Daily Dose Of Jazz…
Lou Gare was born Leslie Arthur Gare on June 16, 1939 in Rugby, Warwickshire, England. He is best known for his works with the improvised music ensemble AMM and recorded six albums with the group and another two as a soloist.
Eventually settling in the West Country, he still played in relative obscurity. Then Lou joined a big band that became The Uncommon Orchestra. He remained with them until health problems limited his participation.
Throughout his career he played with musicians such as Eddie Prévost, Mike Westbrook, Cornelius Cardew, Keith Rowe and Sam Richards
Free-jazz tenor saxophonist Lou Gare transitioned on October 6, 2017.
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Daily Dose Of Jazz…
Peter Naphtali Lemer was born June 14, 1942 in London, England and studied piano and composition at the Royal Academy of Music with Sven Weber and John Gardner, privately with Thomas Rajna, and then at workshops in London run by Jack Goldzweig. He then went to New York to study double bass with David Walter, attended workshops run by Bill Dixon, and studied piano with Jaki Byard and Paul Bley.
In 1965, Lemer formed a trio with John Stevens and Jeff Clyne, which opened the Little Theatre Club. In 1966, he formed the Peter Lemer Quintet, with drummer Jon Hiseman, tenor saxophonist George Khan, baritone saxophonist John Surman and bassist Tony Reeves. They successfully played a season at Ronnie Scott’s that helped to pave the way for the British free jazz movement of the late 1960s and early 1970s.
In 1969 Peter delved into experimental jazz with the group Spontaneous Music Ensemble,then joined Barbara Thompson that developed into Thompson forming Paraphernalia with husband Jon Hiseman. Paraphernalia became the most frequently performing jazz-oriented group in Europe. By 1974 he joined Gilgamesh, then became an in-demand session player and became a member of rock band Ken Elliot’s Seventh Wave.
The following year he joined Ginger Baker, Mr Snips, and The Gurvitz brothers in the Baker Gurvitz Army. His next move was with Jan Dukes de Grey briefly and then on to Mike Oldfield’s fifty-piece touring band as one of two keyboard players. Most recently Lemer has worked with the band In Cahoots, recording with them as well as with Paraphernalia.
Pianist and keyboardist Peter Lemer currently plays with the Spanish Harlow Orchestra and coaches piano, improvisation, and music technology. He is active in lobbying to end global hunger and poverty.
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Daily Dose Of Jazz…
Marshall Belford Allen was born in Louisville, Kentucky on May 25, 1924. During World War II he enlisted in the 92nd Infantry Division and was stationed in France. He studied alto saxophone in Paris, France and played in Europe with Art Simmons and James Moody.
Best known for his mastery of explosive, jarring, chaotic sound effects on the alto saxophone, the opportunity came to create a long association with Sun Ra, with whom he performed almost exclusively from 1958 to Ra’s death in 1993. Marshall recorded with Paul Bley in 1964 and Olatunji during the mid-1960s.
Since Sun Ra death Allen has led the Arkestra and has recorded two albums. Allen often appeared in New York-area collaborations with bassist Henry Grimes, and participated in the Innerzone Orchestra with Francisco Mora Catlett, Carl Craig and others in an appreciation of Sun Ra’s music.
In 2022, the building at 5626 Morton Street known as the Arkestral Institute of Sun Ra was listed as a historic landmark in the Philadelphia Register of Historic Places. Free and avant-garde jazz alto saxophonist Marshall Allen, who also plays flute, oboe, piccolo, and EWI, at the age of 99 continues to live at the Institute, which has been his home since 1968.
