Daily Dose Of Jazz…
Peter Perfido‘was born on July 21, 1956 in Hartford, Connecticut. He started his drumming musical journey in the early Sixties being influenced by the British Wave of the Beatles, the Kinks, the Animals, and the Who. By the mid 70’s Peter had begun to discover jazz and improvised music. While predominantly self-taught, he studied privately with Kit McDermott, Bob Moses and Jerry Granelli. His career has involved playing jazz, improvised music, rock and blues with scores of lauded musicians from diverse styles and backgrounds.
Peter has performed and/or recorded with Chet Baker, Gary Peacock, Lee Konitz, Jimmy Woode, Bill Barron, Art Lande, Julian Priester, David Friedman, Tomasz Stanko, Sal Nistico, Kent Carter, Rasul Siddik, Bob Degen, Heinz Sauer, Bob Mover, Ed Schuller, Anthony Braxton, Joe Lee Wilson, Lou Bennett, Bobby Few, Barney Wilen, Bobby Few, Liz McComb, Michelle Hendricks, Ferenc Snetberger, Rinde Eckert, Lonnie Plaxico , Stephen Haynes, Michel Pilz, Lonnie Plaxico, and the list goes on.
He has toured across the USA, Western Canada, Europe, Asia, the USSR and the Pacific islands. Currently living in Hohrod, Alsace, France, drummer Peter Perfido performs mostly in Europe these days with groups spanning a wide spectrum of influences from mainstream modern jazz to open ended explorations with free improvisation, as well as shuffling and rocking the blues.
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Daily Dose Of Jazz…
Edwin John Prévost was born June 22, 1942 in Hitchin, Hertfordshire, England of Huguenot heritage. Brought up by a single parent mother in war-damaged London Borough of Bermondsey. He won a state scholarship to Addey and Stanhope Grammar School, Deptford, London. Enrolled in the Boy Scouts Association’s 19th Bermondsey Troop to join the marching band and as a teenager began to get involved with the emerging youth culture music, first skiffle, then introduced to a big jazz record collection of a school friend with rich parents.
Prévost worked part-time after school, purchasing his first snare drum from the Len Hunt Drum Shop on Archer Street. Leaving school at 16, he took various clerical positions, while continuing his musical interests. Immersed in the music of bebop, his playing technique was insufficient, however, New Orleans trad jazz offered scope for his growing musical prowess.
He played in various bands mostly in the East End of London. It was during a tenure with one of these bands he met trumpeter David Ware, who shared a passion for hard-bop jazz. Together, while in their early twenties they formed a modern jazz quintet which included Lou Gare, who was a member of the Mike Westbrook Jazz Orchestra.
In 1965 AMM was co-founded by Eddie, Lou Gare, and Keith Rowe and were shortly joined by Lawrence Sheaff. All had a jazz background and were soon augmented by composer Cornelius Cardew. They stayed together until 1972 when some split and others took their place.
Over the years Prévost has conducted many improvised music workshops. However, as a result of a seminar he conducted at The Guelph Jazz Festival, Canada in 1999, Prévost began to formulate a framework for a workshop based upon a more thorough working of AMM principles and practice.
Percussionist Eddie Prévost, who has recorded twenty albums as a leader, twenty-eight with the free improvisation group AMM, and another thirty as a sideman with Derek Bailey, John Wolf Brennan, John Butcher, Cornelius Cardew, Chris Corsano, Sachiko M, Jim O’Rourke, Bruce Russell, David Sylvian, Telectu, Ken Vandermark, Alexander von Schlippenbach, Christian Wolff, Marilyn Crispell, continues to perform and record.
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Daily Dose Of Jazz…
Steve Holt was born on May 9, 1954 in Montreal, Quebec, Canada and exhibited musical ability in early childhood, playing piano at the age of four. By the time he was a teenager he was a regular on the Montreal club scene.
