Daily Dose Of Jazz…
Edward Louis Smith was born on May 20, 1931 in Memphis, Tennessee. After graduating from Tennessee State University he attended graduate school at the University of Michigan. While studying at the University of Michigan, he played with visiting musicians such as Dizzy Gillespie, Miles Davis, Thad Jones and Billy Mitchell.
He went on to play with Sonny Stitt, Count Basie, Al McKibbon, Cannonball Adderley, Percy Heath, Philly Joe Jones, Lou Donaldson, Donald Byrd, Kenny Dorham and Zoot Sims. Deciding to forgo being a full-time musician to take a job as a director of Atlanta’s Booker T. Washington High School, where he recorded two albums for Blue Note.
The first, Here Comes Louis Smith, originally recorded for the Boston-based Transition Records, featured Cannonball Adderley, then under contract to Mercury, played under the pseudonym Buckshot La Funke, Tommy Flanagan, Duke Jordan, Art Taylor and Doug Watkins. Replacing Donald Byrd for Horace Silver’s Live at the Newport 1958 set, and his playing was one of his best efforts and was described by one critic as monstrous.
He was a prolific composer and successful band director leaving Booker T. Washington to become director of the Jazz Ensemble at the University of Michigan and a teacher in Ann Arbor’s public school system. He would later record for the SteepleChase label.
Suffering a stroke in 2006, he enjoyed live jazz around the Detroit/Ann Arbor area, but did not return to performing. Trumpeter Louis Smith passed away on August 20, 2016 at age 85.
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Daily Dose Of Jazz…
Hasaan Ibn Ali, born William Henry Langford, Jr. on May 6, 1931 in Philadelphia, Pennsylvania. In 1946 at age 15, he toured with trumpeter Joe Morris’s rhythm and blues band and two years later he was playing locally with Clifford Brown, Miles Davis, J. J. Johnson, Max Roach, and others. Based in Philadelphia, he freelanced and acquired a reputation locally as an original composer and theorist. The pianist performed with Horace Arnold in New York City in 1959, and again in 1961–62, in a trio with Henry Grimes.
According to Roach, while visiting New York, Ibn Ali went from club to club to play, and sometimes at the drummer’s home in the middle of the night continued to play unaccompanied on the piano there. The drummer routinely recorded Ibn Ali’s playing in this way when the pianist visited.
An album, The Max Roach Trio Featuring the Legendary Hasaan, was recorded on December 4 and 7, 1964, with bassist Art Davis, and was released six months later. Seven of the tracks were written by Ibn Ali. After the release of thealbum,
Ibn Ali mentored saxophonist Odean Pope, Ibn Ali had further studio sessions, with Pope, Art Davis and drummer Khalil Madi, on August 23 and September 7, 1965. Unfortunately for music posterity, the master tapes were destroyed in the fire at Atlantic’s warehouse at Long Branch, New Jersey in 1978. Pope believed that the recordings were not released by Atlantic because the label found out that the pianist had been imprisoned shortly after the sessions for drug offences. A copy of the recording was uncovered decades later; CD and LP versions were released as Metaphysics: The Lost Atlantic Album by Omnivore Recordings in 2021.
His parents died in a fire that destroyed their home North Gratz Street on October 24, 1980. Reckless with his health, pianist Hasaan Ibn Ali who was strongly influenced by Elmo Hope, passed away in 1980 at 48 or 49. He built a reputation in Philadelphia, where he influenced musicians including John Coltrane, but he remained little known elsewhere.
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Daily Dose Of Jazz…
Dave Douglas was born on March 24, 1963 in Montclair, New Jersey and grew up in the New York City area, attending Phillips Exeter Academy, a private high school in New Hampshire. He was introduced to jazz by his father and as a young teen was shown jazz theory and harmony by pianist Tommy Gallant. He began performing jazz as a trumpeter during his junior year in high school while on an abroad program in Barcelona, Spain. After graduating from high school in 1981, he studied at the Berklee College of Music and New England Conservatory, both located in Boston, Massachusetts.
A move to New York City in 1984 had him studying at New York University with Carmine Caruso, and finished a degree in music. Early gigs included the experimental rock band Dr. Nerve, Jack McDuff, Vincent Herring as well as street bands around New York City. He played with a variety of ensembles and came to the attention of the jazz pianist, composer, and bandleader, Horace Silver, with whom he toured the US and Europe in 1987.
