Daily Dose Of Jazz…
Ron Rubin was born in Liverpool, London, England on July 8, 1933, to David and Louise Rubin. Music was important to the family and he learned piano from an early age. Becoming interested in jazz in his early teens while attending Liverpool College school, he was suspended for playing jazz on the school piano. Not being put off, he studied law under his uncle but it wasn’t for him and he signed up for the Royal Army Service Corps for a two year stint.
In the army he played piano with the Rhine River Jazz and Germany Rhine bands in Germany where he was stationed. After his service, in 1953 he picked up some gigs around Merseyside, London where he was playing guitar and clarinet at this time. Ron practiced hard on the piano and found solo work at clubs in London’s Soho. Taking up the double bass in 1955 and within a few weeks he was playing gigs with Ralph “Bags” Watmough and Tony Davis’s Gin Mill Four. In 1957 he played opening night at the Cavern Club with the Merseysippi and Watmough bands.
Moving to London in the 60s Ron played with a wide variety of bands on piano and double bass with Glyn Morgan, Dick Williams, Brian Leake, the Fairweather-Brown band, Mike Taylor, Group Sounds Five, the Ronnie Selby Trio, Fat John Cox and Bruce Turner. He accompanied visiting musicians Bill Coleman, Henry “Red” Allen and Ray Nance and with groups like those of Long John Baldry and the Hoochie-Coochie Men, and Manfred Mann.
Through the 1970s Rubin toured with the Lennie Best Quartet, Sandy Brown, Keith Ingham, Alex Welsh, Colin Purbrook, and accompanied Billy Eckstine. He had his own band at the Roundhouse Bar and was with the John Picard Band for three years and recorded regularly. The Eighties saw him touring with Wild Bill Davison and playing with Fatty George, Geoff Simkins, Keith Smith and Oscar Klein, George Howden, Brian Leake and Earl Okin.
By the end of the decade he was playing bass with the Bruce Turner Quartet before joining George Melly and John Chilton’s Feetwarmers. The following decades he played with Campbell Burnap’s band, then joined George Melly and John Chilton again and continued playing and touring. After surviving cancer in 2001 he slowed down to playing occasionally. In his later years Ron spent many happy hours writing his Jottings From A Jazzman’s Journal, a record of his life as a musician.
Pianist, bassist and poet Ron Rubin, who for many years was at the centre of the British jazz scene, transitioned on April 14, 2020 at the age of 86.
Daily Dose Of Jazz…
Corky Hale was born Merrilyn Hecht on July 3, 1936 in Freeport, Illinois. She learned piano, harp, flute, and cello by the time she was in her teens. She went on to study at the Chicago Music Conservatory and then at Interlochen Center for the Arts in Michigan.
By age 16 she had enrolled in Stephens College, a school for young ladies, for her last year of high school. After graduation she decided to move to Hollywood, California to be a musician but her father had other plans, sending her to nearby University of Wisconsin–Madison. After a year she dropped out, intent on moving to Hollywood but again a compromise with her parents led her to UCLA.
During the 1950s, she became a studio musician in Hollywood, playing harp on albums by Chet Baker, June Christy, Ella Fitzgerald, Anita O’Day, and Frank Sinatra. She worked as a vocalist with Freddy Martin at the Coconut Grove in Los Angeles, California. Jerry Gray invited her to perform with his band in Las Vegas, Nevada where she played piano for Billie Holiday and accompanied her on tour.
As a solo act, she recorded the album Corky Hale Plays George Gershwin and Vernon Duke with Buddy Collette, Howard Roberts, and Chico Hamilton. The late Sixties saw her accompany Tony Bennett on The Tonight Show Starring Johnny Carson and sang a song by herself.