He was self-taught until he entered McGill University where he was taught by pianist Armas Maiste, whose bebop playing influenced him. Becoming a student of Kenny Barron he regularly traveled to New York City for private lessons. Holt graduated from McGill in 1981 with that university’s first Bachelor of Music major in Jazz Performance, and went on to teach jazz improvisation there.
His 1983 debut album, The Lion’s Eyes, was nominated for a Juno Award. He has worked with jazz musicians Larry Coryell, Eddie Henderson, and Archie Shepp. He moved to Toronto, Canada in 1987 and worked as an equity analyst and for a while Steve continued playing clubs at night.
In the Nineties he released three albums then decided to concentrate on music full-time. Three years later, his fifth album, The Dream, was released. Moving into music production he stopped performing jazz live until 2014. Following a move to the countryside, his interest in jazz performance returned.
In 2017, he opened a health food store in Warkworth, Ontario, Canada that operates as a jazz venue once a week. After a twenty year absence from the recording field, pianist Steve Holt released Impact, his new album in 2025 under the new band, The Steve Holt Jazz Impact Quintet.
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Daily Dose Of Jazz…
Herbert Joos was born on March 21, 1940 in Karlsruhe, Germany. He learned trumpet first by self-study and then by a private teacher. He studied double bass from 1958, but then turned to flugelhorn, baritone horn, mellophone, and alphorn.
Since the mid-1960s, he has been a member of Modern Jazz Quintet Karlsruhe, from which the group Fourmenonly was created with Wilfried Eichhorn and Rudolf Theilmann. Afterward, he was a member of various modern and free jazz formations with Bernd Konrad, Hans Koller, Adelhard Roidinger and Jürgen Wuchner among others. He played at festivals and in the Free Jazz Meeting Baden-Baden of the SWF at a flugelhorn workshop with Kenny Wheeler, Ian Carr, Harry Beckett and Ack van Rooyen and made a name for himself with his solo recording, The Philosophy of the Flugelhorn in 1973.
He led his own wind trio, quartet and orchestra. He achieved more recognition in the 1980s as a member of the Vienna Art Orchestra, which he influenced. Since the 1990s he has participated in the SüdPool project. He has appeared as a duo with Frank Kuruc as well as in Patrick Bebelaar’s groups, for Michel Godard, Wolfgang Puschnig, Clemens Salesny and Peter Schindler. He also played with the Orchestre National de France.
In 2017, he was awarded the Jazzpreis Baden-Württemberg for his life’s work. Instead of a speech after the laudations, he thanked in a short phrase, and played a concert with a sixteen piece orchestra.
Herbert Joos, who produced drawings, book illustrations and paintings, died on December 7, 2019 after surgery in a Baden-Baden, Germany hospital.
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Daily Dose Of Jazz…
Keith Rowe was born March 16, 1940 in Plymouth, England. He began his career playing jazz in the early 1960s with Mike Westbrook and Lou Gare. His early influences were guitarists Wes Montgomery, Charlie Christian, and Barney Kessel. Growing tired of what he considered the genre’s limitations he began experimenting, stopped tuning his guitar and began playing free jazz and free improvisation.
Rowe developed prepared guitar techniques: placing the guitar flat on a table and manipulating the strings, body, and pick-ups in unorthodox ways. He has used needles, electric motors, violin bows, iron bars, a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar.
Rowe has worked with Oren Ambarchi, Burkhard Beins, Cornelius Cardew, Christian Fennesz, Kurt Liedwart, Jeffrey Morgan, Toshimaru Nakamura, Evan Parker, Michael Pisaro, Peter Rehberg, Sachiko M, Howard Skempton, Taku Sugimoto, David Sylvian, John Tilbury, Christian Wolff, and Otomo Yoshihide.
Guitarist Keith Rowe, who was a founding member of both AMM in the mid-1960s, M.I.M.E.O. and is seen as a godfather of EAI electroacoustic improvisation, continues to compose, record and tour.
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