Daily Dose Of Jazz…
Denis Charles was born in St. Croix, Virgin Islands on December 4, 1933 and first played bongos at age seven with local ensembles in the Virgin Islands. Moving to New York City in 1945, he gigged frequently around town and in 1954 began working with Cecil Taylor, and the pair collaborated for the next four years. Following his work with Taylor, he played with Steve Lacy, Gil Evans, and Jimmy Giuffre. He befriended Ed Blackwell, and the two influenced each other.
Recording with Sonny Rollins on a calypso-tinged set, Denis then returned to play with Lacy until 1964. He worked with Archie Shepp and Don Cherry in ‘67 and then disappeared from the jazz scene until 1971. In the 1970s and 1980s he played regularly on the New York jazz scene with Frank Lowe, David Murray, Charles Tyler, Billy Bang, and others, and also played funk, rock, and traditional Caribbean music.
Between 1989~1992 drummer Denis Charles released three albums as a leader before passing away of pneumonia in his sleep on March 26, 1998 in New York City in 1998, four days after a five-week European tour with the Borgmann/Morris/Charles (BMC) Trio, with Wilber Morris and Thomas Borgmann. In 2002 Veronique N. Doumbe released a film documentary Denis A. Charles: An Interrupted Conversation about his life.
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Daily Dose Of Jazz…
Dick Johnson was born Richard Brown Johnson on December 1, 1925 in Brockton, Massachusetts. His primary instrument was clarinet, however, he also played the alto saxophone and flute.
He began his professional career as a musician while serving in the U.S. Navy in 1944-1946 and played with the navy band on the USS Pasadena during World War II. He often credited his stint in the Navy for kicking off his career in jazz. After the war, Johnson toured with the big bands of Charlie Spivak and Buddy Morrow.
Eventually, after several years on the road, he settled in his hometown of Brockton, Mass. It was there in Brockton where he and his close friend, Lou Colombo formed a jazz sextet. The group lasted 10 years, but the friendship and musical kinship lasted for the rest of his life. In addition, Dick formed his septet, Swing Shift, which was a staple on the Boston music scene for many years.
Like Herb Pomeroy, Johnson managed a double career as a performer and an educator, teaching jazz at nearby Berklee School of Music, where he mentored many younger jazz musicians.
Between 1956 and 2006 he recorded ten albums as a leader. He worked with Frank Sinatra, the Swing Shift Orchestra, Dizzy Gillespie, and Tony Bennett.
Clarinetist, alto saxophonist, and flutist Dick Johnson, who also played in the free jazz genre, passed away on January 10, 2010 in Boston, Massachusetts after a short illness, aged 84.
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Daily Dose Of Jazz…
Wilber Morris was born on November 27, 1937 in Los Angeles, California and began playing drums as a child. Joining the Air Force in 1954, during his tour of duty of eight years switched to the bass. He would play around San Francisco, California in his off times with the likes of Pharoah Sanders and Sonny Simmons. After his discharge, he returned to Los Angeles and played with Arthur Blythe and Horace Tapscott.
Moving back to San Francisco in 1969 his jazz career didn’t really take off until he relocated to New York City nearly a decade later. By 1978 Wilber found work with violinist Billy Bang and saxophonist David Murray, the latter would become a long-standing association well into the ’90s. During the early Eighties, he formed his own trio, Wilber Force, with drummer Denis Charles and saxophonist Charles Tyler with whom he recorded.
He held various teaching positions in addition to recording and performing. He began to work outside Murray’s group and also founded the One World Ensemble. He recorded four albums as a leader and as a sideman another two dozen albums. Morris performed with such musicians as Pharoah Sanders, Sonny Simmons, Alan Silva, Joe McPhee, Horace Tapscott, Butch Morris, Arthur Blythe, Charles Gayle, William Parker, and Bob Ackerman, Charles Tyler, Dennis Charles, Roy Campbell, Avram Fefer, Alfred 23 Harth, Borah Bergman, Bobby Few, and Rashied Ali.
Double bassist and bandleader Wilber Morris, who performed mainly in the free jazz genre and was the brother of the cornetist, composer, and conductor Butch Morris, passed away on August 8, 2002 in New York City.
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Daily Dose Of Jazz…
Alvin Leroy Fielder Jr was born November 23, 1935 in Meridian, Mississippi to a mother who played the violin and piano and a father who played the cornet and was a pharmacist by profession. His brother William became a trumpeter. He initially learned the piano as a young child, but stopped and did not regain an interest in music until he was 12 when he heard a Max Roach record. He took drum lessons from Ed Blackwell while studying pharmacology at Xavier University of Louisiana, and then continued his degree at Texas Southern University. He did all this while maintaining his musical development by taking lessons with local drummers and performing at night. He went on to complete his pharmacology studies with a master’s degree from the University of Illinois at Chicago.