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Daily Dose Of Jazz…
Friedrich Gulda was born on May 16, 1930 in Vienna, Austria and as the son of a teacher began learning to play the piano at age 7 with Felix Pazofsky at the Wiener Volkskonservatorium. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
During World War II as teenagers, Gulda and his friend Joe Zawinul were rebellious and would perform forbidden music, including jazz, in violation of the government’s prohibition of playing such music. Winning first prize at the Geneva International Music Competition in 1946, he began to play concerts worldwide, making his Carnegie Hall debut in 1950, and with Jörg Demus and Paul Badura-Skoda, formed what became known as the “Viennese troika”. Friedrich enjoyed a renowned classical career for years before his 1956 engagement at Birdland in New York City and at the Newport Jazz Festival.
In 1966 he organized the International Competition for Modern Jazz in 1966, and established the International Musikforum, a school in Ossiach, Austria two years later, for students who wanted to learn improvisation. From the 1950s on Gulda cultivated a professional interest in jazz, writing songs and free improvisation or open music improvisations. He also recorded as a vocalist under the pseudonym “Albert Golowin”, fooling music critics for years until it was realized that Gulda and Golowin were the same person.
In jazz, he found “the rhythmic drive, the risk, the absolute contrast to the pale, academic approach I had been taught. He also took up playing the baritone saxophone. His 1970 album, As You Like It, includes the standards Round Midnight and What Is This Thing Called Love?, as well as his own classic Blues For H.G. that is dedicated to Hans Georg Brunner-Schwer.
From the late 1960s through the 1980s he continued his straight-ahead swing and bop-based jazz often in European Jazz big bands, which he often organized yearly performances and recordings. He performed and recorded playing clavichord, percussion instruments, and a bass recorder wooden flute with musicians involved in free improvisation, including Cecil Taylor, Barre Phillips, Ursula Anders, John Surman, Albert Mangelsdorff, Stu Martin, and Fritz Pauer. He would go on to collaborate in the coming decades with Herbie Hancock, Joe Zawinul, and Chick Corea.
When the Vienna Music Academy awarded him its Beethoven Ring in recognition of his performances, he accepted it but then later reconsidered and returned it. To promote a concert in 1999, he announced his own death in a press release so that the concert at the Vienna Konzerthaus could serve as a resurrection party.
Pianist and composer Friedrich Gulda, who worked in both the classical and jazz fields, transitioned from heart failure at the age of 69 on January 27, 2000 at his home in Weissenbach, Austria.
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Daily Dose Of Jazz…
Pierre Courbois was born on April 23, 1940 in Nijmegen, Netherlands and after studying percussion at the Hogeschool der Kunsten in Arnhem, he left for Paris, France which was the center of jazz in Europe in the early 1960s. He worked with pianist Kenny Drew, violinist Jean-Luc Ponty, saxophonists Eric Dolphy, Ben Webster, Stan Getz, and Johnny Griffin, and guitarist René Thomas.
Courbois was one of the first musicians in Europe to experiment with free jazz. In 1961 he became the drummer and leader of the original Free Jazz Quartet. In 1965 he started another group, the Free Music Quintet, composed of international musicians. He also played and recorded with Gunter Hampel’s Heartplants Group with Manfred Schoof and Alexander von Schlippenbach.
Founding the first European jazz-rock group, Association P.C. in 1969, they won the Down Beat poll and stayed together until 1975. In 1982 Pierre put together the group New Association, and played with pianists Mal Waldron and Rein de Graaff, horn players Willem Breuker, Hans Dulfer and Theo Loevendie, and Ali Haurand’s European Jazz Quintet with Gerd Dudeck, Leszek Zadlo and Alan Skidmore.
In 1992 Courbois started a quintet and for the first time in his career performed pieces all composed by himself. This ensemble pleasantly surprised both the critics and the public with a return to the Charles Mingus tradition – thematic, melodic ensemble jazz and an experimentation with linear improvisation. Consistently reinventing himself he has gone on to create the Double Quintet, and the Five Four Sextet.
Drummer, bandleader and composer Pierre Courbois, who was awarded the Bird Award, the highest in the Dutch Jazz World and is a Knight of the Order of Orange-Nassau, continues to perform, record and compose.
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