Daily Dose Of Jazz…
Anthony Tillmon Williams was born of African, Portuguese, and Chinese descent on December 12, 1945 in Chicago, Illinois and grew up in Boston, Massachusetts. He studied with drummer Alan Dawson at an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16.
At 17 Williams gained attention when he joined Miles Davis in what was later dubbed Davis’s Second Great Quintet. A vital element of the group, his playing helped redefine the role of the jazz rhythm section through the use of polyrhythms and metric modulation.
He recorded his first two albums as leader at nineteen for the Blue Note label, Life Time in 1964) and Spring in 1965.. He also recorded as a sideman for the label including, in 1964, Out to Lunch! with Eric Dolphy and Point of Departure with Andrew Hill.
By 1969, he had formed his trio, the Tony Williams Lifetime, with John McLaughlin on guitar and Larry Young on organ. Lifetime was a pioneering band of the fusion movement. Disbanding the group, in 1975 he put together a band he called The New Tony Williams Lifetime, featuring bassist Tony Newton, pianist Alan Pasqua, and English guitarist Allan Holdsworth, which recorded two albums for Columbia Records..
In mid-1976, Tony reunited with Herbie Hancock, Ron Carter, and Wayne Shorter. Freddie Hubbard replaced Miles Davis who was in the midst of a six-year hiatus. The resulting record was later released as V.S.O.P. and the group toured for several years and produced a series of live albums released under the name V.S.O.P. or V.S.O.P.: The Quintet.
1979 saw Williams, McLaughlin and bassist Jaco Pastorius united for a one-time performance at the Havana Jazz Festival. This trio came to be known as the Trio of Doom. In 1985, returning to Blue Note he released six albums through 1993, playing his compositions almost exclusively ubtil he left Blue Note for the final time.
He lived and taught in the San Francisco Bay Area, was one of the pioneers of jazz fusion, and was inducted into the Modern Drummer Hall of Fame in 1986. On February 20, 1997 he checked into Seton Medical Center in Daly City, California, suffering from stomach pain. Three days later, while recuperating from gallbladder surgery, drummer Tony Williams passed away of a heart attack at 51 on February 23, 1997.
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Daily Dose Of Jazz…
Paul Desmond was born Paul Emil Breitenfeld on November 25, 1924 in San Francisco, California. His father was a pianist, organist, arranger, and composer who accompanied silent films in movie theaters and produced musical arrangements for printed publication and for live theatrical productions. He started his study of clarinet at the age of twelve and continued while at San Francisco Polytechnic High School. During high school he developed a talent for writing and became co-editor of his high school newspaper.
As a freshman at San Francisco State College he began playing alto saxophone, however, he was drafted into the U.S. Army, where he spent three years in the Army band stationed in San Francisco. After his discharge in 1946 he legally changed his name to Desmond. Working in the San Francisco Bay Area as a backing musician, occasionally with Dave Brubeck.
Following a breakup and a reunion with Brubeck, the quartet became especially popular with college-age audiences, often performing in college settings like on their ground-breaking 1953 album Jazz at Oberlin at Oberlin College. The group played until 1967, when Brubeck switched his musical focus from performance to composition and broke the unit up. During the 1970s Desmond joined Brubeck for several reunion tours, with Brubeck’s sons Chris, Dan and Darius.
He worked several times during his career with baritone saxophonist Gerry Mulligan, guitarist Jim Hall, Chet Baker, and Ed Bickert. Alto saxophone and composer Paul Desmond, who was one of the most popular musicians to come out of the cool jazz scene, passed on May 30, 1977, not of his heavy alcohol habit but of lung cancer, the result of his longtime heavy smoking.
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Daily Dose Of Jazz…
Robert Martin Enevoldsen was born on September 11, 1920 in Billings, Montana. He recorded sessions with Art Pepper and Shorty Rogers, and later extensively played with Shelly Manne.
Enevoldsen did most of the arranging for Steve Allen’s Westinghouse show in the early-1960s. During the 1970s, he performed with Gerry Mulligan. In the mid-1970s Bob taught arranging and directed the jazz band at Los Angeles Pierce College in Woodland Hills.
Tenor saxophonist and valve trombonist Bob Enevoldsen, who mainly played in the West Coast genre and was known for his work with Marty Paich, passed away on November 19, 2005 in Woodland Hills, Los Angeles, California.
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Daily Dose Of Jazz…
Bob Bates was born on September 1, 1923 in Pocatello, Idaho. His mother was an organist and his brothers Norman and Jim were also bassists. As a youth he played tuba, trumpet, and trombone. From 1944 to 1948 he studied classical bass and played with Sonny Dunham around 1946–47 and with Jack Fina in the late Forties.
The 1950s saw Bob playing in the Two Beaux & a Peep Trio before becoming the bassist in the Dave Brubeck Quartet between 1953 and 1955. In addition, he recorded with Paul Desmond in 1954, and Dave Pell in 1956. It was during this time that he stopped playing and performing. Bassist Bob Bates passed away on September 13, 1981 in San Francisco, California at the age of 58.
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Daily Dose Of Jazz…
Chuck Israels was born Charles H. Israels on August 10, 1936 in New York City, New York. He was raised in a musical family which moved to Cleveland, Ohio when he was 10 and his stepfather Mordecai Bauman was a singer who performed extensively with composer Hanns Eisler. With music a part of normal daily activity, folks like Paul Robeson, Pete Seeger, and The Weavers were regular visitors. In 1948, the appearance of Louis Armstrong’s All Stars in a concert series produced by his parents gave him his first opportunity to meet and hear jazz musicians.
In college, Israels had the opportunity to perform with Billie Holiday. His first professional job after college was working with pianist Bud Powell in Paris, France. His first professional recording was Stereo Drive a.k.a. Coltrane Time with John Coltrane, Cecil Taylor, Kenny Dorham, and Louis Hayes.
>Israels is known for the Jazz Repertory as Director of the National Jazz Ensemble from 1973 to 1981. He made recordings with the Kronos Quartet and Rosemary Clooney in 1985. He was the Director of Jazz Studies at Western Washington University in Bellingham, Washington until 2010. In 2011, he created the Chuck Israels Jazz Orchestra and recorded Second Wind: A Tribute to the Music of Bill Evans in 2013.
He has worked with Billie Holiday, Benny Goodman, Coleman Hawkins, Stan Getz, Herbie Hancock, J. J. Johnson, John Coltrane, and Judy Collins. Bassist, composer, arranger and bandleader Chuck Israels, who is best known for his work with the Bill Evans Trio, continues to perform.
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