In Chicago, Illinois he played with Sun Ra during 1959 and 1960. Encouraged by fellow musicians Muhal Richard Abrams and Beaver Harris, he became more experimental in his playing and went on to be a charter member of the Association for the Advancement of Creative Musicians (AACM). The AACM’s first released recording featured him on Roscoe Mitchell’s Sound. In the mid-to-late 1960s, while working part-time as a pharmacist, Alvin played in his own trio with Fred Anderson and bassist/cellist Lester Lashley.
1969 saw he returned home to Mississippi where he took responsibility for managing the family business, becoming involved in political activism, and continued to pursue his passion for music. In 1971 he met John Reese and helped develop the Black Arts Music Society (BAMS). Fielder was instrumental in bringing many AACM and other musicians to Mississippi. In 1975, he began working with Kidd Jordan in what became the Improvisational Arts band, which featured various musicians over three decades and appeared at the New Orleans Jazz and Heritage Festival every year from 1975 to 2008. In 1995, he participated as a founding faculty member in the Louis “Satchmo” Armstrong Summer Jazz Camp.
He recorded twenty-seven albums with Ahmed Abdullah, Charles Brackeen, Damon Smith, and Dennis Gonzalez, and continued exploring free jazz in the 1990s with Joel Futterman, Kidd Jordan, and others, and toured with Andrew Lamb. He was awarded the Resounding Vision Award by Nameless Sound in Houston, Texas. Drummer Alvin Fielder passed away of complications from congestive heart failure and pneumonia, in Jackson, Mississippi on January 5, 2019.
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Daily Dose Of Jazz…
Paul Bley was born Hyman Paul Bley on November 10, 1932 in Montreal, Quebec. His adoptive parents were Betty Marcovitch and Joe Bley, who owned an embroidery factory. When he was five years old he studied violin, but by seven he took up the piano. He received a junior diploma from the McGill Conservatory in Montreal when he was 11 and at thirteen he formed a band which played at summer resorts in Ste. Agathe, Quebec. His teenage years saw him he played with touring American bands, including Al Cowan’s Tramp Band. In 1949 at the start of his high school senior year, Oscar Peterson asked him to fulfill his contract at the Alberta Lounge in Montreal. The next year he left Montreal for New York City and Juilliard.
The Fifties saw Paul returning to Montreal, establishing the Jazz Workshop and inviting Charlie Parker, he played and recorded with him. Returning to New York City he hired Jackie McLean, Al Levitt, and Doug Watkins to play an extended gig at the Copa City on Long Island. He did a series of trio recordings with Al Levitt and Peter Ind, toured as Lester Young and the Paul Bley Trio, and performed with tenor saxophonist Ben Webster at that time. He then conducted for bassist Charles Mingus on the Charles Mingus and His Orchestra album and in 1953, Mingus produced the Introducing Paul Bley album for his label, Debut Records with Mingus on bass and drummer Art Blakey. A 1954 call from Chet Baker put him with the quintet at Jazz City in Hollywood, California that led to a tour with singer Dakota Staton.
Staying in Los Angeles he evolved his trio into a quintet with young avant~garde musicians Dave Pike, Don Cherry, Ornette Coleman, Charlie Haden, and Billy Higgins. Through the Sixties, he worked with Jimmy Giuffre, Sonny Rollins, Coleman Hawkins, Bill Dixon, Roswell Rudd, Cecil Taylor, Archie Shepp, Carla Bley, Michael Mantler, Sun Ra, and others. The Seventies had him and Carol Goss founding the production company Improvising Artists. The label issued Jaco, the debut recording of Pat Metheny on electric guitar and Jaco Pastorius on electric bass, with Bley on electric piano and Bruce Ditmas on drums. The label would release IAI records and videos of Jimmy Giuffre, Lee Konitz, Dave Holland, Marion Brown, Gunter Hampel, Lester Bowie, Steve Lacy, Ran Blake, Perry Robinson, Naná Vasconcelos, John Gilmore, two solo piano records by Sun Ra, and others. Bley and Goss are credited in a Billboard cover story with the first commercial music video.
Through the Eighties and Nineties, he continued to record, tour prolifically through Europe, Japan, South America, and the United States. in 1993 a relative from the New York branch of the Bley family walked into the Sweet Basil jazz club in New York City and informed him that his father was actually his biological parent. In the new millennium, he became a part-time faculty member of the New England Music Conservatory.
His last public performances were in 2010 playing a solo piano concert at the La Villette Jazz Festival in Paris, followed by a duo with Charlie Haden at BlueNote in New York City during a full moon. Pianist Paul Bley passed away of natural causes on January 3, 2016, at home in Stuart, Florida, at the age of 83.
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