Daily Dose Of Jazz…
Lance Bryant was born on March 23, 1961 in Markham, Illinois. His early musical experience was in the Baptist church. He received his formal education at Berklee College of Music in Boston, Massachusetts where he studied saxophone composition and arranging. Moving to New York City in the mid Eighties he continued his study of saxophone and arranging privately with Frank Foster.
In the Nineties he began his relationship with the Lionel Hampton Orchestra and three years later became the orchestra’s musical director and principal arranger. He made his film debut in Spike Lee’s Malcolm X. He traveled extensively with Phyllis Hyman, Jon Hendricks, Pete “LaRocca” Sims, Wallace Roney, Abdullah Ibrahim, Bootsy Collins,James Williams and numerous others. He was an on-stage musician for the Broadway musical review Swing, has recorded with Carla Cook, George Gee, Yoron Israel.
Returning to his church roots he became Director of Instrumental Music at Fountain Baptist Church, Minister of Music for Andover Baptist Church and released Psalm in 2002, his first of a four cd series of originals and jazz arrangements of hymns and spirituals. As an educator he has taught Covenant Christian Academy, Phillips Academy, his alma mater Berklee, and Jazz At Lincoln Center’s Educational Department.
Saxophonist, arranger and vocalist Lance Bryant when not touring with Abdullah Ibrahim and Ekaya, he continues to perform around New York and New Jersey with Andy Farber Orchestra and the New Lionel Hampton Big Band.
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Daily Dose Of Jazz…
Joseph William Yukl was born on March 5, 1909 in Los Angeles, California and learned to play violin before switching to trombone as a teenager.
Yukl relocated to New York City in 1927 where he took a position playing in radio bands for CBS, and worked with Red Nichols and The Dorsey Brothers. During 1934 he played with Joe Haymes, then with the Dorseys once again.
Through the end of the decade he played with Louis Armstrong, Ray McKinley, Bing Crosby, Ben Pollack, Frankie Trumbauer, and Ted Fio Rito. The 1940s saw Joe working as a session musician for studio recordings in Los Angeles, California and for film and television.
He played with Wingy Manone and Charlie LaVere in the 1940s. He appears in the film Rhythm Inn in 1951 and is heard playing trombone in the 1953 movie The Glenn Miller Story.
Trombonist Joe Yukl transitioned on March 16, 1981 at the age of 72 in his hometown.
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Daily Dose Of Jazz…
Kim Reith was born on February 19, 1954 in San Diego, California. As a child, she was exposed to a large jazz, blues, folk, opera, world and ethnomusicology recording collection belonging to her music-loving mother.
In 1979 Reith made her entrée into music as a backup vocalist in an all-women’s blues and gospel chorale for San Francisco, California blues pianist, singer/songwriter and recording artist Gwen Avery. She began her instrumental career as a guitarist, singer and songwriter for an experimental SF punk-rock trio, the Well Babies. In 1985 she began studying guitar privately with San Francisco jazz guitarists Marlena Teich and Duncan James and with the Los Angeles/San Diego jazz guitarist Art Johnson, and spent many years in independent study.
1987 saw her beginning to focus exclusively on jazz studies, eventually getting her feet wet with various small San Francisco jazz bands. In 1992 she supported herself by playing solo jazz guitar on the streets of Paris, France returning to San Diego in 1993. That year, she joined acclaimed avant-garde Canadian saxophonist Maury Coles for duo explorations and performances. At the opposite end of the jazz spectrum, Kim also performed with the UCSD Big Band under Jimmie Cheatham’s direction. She formed both the duo Groove Yard and the Kim Reith Trio in 1994, performing extensively with both groups throughout San Diego between 1994 and 2000.
Reith has been composing jazz works for small and large ensembles since 1993, formally studying jazz theory, composing and arranging under Rick Helzer at SDSU. Recording her debut album BAIL! In late 1999 she documented her compositions and her ensemble work with San Diego bassist Bruce Grafrath. She has gone on to collaborate with Bronx-born Swiss resident Edmund J. Wood, on a series of experimental open improvisations, featuring Reith on hollow-body electric guitar and Wood on fretless bass and implied-time drum loops.
Guitarist Kim Reith currently composes and performs in Los Angeles, California. Unfortunately she has not posted any of her music on line.
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Daily Dose Of Jazz…
Ronald “Ronnie” Zito was born on February 17, 1939) in Utica, New York, into a musical family including his pianist brother Torrie Zito. He began playing drums at the age of 10 and at age 14 took a year and a half of formal lessons.
He has played with Woody Herman, J.R. Monterose, Frank Rosolino, Peggy Lee, Cher, Roberta Flack and Eartha Kitt. Zito was Bobby Darin’s personal drummer for four years.
Ronnie has recorded with David Pomeranz, Barry Manilow, Irene Cara, Frankie Valli, Roberta Flack, Jake Holmes, Cher, and Don McLean.
Drummer Ronnie Zito continues to perform and record.
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Daily Dose Of Jazz…
Csaba Deseo was born February 15, 1939 in Budapest, Hungary. His mother was a violin teacher and he began playing the instrument at the age of 10. He continued his musical education at Béla Bartók Conservatory in Budapest, and got his diploma in 1961. He taught in music schools until 1967 when he became a member of the Hungarian National Philharmonic Orchestra, where he played until 1999. During the time he played innumerable concerts in Hungary and in many countries of the world from Japan to the United States. He performed with artists like Sir Georg Solti, Leonard Bernstein, Ádám Fischer, and Yehudi Menuhin, to name a few.
His career took off in 1963 when he appeared with his first group at the legendary Dalia Club in his hometown. From 1964 they gave regular concerts and were frequently featured on Hungarian Radio and TV. He would play at festivals and jamborees in the Sixties, then recorded his debut album under his own name Four String Tschaba in 1975 for MPS Records in West Germany. In that session Deseo played both violin and viola, and he would go on to record 4 LPs and 6 CDs with Hungarian and foreign musicians.
1975 saw Csaba meeting Zagreb vibraphonist Bosko Petrovic, with whom he played regularly until 2011. He also appears as a guest star in Germany, where he usually solos with the group of Walter Kurowski.
Since 1980 Deseo has fronted bands with different line-ups. His more important partners were pianist Laszlo Gardony, vibraphonist Richard Kruza, guitarist Andor Kovacs, bassist Bela Lattmann and drummer Imre Koszegi. Since 1990 he’s been working mainly in a trio and is a regular guest artist at the concerts of the Benko Dixieland Band and the Budapest Ragtime Band.
During the past few decades he has also played with international stars and is a regular contributor to the specialist Hungarian music magazine, Gramofon ~ Classical and Jazz. Violinist Csaba Deseo continues to perform and record.
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