with partner Lisa Broderick. As a producer he has produced over 60 albums and CDs, and as a recording engineer he has recorded and mixed over 100 albums and CDs.
Bassist John Lee, who is a Grammy winning record producer and audio engineer, continues to explore the boundaries of music.
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Daily Dose Of Jazz…
Kenneth John Moule was born on June 26, 1925 in Barking, Essex, England and was the only child of Frederick and Ethal Moule. Surviving an early childhood illness, left him with a cadaverous look which went well with his ridiculous sense of humor.
In the Forties Moule played piano with the Johnny Dankworth Quartet before leaving to join Oscar Rabin in 1945. He would go on to perform with Remo Cavalotti for a summer season and Joe Daniels before working on the Queen Mary in Bobby Kevin’s Band, with Ronnie Scott and Johnny Dankworth. He closed out the decade working with several bands including Jiver Hutchinson, Bert Ambrose, Frank Weir and Ken Mackintosh.
During the early 1950s Ken worked with Raymonde’s Orchestra, again with Ambrose and then with Frank Weir on several occasions. 1954 saw him form under his own name a septet, which was comprised of two-tenor, baritone, trumpet and three rhythm group. He resigned from the septet in 1955 and from 1956–1959 he arranged for Ted Heath’s orchestra. During this time he composed the suite Jazz at Toad Hall, and was released on Decca Records in 1958. He worked in Sweden and toured Europe with Kurt Weill’s Band until 1960.
The 1960s saw his return to England and worked freelance as an arranger, especially with Lionel Bart. He was the musical director for the shows Fings Ain’t Wot They Used T’Be and Twang!!. From 1962 he broadcast regularly with his 15 piece orchestra, and later broadcasted and recorded with a larger band called The Full Score. His Adam’s Rib Suite was recorded by the London Jazz Chamber Group in 1970 with Kenny Wheeler on the recording issued on Ember Records.
He scored Cole Porter songs for the musical Cole! performed at the Mermaid Theatre in 1974, and worked with Dankworth again around that time with his London Symphony Orchestra collaborations. He worked out of Germany for part of the 1970s before ill health caused him to move to the warmer climate of Spain.
Pianist, composer and arranger Ken Moule transitioned in Marbella in January 27, 1986, aged 60.
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Daily Dose Of Jazz…
Hank Shaw was born Henry Shalofsky was born June 23, 1926 in London, England. At the age of 15 he played with Teddy Foster’s band during World War II. In the latter half of the decade he played around his hometown with Oscar Rabin, Frank Weir, and Tommy Sampson, then switched permanently from swing to playing bebop music in 1946 after hearing Dizzy Gillespie.
Visiting the United States in 1947 he came with close friend and fellow pioneer bebopper altoist Freddy Syer. However, unable to secure work permits they moved to Canada where they played with Oscar Peterson and Maynard Ferguson. Returning to England in 1948, Hank was one of the early Club Eleven players, along with Ronnie Scott, John Dankworth, Lennie Bush, and others. He also played with many of these musicians on the recordings of Alan Dean’s Beboppers.
After Club Eleven shuttered, Shaw played with Vic Lewis and toured Europe with Cab Kaye, then joined Jack Parnell’s ensemble in 1953 and Ronnie Scott’s nonet in 1954. He joined Jamaican alto saxophonist Joe Harriott in his celebrated quintet in 1958 but left with pianist Harry South when Harriott sought to introduce his “free-form” concept. Shaw played regularly both live and as a session musician for many British jazz musicians over the course of the next twenty or so years, working with Joe Harriott, Tony Crombie, Don Rendell, Tony Kinsey, Stan Tracey, Bill Le Sage, and others.
He led a quartet at the 100 Club in the Sixties, and played in the Bebop Preservation Society and the John Burch Quartet for over two decades each. He retired due to ill health in the late 1990s. Bebop trumpeter Hank Shaw transitioned four months past his 80th birthday on October 26, 2006 in Kent, England.
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Daily Dose Of Jazz…
Booker Collins was born on June 21, 1914 in Roswell, New Mexico. Emerging from the New Mexico Military Institute to play in Bat Brown’s Band, a territory band. By the mid-’30s he was keeping very good company playing with pianist Mary Lou Williams and Her Kansas City Seven, cutting sides with her when he was only 16. In 1934, his break came when he got into the band of Andy Kirk and His Clouds Of Joy, staying for the next decade and playing alongside Williams in the rhythm section. Kirk’s hiring replaced the tuba with the double bass.
Booker’s final job of note was with Chicago, Illinois guitarist and drummer Floyd Smith as part of his trio, a stint that lasted from 1946 until the early ’50s, when this great bass man finally laid his big instrument down in terms of full-time playing. He made a few appearances at festival occasions in the ensuing decades but was in Chicago’s recording studios in the late ’50s cutting sides for independent labels.
Returning to performing he joined a combo called the Shades of Rhythm to backup blues singer Mad Man Jones on the demanding Come Here. Collins’ involvement with this group of shifting personnel began in 1952 when he was part of a version that took the risk of cutting sides for the Chance label.
He also performed and recorded with Bert Johnson and the group Six Men And A Girl. Little is known about the death of double bassist Booker Collins who also played the valve trombonist and tuba. It appears he faded into obscurity.
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Daily Dose Of Jazz…
Dennis Matthew Budimir was born on June 20, 1938 in Los Angeles, California. He learned to play piano and guitar in his youth and first played professionally when he was fourteen years old. In mid Fifties Los Angeles he played in a quartet with La Monte Young, Billy Higgins, and Don Cherry and by the late 1950s he was working in the bands of Ken Hanna, Keith Williams, Harry James, and Chico Hamilton.
From 1960–1961 he worked with Bud Shank and accompanied Peggy Lee prior to entering military service. After his discharge in 1963 he toured Japan with Bobby Troup and returned to the Los Angeles area, where he came off the road and became a studio musician for the next several decades. He recorded in this capacity with Lalo Schifrin, Marty Paich, Don Ellis, Gil Melle, Ella Fitzgerald, Milt Jackson, Stan Getz, Julie London, Jimmy Smith, Ray Brown, Johnny Mandel and the Capp-Pierce Juggernaut.
This opportunity also led him to record with Joni Mitchell, The Carpenters, Brian Wilson, Barbra Streisand, Ravi Shankar, Frank Zappa, Linda Ronstadt, Dusty Springfield, Dave Grusin, Quincy Jones, David Axelrod, Tom Waits, Harry Nilsson, George Harrison, Ringo Starr, Johnny Mathis, Cher, and Doris Day. He recorded more than 900 movie soundtracks from the early 1960s until the 2000s.
Guitarist Dennis Budimir, considered to be a member of The Wrecking Crew, transitioned on January 10, 2023 at the age of 84.
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