Daily Dose Of Jazz…
Page Cavanaugh was born Walter Page Cavanaugh on January 26, 1922 in Cherokee, Kansas and began on piano at age nine. By the time he turned 16 he was playing with Ernie Williamson’s band for a year before moving to Los Angeles, California and joining the Bobby Sherwood band at age 20.
While serving in the military during World War II, he met guitarist Al Viola and bassist Lloyd Pratt, and they formed a trio. After the war’s end they performed together in the style of the Nat King Cole Trio, scoring a number of hits in the late 1940s, including The Three Bears, Walkin’ My Baby Back Home, and All of Me. The trio appeared in the films A Song Is Born, Big City, Lullaby of Broadway and Romance on the High Seas. He recorded dozens of tracks with Doris Day, Frank Sinatra, Dinah Shore, June Christy, Mel Torme and other legendary singers.
During the early Fifties he had a program, Page Pages You, on the short-lived Progressive Broadcasting System, the trio played on Frank Sinatra’s radio program, Songs by Sinatra, and on The Jack Paar Show. Cavanaugh played in Los Angeles nightclubs through the 1990s, both in a trio setting and as a septet, the Page 7. He recorded with Bobby Woods & Les Deux Love Orchestra, and as a bandleader with MGM, Capitol, RCA, Star Line, Tiara, and Dobre Records over the course of his career, releasing his final trio album, Return to Elegance, in 2006.
Pianist, vocalist, and arranger Page Cavanaugh transitioned from kidney failure on December 19, 2008 in Los Angeles, California.
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Daily Dose Of Jazz…
Shep Shepherd was born Berisford Shepherd on January 19, 1917 in Honduras while his mother was enroute from the West Indies to Philadelphia, Pennsylvania. Arriving in the city she first settled and raised him in a Jewish neighborhood before moving to a Black neighborhood.
An early fascination with marching bands he drummed on tables and chairs until his mother bought him a toy drum to save wear and tear on the furniture. He attended the Jules E. Mastbaum Area Conservatory and Vocational School where he trained as a percussionist on timpani, vibraphone, xylophone, snare and bass drums. Students were required to have a secondary instrument, and he chose the trombone.
Initially hoping for a career in the Philadelphia Orchestra, he shifted his interest to jazz. He formed a friendship with drummer Jimmy Crawford, who was able to help his career in New York City. During the Thirties performed with Jimmy Gorham’s band in Philadelphia. In 1941, Benny Carter contacted Shep and he moved to New York City, where he also worked with Artie Shaw the same year. He became heavily in demand and the phrase “Get Shep!” became a phrase among area musicians.
Four years in the Army saw him serving in the entertainment corps, and working there he played trombone and improved his skills as a composer and arranger. He met Billy Butlet and in 1952 after his discharge he began working with Butler as part of Bill Doggett’s group. In 1956, Shepherd helped write Doggett’s signature song, Honky Tonk. He left Doggett’s group in 1959 and returned to New York City where he worked in pit orchestras for Broadway shows, and as a music copyist and arranger.
When the nationwide tour of the Broadway show Here’s Love ended, Shepherd found himself in San Francisco, California and he became a freelance musician there. He continued to play drums through the Sixties and Seventies working with Patti Page, Lionel Hampton, Lena Horne, The Ward Singers, Earl Bostic, Buck Clayton, Odetta, Cab Calloway, Sy Oliver, Big Maybelle, and Erskine Hawkins. At 80 years old, he switched his primary focus from drums to trombone, and with organist Art Harris and drummer Robert Labbe formed the group Blues Fuse.
Drummer, trombonist, vocalist and composer Shep Shepherd, who is listed in The Biographical Encyclopedia of Jazz and Who’s Who Among Black Americans, transitioned on November 25, 2018 at the age of 101.
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Daily Dose Of Jazz…
Charles Theodore Straight was born on January 16, 1891 in Chicago, Illinois. He started his career in 1909 at 18 accompanying singer Gene Greene in Vaudeville. In 1916, he began working at the Imperial Piano Roll Company in Chicago, where he recorded dozens of piano rolls.
Becoming a popular bandleader around town during the Jazz Age, his band, the Charley Straight Orchestra, had a long term engagement at the Rendezvous Café from 1922 to 1925 and recorded for Paramount Records and Brunswick Records during the decade.
This period also saw Straight working with Roy Bargy on the latter’s eight Piano Syncopations. Besides working as a pianist or leading an orchestra, he also composed and arranged music, both ragtime and jazz.
Pianist, bandleader and composer Charley Straight transitioned on September 22, 1940 in Chicago after being struck by an automobile while working as a city sanitary inspector. He was emerging from a manhole in the street.
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Daily Dose Of Jazz…
Alvin “Buddy” Banks was born on January 15, 1927 in St. Thomas, Ontario, Canada and grew up in the United States. He became interested in music during high school, starting out on piano before switching to saxophone. During World War II he joined the United States Army Band as a bass player.
Making his first appearance on record was in Vienna, Austria with Thurmond Young, this group also played live at the Colored Club. He played in Paris, France with Gerry Wiggins in 1950, and then with Bill Coleman in Bern, Switzerland, Le Havre, France and Belgium. After problems with his passport in Switzerland, he left for Paris in 1953, where he recorded often with expatriate American jazz musicians as well as local performers.
These include Hazel Scott, Buck Clayton, Lionel Hampton, Mezz Mezzrow, Don Byas, Albert Nicholas, and André Persiany. He toured with Michel Attenoux and with Sidney Bechet through Western and Central Europe in 1954.
Double bassist Buddy Banks transitioned on August 7, 2005 in Las Vegas, Nevada.
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Daily Dose Of Jazz…
Lee Abrams was born Leon Abramson on January 6, 1925 in New York City, New York and was raised in Brooklyn, New York. His father played the violin and clarinet, his brother Ray played tenor saxophone.
Joining the United States Army in 1943 he spent three years until he was discharged in 1946. During his career, Abrams played with Roy Eldridge, Eddie Heywood, Andy Kirk, Hot Lips Page, Lester Young, Illinois Jacquet, Horace Silver, Wynton Kelly, Al Haig and others.
On 52nd Street, he played with Coleman Hawkins, Eddie Lockjaw Davis and Jay Jay Johnson. Drummer Lee Abrams transitioned on April 20, 1992 in New York City.
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