Daily Dose Of Jazz…
Ellis Louis Marsalis Jr. was born on November 14, 1934 in New Orleans, Louisiana and started out as a tenor saxophonist but switched to the piano while in high school. From his first professional performance with The Groovy Boys over fifty years ago, he has been a major influence in jazz. At that time, he was one of the few New Orleans musicians who did not specialize in Dixieland or rhythm and blues.
He played with fellow modernists including Cannonball Adderley, Nat Adderley, and Al Hirt, becoming one of the most respected pianists in jazz. Ellise has recorded some twenty albums as a leader opting to shun the spotlight and taking a sideman seat recording and performing with David “Fathead” Newman, Eddie Harris, Marcus Roberts, Reginald Veal, Robert Hurst, Herlin Riley, Jeff “Tain” Watts, Wycliffe Gordon, Eric Reed, Billy Higgins, Ray Brown, Benjamin Wolfe, Cynthia Liggins Thomas, Roland Guerin and Courtney Pine to name a few.
Focusing on teaching, Marsalis’s didactic approach, combined with an interest in philosophy, he encourages his students to make discoveries in music on their own, through experiment and very careful listening. He is a leading educator at the New Orleans Center for Creative Arts, the University of New Orleans, and Xavier University of Louisiana, and has influenced the careers of Terence Blanchard, Harry Connick Jr., Nicholas Payton; as well as his sons: Wynton, Branford, Delfeayo and Jason.
Ellis has received an honorary doctorate from Tulane University, was inducted into The Louisiana Music Hall of Fame and has had the Ellis Marsalis Center for Music at Musicians’ Village in New Orleans named in his honor.
He has recorded with his family the live album titled Music Redeems, he and his sons are group recipients of the 2011 NEA Jazz Masters Award, and has been named Sinfonia’s 24th Man of Music. Pianist and educator Ellis Marsalis continues to perform, record and educate.
Give The Gift Of Knowledge
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Daily Dose Of Jazz…
Don Elliott was born October 21, 1926 in Somerville, New Jersey and played mellophone in his high school band and played trumpet for an army band. After study at the University of Miami he added vibraphone to the list and recorded with Terry Gibbs and Buddy Rich before forming his own band.
From 1953 to 1960 he won the DownBeat readers poll several times for miscellaneous instrument-mellophone. Known as the “Human Instrument”, Don additionally performed jazz as a vocalist, trombonist, flugelhornist and percussionist. He pioneered the art of multitrack recording, composed countless prize-winning advertising jingles, prepared film scores, and built a thriving production company.
Elliott scored several Broadway productions including James Thurber’s The Beast in Me and A Thurber Carnival, in the latter of which he performed with his quartet. He also provided one of the voices for the novelty jazz duo the Nutty Squirrels. He lent his vocal talents to such motion picture soundtracks as The Getaway starring Steve McQueen, $ (Dollars) starring Warren Beatty, and The Hot Rock starring Robert Redford, as well as composing the score to The Happy Hooker starring Lynn Redgrave.
Elliott owned and operated one of the very first multitrack recording studios in New York City and in Weston, Connecticut and recorded over 60 albums and 5,000 advertising jingles throughout his career. A longtime associate of Quincy Jones, he contributed vocal work to many of Jones’ film scores. As sideman he performed and recorded with Phil Bodner, Miles Davis, Lee Konitz, Jackie McLean, Paul Desmond, Billy Taylor, Billy Eckstine, Bill Evans, Urbie Green, Michel Legrand, George Shearing, Marty Bell, Bob Corwin, Louis Bellson and Mundell Lowe among others.
Trumpeter, vibraphonist, vocalist, and mellophone player Don Elliott, whose recording Calypso Jazz is considered by some jazz enthusiasts to be one of the definitive calypso jazz albums, passed away of cancer on July 5, 1984 in Weston, Connecticut.
Dose A Day-Blues Away
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Daily Dose Of Jazz…
Carli Muñoz was born Carlos C. Muñoz, on October 16, 1948 in Puerto Rico. A self-taught pianist, his music of choice was jazz, European avant-garde and American pop music. Among his early influences were ragtime, early American ballads, boogie woogie and classical music, especially that of Erik Satie and Edgard Varèse.
When Carli turned 16 he headed to New York City with a rock band he co-founded with Jorge Calderon called The Living End, AKA: Space, and for 18 months was the house band at a New York club. He later moved to Los Angeles, California where he worked with Charles Lloyd, George Benson, Wilson Pickett, Jan and Dean, The Association, Chico Hamilton, Wayne Henderson, Les McCann, Peter Cetera and Evie Sands.
From 1970 through 1981, Muñoz toured with the Beach Boys, playing Hammond B3 and piano. Following this period in his career in 1985 he returned to Puerto Rico and stayed out of the spotlight. 1998 saw him opening a restaurant, Carli Cafe Concierto.
His most recent releases include a solo piano project Love Tales, Both Sides Now, with bassist Eddie Gómez, drummer Joe Chambers and flautist Jeremy Steig, Live at Carli’s Vol. 1, Live at Carli’s Vol 2 and Live at Carli’s Vol 3, recorded live at Carli Cafe Concierto, and Maverick with Eddie Gómez, drummer Jack DeJohnette, Don Byron on clarinet and tenor saxophonist David Sánchez, and a tribute album In My Soul, in memory of both Carl and Dennis Wilson.
Pianist Carli Muñoz, sometimes spelled Munoz, continues to perform jazz in his restaurant and often returns to the mainland to perform and record.
Put A Dose In Your Pocket
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Daily Dose Of Jazz…
Dennis Sandole was born Dionigi Sandoli on September 29, 1913 in Philadelphia, Pennsylvania and played guitar as a child. From 1946 until the early 1950s he was John Coltrane’s mentor , introducing him to theory beyond chords and scales and exposing him to the music of other cultures.
Sandole taught advanced harmonic techniques that were applicable to any instrument, using exotic scales and creating his own. His students over half a century included saxophonists James Moody, Michael Brecker, Rob Brown, and Bobby Zankel; pianists Matthew Shipp and Sumi Tonooka; guitarists Jim Hall, Joe Diorio, Pat Martino, Joe Federico, Tony DeCaprio, Jon Herington, Larry Hoffman, and Harry Leahey, Rufus Harley, Bob deVos and Frank Gerrard.
He recorded with his brother Adolph, Modern Music From Philadelphia, released by Fantasy in 1956. Guitarist, composer and music educator Dennis Sandole, who taught privately until the end of his life, passed away on September 30, 2000.
Jazz Is Global – Share
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Daily Dose Of Jazz…
Lynn Hope was born on September 26, 1926 in Birmingham, Alabama and was noted for his apparel and instrumental remakes of established pre-rock pop anthems. He joined King Kolax’s band when he graduated from high school during the 1940s. He later converted to Islam becoming known for wearing a turban, though few ever called him by his Muslim name, Al Hajji Abdullah Rascheed Ahmed.
He signed with Miracle Records in 1950, but the contract proving invalid moved to Premium Records, There he cut Tenderly, a song that was later picked up by the Chess label. Hope recorded often for Aladdin Records between 1951 and 1957, doing interpretations of such jazz standards as September Song and Summertime. While these numbers were often performed with little or no melodic embellishment or improvisation, the flip sides were often fierce up tempo blues or jump tunes.
Tenderly earned him his only hit in 1950, reaching number eight R&B and #19 pop charts. He made his last sessions for King in 1960, then fell from sight. Tenor saxophonist Lynn Hope passed away on February 24, 1993.
Inspire A Young Mind
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