Daily Dose Of Jazz…
Hubert Fol was born in Paris, France on November 11, 1925 and learned piano from an early age through lessons from his mother. He also took lessons in violin and clarinet in his teens and early twenties.
As a saxophonist, Hubert worked with Claude Abadie and Boris Vian and co-founded the Be Bop Minstrels with his brother in 1947. In 1949~1950, he toured Europe and recorded with Coleman Hawkins, then worked with Kenny Clarke and Django Reinhardt before embarking on another European tour with Dizzy Gillespie and Rex Stewart.
In the 1960s his health deteriorated, leading to his playing far less frequently.Saxophonist and bandleader Hubert Fol transitioned on January 19, 1995 in Paris.
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Daily Dose Of Jazz…
Gray Hall was born November 10, 1992 in Philadelphia, Pennsylvania. Learning to play the guitar as a youth, by the time he was in high school he was playing lead with Nathaniel’s jazz quartet and with Donnie in their modern blues group called Edens Unknown.
He and his high school classmates Alex Plye and Mike Haldelman while working with Marilisa Cook-Simmons on vocals, creating an electro-future-soul odyssey that blends the art of soul, production, and instrumentation that demonstrates the art of cool.
After graduating from Guilford College in Greensboro, North Carolina he rejoined his fellow musicians Pyle and Haldeman to produce and record tracks for the neo-soul jazz group Space Captain. Splitting his time between performing and recording in New York City and recording at the Great Time Studio in suburban Philadelphia.
Other studio work by Hall features original beats and soundtrack mastering for So Far Productions (NYC). He has studied guitar with Daniel Sheriff, Greg Hyslip, and Rory Stewart; and interned as an studio production assistant with Eddie Motilla of Universal Studios, NYC and The Record Room in Miami, Florida.
Guitarist Gray Hall, who works in genres ranging from modern jazz, jazz fusion, modern blues, and neo-soul, continues to perform, record and produce.
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Daily Dose Of Jazz…
James Ostend Brown was born on November 9, 1906 in Baltimore, Maryland and learned to play piano, trumpet, and saxophone in his youth. Professionally known as Pete Brown, he played in New York City with Bernie Robinson’s orchestra in 1928, and played from 1928 to 1934 with Charlie Skeete.
1937 saw him working in the John Kirby band for several years and during the decade he worked with Frankie Newton, who was also a member of Kirby’s band. Brown and Newton recorded often. In addition to recording under his own name, he also recorded with Willie “The Lion” Smith, Jimmie Noone, Buster Bailey, Leonard Feather, Joe Marsala, and Maxine Sullivan.
Pete worked on 52nd Street in New York City in the 1940s, both as a sideman with Slim Gaillard, among others. As a bandleader, he was in Allen Eager’s 52nd Street All-Stars in 1946.
In the 1950s, Brown’s health began to fail, and he receded from full-time performance. He played with Joe Wilder, Big Joe Turner, Sammy Price, and Champion Jack Dupree. He appeared at the 1957 Newport Jazz Festival with Coleman Hawkins and Roy Eldridge. His last appearance was in 1960 with Dizzy Gillespie.
Alto saxophonist and bandleader Pete Brown, who was Cecil Payne and Flip Phillips teacher, transitioned on September 20, 1963 in New York City.
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Daily Dose Of Jazz…
David Arthur Carey was born November 8, 1914 in Coulsdon, Surrey, England. His father was a pianist. In the early Thirties he had his own band that performed in the Croydon borough of London. After the start of World War II he opened a music shop in Streatham before being drafted into military service. In 1946 he opened The Swing Shop in Streatham, where he sold musical instruments and records and which he expanded into a mail order business.
He also played in dance and jazz bands in 1947 with Rex Stewart, who was visiting England, with whom he also recorded in London in September 1949, and in 1948 with Graeme Bell’s Australian Jazz Band. In the same year, Carey took part in recordings by Humphrey Lyttelton for Wilco, in 1950 with the boogie-woogie pianist Roy Vaughan. He was in Lyttleton’s band for a year in 1948 until he was replaced by Bernard Saward. The mid-1950s Dave led his own traditional jazz formations and recorded a number of records for Tempo Records and Decca Records.
Carey performed at the Royal Festival Hall in 1957 and contributed to pianist Pat Hawes’ recordings for Tempo. He worked as a music historian, collaborating with Albert McCarthy and the six-volume work Jazz Directory spanning 1949 to 1952. In the Sixties he led his own band in the 1960s.
According to his colleague Pat Hawes, his drumming was influenced by Baby Dodds, but also by drummers of the swing era such as Gene Krupa, Cozy Cole and George Wettling.
Drummer, bandleader and jazz researcher Dave Carey, who also plays vibraphone and washboard, transitioned on July 18 , 1999 in Croydon.
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Jazz Poems
Jazz Band In A Parisian Cabaret Play that thing, Jazz band! Play it for the lords and ladies, For the dukes and counts, For the whores and gigolos, For the American millionaires, And the school teachers Out for a spree. Play it, Jazz band! You know that tune That laughs and cries at the same time. You know it. May I? Mais oui. Mein Gott! Parece una rumba. Play it, jazz band! You’ve got seven languages to speak in And then some, Even if you do come from Georgia. Can I go home wid yuh, sweetie?Sure.
LANGSTON HUGHESÂfrom Jazz Poems ~ Selected and Edited by Kevin Young
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