She has worked with Liberace, Barbra Streisand, Elkie Brooks, Harry James, Peggy Lee, James Brown, Spike Jones, George Michael, Roberta Flack, Les McCann, Herbie Mann, Nina Simone and Björk, to name a few. Hale has also produced plays, including Give ‘Em Hell, Harry, starring Jason Alexander and Lullaby of Broadway, a profile of the lyricist Al Dubin. She has appeared at Vibrato, Catalina Bar & Grill, The White House, and the Kennedy Center.
At the University of Wisconsin, Hale was one of the few white students to join the NAACP. She was a birth control teacher at Planned Parenthood in New York and is on the National Advisory Board of NARAL and on the board of WRRAP. She is an American Film Institute associate and is the founder of Angel Harvest, an organization which redistributes unused food from restaurants, hotels, and events to hungry and needy people in Los Angeles.
Harpist, pianist, flutist, and vocalist Corky Hale, who recorded four albums as a leader and has been a theater producer, political activist, restaurateur, and is the owner of the Corky Hale Women’s Clothing Store in Los Angeles.
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Daily Dose Of Jazz…
Eugen Cicero was born Eugen Ciceu on June 27, 1940 in Vad, Romania, to Teodor and Livia Ciceu, an Orthodox priest and professional singer respectively. He began to play the piano at the age of four and by age six performed a Mozart piano concerto with the symphony orchestra of Cluj. Although he graduated from the National Conservatory in Bucharest, Romania he abandoned a career as a conventional concert pianist. He established his style merging classical and jazz piano, introducing swing harmonies into baroque, classical and romantic compositions, often as spontaneous improvisations.
In 1962, while touring East Berlin, Germany he fled to West Berlin. This allowed him to spend the next two years in Switzerland where he joined the Kindli orchestra of Joe Schmid. After returning to Germany, Cicero produced more than 70 recordings, some of them with the Berlin and Munich Philharmonic orchestras. He appeared on German TV several times and enjoyed much success while touring Japan.
In 1976 he was awarded the Deutscher Schallplattenpreis for his interpretations of Franz Schubert. Returning to Switzerland in 1982, pianist Eugen Cicero, nicknamed Mister Golden Hands, transitioned in Zürich on December 5, 1997 from a cerebral apoplexy at the age of 57.
Daily Dose Of Jazz…
René “Rudy” Bruder was born on June 15, 1914 in Brussels, Belgium. His father was a bandleader and Rudy played in his father’s group in the mid-1930s. He then joined Jean Omer’s group, accompanying visiting American musicians such as Benny Carter, Bill Coleman, Coleman Hawkins, and Bobby Martin.
He worked with Omer through the early 1940s. He also recorded several times with Jean Robert and Gus Deloof. He led his own band, which recorded in the early 1940s and again in 1946.
Pianist Rudy Bruder retired from music and according to sources is 108 yers old.
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Daily Dose Of Jazz…
Prince Robinson was born in Portsmouth, Virginia on June 7, 1902. He learned to play clarinet as a teenager and after playing locally in Virginia, he moved to New York City, New York in 1923. Once settled Robinson quickly found work both performing and recording, with the Blue Rhythm Orchestra, June Clark, Duke Ellington, Billy Fowler, the Gulf Coast Seven, Fletcher Henderson, Lionel Howard, Clara Smith, and Elmer Snowden. He went on to tour South America with Leon Abbey’s group in 1927, and the following year became a member of McKinney’s Cotton Pickers.
The Thirties saw Prince working with Lil Armstrong, Willie Bryant, Blanche Calloway, Roy Eldridge, and Teddy Wilson accompanying Billie Holiday. His career continued in the 1940s, including work with Louis Armstrong, Lucky Millinder, and Benny Morton. In 1945 he joined Claude Hopkins’s band, remaining until 1952. Later in the decade he worked with Fletcher Henderson again and with Red Allen and Freddie Washington, in addition to leading his own ensemble in 1953.
His last recording was Mainstream Jazz by Andy Gibson and His Orchestra in 1959. He played a tenor saxophone solo on the theme Blueprint. Tenor saxophonist and clarinetist Prince Robinson transitioned on July 23, 1960 in New York City.
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