During the late 1980s, Douglas began playing with bands led by Don Byron, Tim Berne, Marty Ehrlich, Walter Thompson, and others in New York. He also played in the composer collectives Mosaic Sextet and New and Used.
Trumpeter, composer, and educator Dave Douglas has more than fifty recordings as a leader and over 500 published compositions. Has led and co-led quintets and sextets as well as electronic ensembles, won a Doris Duke Performing Artist Award, a Guggenheim Fellowship, an Aaron Copland award, and received Grammy Award nominations. As a composer, has received several commissions from among others from the Birmingham Contemporary Music Group, Essen Philharmonie, The Library of Congress, Stanford University and Monash Art Ensemble, which premiered his chamber orchestra piece Fabliaux in 2014.
He has served as artistic director of the Workshop in Jazz and Creative Music at the Banff Centre in Canada, co-founded the Festival of New Trumpet Music in New York, serving as its director. He is on the faculty at the Mannes School of Music and is a guest coach for the Juilliard Jazz Composer’s Ensemble. In 2016, he accepted a four-year appointment as the artistic director of the Bergamo Jazz Festival.
In 2005 Douglas founded Greenleaf Music, a record label for his albums, sheet music, podcasts, as well as the music of other modern jazz musicians. Greenleaf has produced over 70 albums.
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Daily Dose Of Jazz…
Jan Bertil Allan was born on November 7, 1934 in Falun, Sweden and at 17 began his career in 1951 as a pianist. After moving to Stockholm, he switched to the trumpet as his main instrument, playing in Carl-Henrik Norin’s orchestra. From 1954–55 he worked with Lars Gullin and Rolf Billberg and again with Norin from 1955–59 while earning a Ph.D. in physics.
In the early Sixties, he led a quintet with Billberg and throughout the decade worked with Arne Domnérus, Georg Riedel, and Bengt Hallberg, among others. From 1968 to 1975 he was a member of the Swedish Radio Jazz Group. His album Jan Allan~70, featuring Rolf Ericson, Nils Lindberg, Bobo Stenson, Jon Christensen, and Rune Gustafsson, won a Grammis Award for Jazz of the Year in 1970.
Allan played with the same group and Georg Riedel on the trio-album Sweet And Loverly. His 1998 album Software has an affinity with the West Coast jazz genre of Gerry Mulligan and Stan Getz.
Over the course of his career, Allan also recorded albums with Bosse Broberg, Benny Carter, Dorothy Donegan, Lars Gullin, Jan Johansson, Thad Jones, Roger Kellaway, Lee Konitz, Nils Lindberg, Georg Riedel, George Russell, and Monica Zetterlund.
In 2000, his Bach trumpet, which was engraved with his name and he played for 35 years, was stolen. A movie about the theft and missing trumpet was broadcast on Swedish television in 2015 and had 1.1 million viewers. In 2009 he was honored with a Swedish Golden Django as a Master of Jazz. He composed for several films such as The Adventures of Picasso, Sopor, and Trollkarlen. He recorded eight albums as a leader and forty-six as a sideman.
Trumpeter and pianist Jan Allan, is considered among the most important modern jazz musicians in Sweden, continues to compose and perform.
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Daily Dose Of Jazz…
Masabumi Kikuchi was born on October 19, 1939 in Tokyo, Japan and lived his early life in World War II and post-war country. He studied piano and music at the Tokyo Art College High School. After graduating, he joined Lionel Hampton’s Japanese touring band.
Known for his eclectic music that ranges from vanguard classical to fusion and digital music. Not only working with Hampton, but he also performed with Sonny Rollins, Woody Herman, Mal Waldron, Joe Henderson, McCoy Tyner, Gil Evans, Elvin Jones, Miles Davis, Gary Peacock, Paul Motian, Billy Harper, and Hannibal Peterson.
As a leader and co~leader, he recorded twenty-five albums, and as a sideman or member of other groups, he recorded twenty~eight albums. Pianist and composer Masabumi Kikuchi passed away from a subdural hematoma on July 6, 2015 at a hospital in Manhasset, New York.
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