Daily Dose Of Jazz…

Werner Dies was born on January 15, 1928 in Frankfurt, Germany. An autodidact on guitar and saxophone, he studied clarinet and composition starting in 1947. From 1947 to 1955 he played guitar in the dance band of Willy Berking, and was a member of the bands Hotclub Combo and Two Beat Stompers.

He led his own ensemble, went on a tour of Yugoslavia in 1955 and from 1955 to 1965 he was a member of Hazy Osterwald’s sextet, and also worked as a session musician and arranger. He toured with Joe Turner and, in 1968, Charly Antolini.

He had a hit in Germany in 1954 with Schuster bleib bei deinen Leisten (The Little Shoemaker) that spent eight weeks at #1 on the German hit parade starting in October 1954. He later worked for Howard Carpendale, Adam & Eve, Graham Bonney, and other singers, and produced easy listening music with his own ensemble, the Werner Dies Sax Band.

He wrote a treatise on clarinet improvisation that was published in 1967. He produced the group Bläck Fööss from 1973 to 2003. Tenor saxophonist, clarinetist, guitarist, composer, and arranger Werner Dies died on February 5, 2003.

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Daily Dose Of Jazz…

Nguyên Lê was born Le Thanh Nguyen on January 14, 1959 in Paris, France of Vietnamese ancestry. He began playing drums at the age of 15, then took up guitar & electric bass. After  graduating in Visual Arts he majored in Philosophy, writing a thesis on Exoticism. A self-taught musician, Nguyên started out playing rock, funk, jazz standards, avant-garde jazz, pop, African, Caribbean, and other world music.

Devoting himself to music, in 1983 he created Ultramarine,  a multi-ethnic band whose recording   has been considered 1989’s Best World Music album. He went on to record several albums and worked  with such musicians  as  Miroslav  Vitous, Trilok Gurtu,  J. F. Jenny Clarke, Dewey Redman, Andy Emler, Jon Christensen, Nana Vasconcelos, Glenn Ferris, Kenny Wheeler, John Taylor and numerous others.

He has played with the O. N. J., the French  National  Jazz Orchestra in which he played with  Johnny  Griffin,  Louis Sclavis, Didier Lockwood, Carla Bley, Steve Swallow, Randy Brecker, Toots Thielemans, Courtney Pine, Steve Lacy, Dee Dee Bridgewater, Gil Evans, Quincy Jones, Randy Brecker, Vince Mendoza, Carla Bley, Per Mathisen, Marc Johnson, Peter Erskine, Trilok Gurtu, Paolo Fresu and Dhafer Youssef and numerous others.

He has released albums as a leader and as a sideman. His 1996 album Tales from Viêt-Nam blends jazz and traditional Vietnamese music. In spring 2011 he released Songs of Freedom, an album with cover versions of pop hits from the 1970s.

Guitarist and composer Nguyên Lê  continues to perform, record and compose.

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Simon H. Fell was born on January 13, 1959 in Dewsbury, Yorkshire, England. He began playing double bass in 1973 and from 1978 to 1981 he read English Literature at Fitzwilliam College, Cambridge, England. His early group was a free-jazz trio with drummer Paul Hession and saxophonist Alan Wilkinson. They recorded and released their music on his label Bruce’s Fingers.

During this period Fell was significantly connected with The Termite Club in Leeds. He was a member of the free jazz trio Badland, the improvising string and percussion ensemble ZFP with Carlos Zingaro, Marcio Mattos and Mark Sanders, and SFQ, a quartet/quintet with clarinettist Alex Ward and a changing membership. He also performed in many other ensembles, including the London Improvisers Orchestra and Derek Bailey’s Company Week.

Simon wrote a major sequence of four new large-scale compositions titled Compilation. Free improvisation, rock and jazz all form key parts of the musical language. Noise guitarist Stefan Jaworzyn, Evan Parker and John Butcher were essential musicians to the projects, but he often deliberately made use of amateur or student musicians.

Bassist and composer Simon Fell, who is primarily known for his work as a free improviser and the composer of post-serialist compositions, died on June 28, 2020

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Gene Lake was born Oliver Gene Lake, Jr. on January 12, 1966 in St. Louis, Missouri. He began playing drums when he was five years old, and took lessons with Pheeroan akLaff as a high schooler at The High School of Music & Art in New York City. He attended Berklee College of Music, where he worked with Tommy Campbell, and played in local Boston bands in a variety of styles.

Gene played with his father in New York City in 1987 and 1988, then joined Henry Threadgill’s ensemble in 1990. Later in the Nineties, Gene worked with Steve Coleman, Lunar Crush with David Fiuczynski and John Medeski, Marcus Miller, Brandon Ross, David Sanborn, the World Saxophone Quartet, and Joe Zawinul.

He has recorded seven albums as a leader that includes The Oliver Lake Quartet, Dedication, and At This Time and another ten as a sideman. Outside of jazz, Lake also performed and recorded with R&B musicians Maxwell and Me’Shell Ndegeocello.

Drummer Gene Lake, who is the son of saxophonist Oliver Lake, continues to perform and record.

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Sonya Jason was born on January 10, 1963 in Wayne, Nebraska. By the age of four, she began playing piano and took classical piano lessons for nine years. Joining the school band at age ten she took up the saxophone. At thirteen she joined her first jazz band where she learned the rudiments of swing, the basic ability that all jazz musicians must possess.

Her family’s move to the Southwest enabled Sonya to join the Apollo High School band in Phoenix, Arizona, then voted Arizona’s leading jazz band. It was here that she first heard the passionate recordings of Latin saxophonist Gato Barbieri, and began studying the bebop stylings of Charlie Parker, gaining further inspiration from the saxophone work of Phil Woods and David Sanborn.

She won the Phil Woods Scholarship offered by Berklee College of Music in Boston, Massachusetts. Two years of liberal arts study at Mills College in Oakland California and private lessons with bebopper Hal Stein led to her move to Boston. While at Berklee she studied privately with saxophonists Joe Viola, Jimmy Mosher, George Garzone and Herman Johnson. She honed her arranging skills with Herb Pomeroy and Grammy award-winning arranger Robert Freedman. After graduating summa cum laude from Berklee in 1985, Sonya returned to Arizona to begin her professional career.

Gigging all over Arizona she gained versatility working with bands of varied styles, jazz, latin, top 40, reggae, rock, classical, big band swing, and show bands. In 1987 she formed a quartet that performed as opening act for Natalie Cole, Richard Marx, Chuck Berry, Ramsey Lewis, Janis Siegel, Smokey Robinson, Spyro Gyra, Lionel Hampton, Mose Allison and the Stanley Clarke/George Duke Project, to name a few..

In 1988 she released her debut recording Secret Lover on her Saja Productions label. in December 1988. In 1991 she moved to Los Angeles, California and signed with Warner Music Discovery and two years later her second release Tigress.

In addition, Sonya appeared in the Showtime movie, Lush Life, starring Jeff Goldblum and Forest Whitaker, and was featured in two cable music specials, Music and the Biz and Hurry Up and Wait.

Relocating to the San Francisco, California Bay Area in 1999. Since moving she has recorded a few albums, served as musical director and arranger for theCoastal Theatre Conservatory’s presentation of Cinderella with over a hundred youth of all ages, and was band director and orchestrator of This Side Of The Hill Players.

First-call saxophonist Sonya Jason carries on a thriving music teaching studio, continues to perform as a soloist for several bands and orchestras, tour and record.

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