Daily Dose Of Jazz…

Darnell Howard was born on July 25, 1895 in Chicago, Illinois and began playing violin at age seven, picking up clarinet and saxophone later in his youth. He began playing professionally with John H. Wickcliffe’s Ginger Orchestra from 1913 to 1916.

Moving to New York City in 1917, Darnell played and recorded as a violinist with W. C. Handy, then headed back to Chicago, where he led his own band, played with Charlie Elgar before joining James P. Johnson’s Plantation Days Band, which toured London, England in 1923. The following year he toured Europe again as a member of the Singing Syncopators that also played in Shanghai later in the decade.

His Chicago years saw him playing with Carroll Dickerson, King Oliver, and Erskine Tate, Jerome Carrington, Dave Peyton and Earl Hines. He led a quartet in 1928, but his jazz violin is featured on the Hines band’s February, 1933 recording of the Earl Hines/Jimmy Mundy swing composition Cavernism.

In the late 1930s, Howard was freelancing into the Forties and playing with Fletcher Henderson and Coleman Hawkins, and putting together another band in Chicago from 1943 to 1945. He would go on to play with Kid Ory in California for part of 1945, then returned to Chicago and back again in 1948 with Muggsy Spanier until 1953. His only recordings as a leader were done while he worked with Bob Scobey in 1950, amounting to only four sides.

Through the 1950s he played with Jimmy Archey, rejoined Earl Hines to play Dixieland in San Francisco, California and recorded with Don Ewell on his 1956–1957 albums. Sometime after 1962 Darnell suffered a prolonged illness and after recuperating he played with Elmer Snowden, Burt Bales, and his own groups. His final tour in 1966, was in Europe as a member of the New Orleans All-Stars, then he fell ill again. Clarinetist, violinist and alto saxophonist Darnell Howard transitioned on September 2, 1966 in San Francisco.

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Daily Dose Of Jazz…

Danny Barcelona was born on July 23, 1929 in Waipahu, a community of Honolulu, Hawaii. A self taught percussionist, by the age of 18 in his final year in high school, he was already playing music with trombonist, singer, and bandleader Trummy Young, joining his Hawaii All-Stars in the early Fifties. When Young left to join Louis Armstrong’s combo in 1952, he assumed leadership of the band, a sextet known as the Hawaiian Dixieland All-Stars. They would tour the Hawaiian Islands, Japan and the rest of the Far East.

Danny was introduced to Louis Armstrong by Young in 1956 and upon his recommendation, in 1958 at the age of 27 became Armstrong’s drummer for 15 years. As a Filipino-American, Armstrong would frequently introduce him to audiences as The Little Filipino Boy, then follow up by calling himself the Little Arabian Boy.

He appears on more than 130 of Armstrong’s recordings including Hello, Dolly! and What a Wonderful World. He toured with Armstrong and Young around the world until illness took Armstrong and he returned to Hawaii. There he became a longtime performer at the Hilton Hawaiian Village Hotel, and worked for many years at Harry’s Music Store and the Easy Music Center.

In 1979, he returned to the mainland and settled with his family in Monterey Park, California. Drummer Danny Barcelona transitioned in Monterey Park on April 1, 2007, due to complications from cancer at the age of 77.

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Lou McGarity was born Robert Louis McGarity on July 22, 1917 in Athens, Georgia. He started out playing violin when he was seven and didn’t switch to trombone until he was 17. He studied at the University of Georgia from 1934-36, gigged locally around the South and toured with Ben Bernie from 1938-40

He hit the big time with Benny Goodman from 1940-42, becoming the first trombonist to play both with the big band and his smaller groups. During the war years 1942-44 he worked with Raymond Scott’s Orchestra at CBS, and after military service teamed up with his friend and fellow trombonist Cutty Cutshall and rejoined Goodman in ‘46.

Lou was a busy studio musician in New York City beginning in 1947 while performing in clubs at night with Eddie Condon and playing Dixieland with the Lawson/Haggard band. He worked with Bob Crosby in the mid-’60s andwas a member of the World’s Greatest Jazz Band at the end of the 1960s. He recorded with Urbie Green, J.J. Johnson, Kenny Davern, Jimmy McPartland, Charlie Parker, Cootie Williams and Bobby Hackett among others.

Trombonist Lou McGarity, who recorded as a leader and played in the big band, swing and Dixieland genres until bad health shortened his life, transitioned on August 28, 1971 in Alexandria, Virginia.

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Örjan Kjellin was born on July 21, 1944 in Ljungby, Sweden and didn’t pick up the clarinet until the age of 15 and two years later formed his first band in partnership with pianist Lars Edegran. The band played music in the New Orleans style. He made his first records in his native Sweden at the age of 17.

Moving to New Orleans, Louisiana in 1966 he became a regular performer at several leading jazz venues including Preservation Hall. In 1968 he was a founder member of the New Orleans Ragtime Orchestra. He also led his own bands in the city including, in 1970, a band which held a residency at the Maison Bourbon Club. Two years later he formed the New Orleans Joymakers.

He recorded with several veteran New Orleans musicians including Josiah ‘Cié’ Frazier, Preston Jackson, Jim Robinson, Jabbo Smith, Zutty Singleton and Kid Thomas Valentine. In 1978, Örjan played with NORO for the soundtrack of the movie Pretty Baby. The following year he appeared in New York City as musical director, co-arranger and on-stage clarinetist with the stage musical One Mo’ Time.

In the early 80s he appeared with the same show during its long and successful run in London’s West End. Kellin has toured extensively with his own bands and with bands formed largely from New Orleans veterans. In 1992 he made his first solo tour of the UK.

Clarinetist Örjan Kjellin, a gifted and highly musical player who is known to the jazz world as Orange Kellin, continues to fan the flames of the music of New Orleans.

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Barbara Jordan was born on July 13, 1951 in Montreal, Canada and when she was in her last year of high school she realized her singing ability. Her high school music teacher, Iwan Edwards, encouraged her to audition for the lead role of Laurie in the musical Oklahoma. Getting the part she received her first lessons in stage presence and delivering a song. She joined the high school choir, and took a vocal music class in her last year of high school.

Joining an acapella choir outside of school, she also spent five years in this choir performing around Montreal and touring Western Canada and competed in the Eisteddfod in Wales. Her professional musical career began as a folk singer prior to becoming a multi-lingual vocalist with several leading disco, pop and country/western bands in and around the Montreal area.

Settling in Toronto, Canada she has acquired a reputation over the years singing traditional and swing. She has continuously performed in clubs around the Toronto area, New York, and New Orleans, as well as at various jazz festivals in Ontario, Montana, St. Petersburg and Sarasota, Florida; Newcastle, England and Paris, France.

Trad jazz, dixieland and swing vocalist Barbara Jordan, whose influences were Mildred Bailey, Peggy Lee and Lee Wiley, continues to lead her quartet and appear regularly.

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