Daily Dose Of Jazz…
Cecil Payne was born December 14, 1922 in Brooklyn, New York. He received his first saxophone at age 13, asking his father for one after hearing Count Basie’s version of Honeysuckle Rose performed by Lester Young and took lessons from Pete Brown, a local alto sax player.
Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he played with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the “swing” category, until Gillespie hired him, a relationship that lasted until 1949.
By the early 50s, Cecil found himself working with Tadd Dameron, Illinois Jacquet, James Moody, Machito, Woody Herman, Count Basie and freelancing around New York, frequently performing with Randy Weston. Throughout his fifty plus year career baritone saxophonist he recorded as a leader and a sideman for Decca, Savoy, the Charlie Parker label, Muse, Spotlite and Strata East, and regularly for Delmark Records in the nineties, when he was in his seventies, and on into the new millennium.
Cecil Payne, baritone and alto saxophonist and flautist, passed away on November 27, 2007. Although largely unknown to the public he was one of the pioneers in adapting the baritone saxophone to bebop and post-bop.
Daily Dose Of Jazz…
McCoy Tyner was born Alfred McCoy Tyner on December 11, 1938 in Philadelphia, Pennsylvania, the oldest of three children. He was encouraged to study piano by his mother. He began studying the piano at age 13 and within two years, music had become the focal point in his life. His early influences included Bud Powell, a Philadelphia neighbor.
Tyner’s first main exposure came with Benny Golson in 1960, being the first pianist in the Golson/Art Farmer legendary Jazztet. After departing the Jazztet, Tyner replaced Steve Kuhn in John Coltrane’s group the same year during its extended run at the Jazz Gallery. Coltrane had featured one of the McCoy’s compositions, “The Believer”, as early as 1958. He appeared on the saxophonist’s popular recording of “My Favorite Things” for Atlantic Records followed by Live at the Village Vanguard, Ballads, Live at Birdland, Crescent, A Love Supreme and The John Coltrane Quartet Plays on Impulse.
As a leader, Tyner recorded a number of highly influential albums in his own right during and post Coltrane tenure and as a sideman for many of the projects of Impulse and Blue Note. But by 1966, Tyner was rehearsing with a new trio and would now fully embark on his career as a leader. At Blue Note a string of albums were released such as The Real McCoy, Tender Moments, Sahara, Fly With The Wind and Time For Tyner, incorporating different configurations and instruments were utilized like flute, koto, string orchestra, percussion, and harpsichord along with African and Asian elements.
He currently records and has enlisted the talents of Avery Sharpe, Charnett Moffett, Eric Harland, Gerald Cannon, Gary Bartz, Eric Kamau Gravatt. Tyner still records and tours regularly though his schedule has been pared down due to his age.
More Posts: piano
Daily Dose Of Jazz…
Donald Byrd was born Donaldson Toussaint L’Ouverture Byrd II on December 9, 1932 in Detroit, Michigan. He studied music and trumpet at Cass Technical High School, performing with Lionel Hampton prior to graduating. Joining the Air Force he played with the band, followed by matriculation through Wayne State University and the Manhattan School of Music.
He came to prominence while at the Manhattan School when he joined Art Blakey’s Jazz Messengers replacing Clifford Brown. By 1955 he was recording with Jackie McLean and Mal Waldron, left the Messengers a year later and performed with John Coltrane, Sonny Rollins, Herbie Hancock and Thelonious Monk.
Byrd’s first full-time band was a quintet that he co-led from 1958-61 with Pepper Adams, an ensemble with hard driving performances as captured live on “At The Half Note Café”. In June 1964, Byrd jammed with jazz legend Eric Dolphy in Paris and throughout the rest of the decade and into the 70s was a leader and notable sidemen for Blue Note’s stable of jazz greats.
In the 1970s, Donald moved away from his previous hard-bop jazz base and began to record jazz-fusion, jazz-funk, soul-jazz, and rhythm and blues. Teaming up with the Mizell Brothers, he recorded Black Byrd in 1972 that subsequently became Blue Note’s highest selling album ever. Three subsequent big selling albums called “Street Lady”, Places and Spaces, and “Steppin’ Into Tomorrow” followed this. In 1973, he created the Blackbyrds, a fusion group consisting of his best students that scored several major hits including “Happy Music”, “Walking In Rhythm” and “Rock Creek Park”. Byrd is best remembered as one of the only bebop jazz musicians who successfully pioneered the funk and soul genres while simultaneously remaining a pop artist.
Dr. Donald Byrd holds three master degrees, a law degree and a doctorate and has pursued a career as an educator teaching at Rutgers University, Hampton Institute, New York University, Howard University, Queens College, Oberlin College, Cornell University and was named artist-in-residence at Delaware State University. The trumpeter passed away at the age of 80 in Teaneck, New Jersey on February 4, 2013 leaving a legacy of recordings that spanned the jazz idiom.
More Posts: trumpet
Daily Dose Of Jazz…
Jimmy Smith was born James Oscar Smith on December 8, 1925 in Norristown, Pennsylvania. He began as a pianist but switched to organ after hearing Wild Bill Davis, purchasing his first Hammond, renting a warehouse and emerging a year later with a fresh new sound. He was instrumental in revolutionizing the playing of the instrument. It only took one time for Alfred Lion to hear him play before signing him to Blue Note in 1956. It was the second album, “The Champ” that established him as a new star on the jazz scene, followed by “The Sermon”, “Home Cookin’” “Midnight Special” and “Back at the Chicken Shack”.
Forty sessions later Jimmy left Blue Note for Verve Records dropping his first album Bashin’ with a big band led by Oliver Nelson. With this album selling well he went on to collaborate over the next decade with Lalo Schifrin, Wes Montgomery, Kenny Burrell, Lou Donaldson, Lee Morgan, Stanley Turrentine, Grady Tate, Jackie McLean, George Benson and many other jazz greats of the day.
In the 1970s, Smith opened a supper club in Los Angeles where he played regularly; his career resurged in the 80s recording for Blue Note, Verve, Milestone and Elektra with Quincy Jones, Frank Sinatra, Michael Jackson, Dee Dee Bridgewater, B.B. King, Etta James and Joey DeFrancesco.
Smith’s virtuoso improvisation technique popularized the Hammond B3 and his style on fast tempo pieces combined bluesy “licks” with bebop-based single note runs, ballads had walking bass lines and up-tempo tunes he played the bass line on the lower manual with use of the pedals for emphasis of a string bass. He influenced the likes of Jimmy McGriff, Brother Jack McDuff, Richard “Groove” Holmes, Larry Goldings and Joey DeFrancesco as well as many rock keyboardists like Brian Auger or more recently The Beastie Boys.
Jimmy Smith, Hammond B3 pioneer in the hard bop, mainstream, funk and fusion jazz genres, was honored as an NEA Jazz Master shortly before his death on February 8, 2005 in Scottsdale Arizona.
More Posts: organ
Daily Dose Of Jazz…
Joseph Rudolph Jones was born on July 15, 1923 in Philadelphia Pennsylvania. The name “Philly Joe” was used to avoid confusion with Jo Jones, the drummer from the Count Basie Orchestra, who became known as “Papa Jo Jones”. In 1947 he became the house drummer at New York’s Café Society, playing with the leading bebop players of the day. His most important influence among them was Tadd Dameron.
Jones toured and recorded with Miles Davis Quintet from 1955 to 1958 — a band that became known as “The Quintet”. Miles also acknowledged that Jones was his favorite drummer (in fact, in his autobiography, Davis admitted to asking other drummers to play that “Philly Joe lick”, with mixed results). He organized the Davis Quintet in 1955 so that he and Davis would not have difficulties finding competent local musicians to play with them.
From 1958 onwards he worked as a leader, but continued to work as a sideman with other musicians, including Bill Evans and Hank Mobley. Evans also openly admitted that Philly Joe was his all-time favorite drummer. For two years (1967-69) he taught at a specially organized school in Hampstead, London but was prevented from otherwise working in the UK by the Musicians’ Union. From 1981 he helped to found the group Dameronia, dedicated to the music of the composer Tadd Dameron, and led it until his death on August 30, 1985.
More Posts: drums