Daily Dose Of Jazz…
Joëlle Léandre was born September 12, 1951 in Aix-en-Provence, France on Opera Street across from a theatre. She studied the standard double-bass repertoire intensively in her hometown conservatory and at the Conservatoire National Superieur de Musique de Paris. By her late teens she was subbing in the bass sections of large classical ensembles. Drawn to Paris jazz clubs, she wasn’t involved in the scene because her pizzicato playing off-putting the jazz field’s standard.
Her appreciation of improvisation came from her chance discovery of Bowin’ Swingin’ Slam, by swing bassist Slam Stewart. Around the same time Joëlle received a one-year scholarship to study at the Center for Creative and Performing Arts in Buffalo, New York. Not only was she exposed daily to serious music from composers and travelled to New York to listen to improvisers.
She began her career in the early 1970s when she was still a student at the Conservatoire National Supérieur de Musique in Paris, France. She studied with renowned bassist Jean-Louis Rassinfosse and developed a unique style that fused avant-garde jazz with classical music. In 1974, she formed the ensemble Musica Elettronica Viva with Italian composer and electronic musician Luciano Berio.
Collaborating with many on the avant-garde jazz scene including John Cage, Anthony Braxton, Derek Bailey, Anthony Braxton, George E. Lewis, India Cooke, Steve Lacy, Sylvie Courvoisier, John Zorn and Cecil Taylor, among others. She is also a founding member of the improvising trio Fish Music with saxophonist Evan Parker and drummer Barry Guy. Aside from performing as a soloist, her bands have been trio, quartet configurations.
In 1983 she became a member of the European Women Improvising Group (EWIG), which evolved from the Feminist Improvising Group. In the early 1990s she co-founded the feminist improvising trio Les Diaboliques, with Irène Schweizer and Maggie Nicols.
Double bassist, vocalist, and composer Joëlle Léandre remains active in new music, avant~garde and free improvisation.
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Daily Dose Of Jazz…
Peck Morrison was born John A. Morrison on September 11, 1919 in Lancaster, Pennsylvania. He was classically trained, and in addition to bass, being competent on trumpet and percussion was also his talent.
During World War II he played in military bands in Italy and after the war he moved to New York City to play professionally. He played with Lucky Thompson in the early 1950s, and then recorded with Horace Silver, Gigi Gryce, and Art Farmer. He played and toured Europe with Gerry Mulligan.
He was a noted accompanist and sideman with Carmen McRae, Tiny Bradshaw, King Pleasure, Zoot Sims, Dave Bailey, Betty Carter, Eddie Jefferson, the J. J. Johnson/Kai Winding Quintet, and Duke Ellington in the Fifties and the latter in the 1960s.
He performed or recorded in the Sixties with Lou Donaldson, Johnny Smith, Mal Waldron, Randy Weston, Babs Gonzales, the Newport Rebels, Shirley Scott, Red Garland, Charles McPherson, and Sy Oliver. In 1986 he performed as a member of the Harlem Blues and Jazz Band.
Bassist Peck Morrison, who never recorded as a session leader, died on February 25, 1988.
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Daily Dose Of Jazz…
Putte Wickman was born Hans Olof Wickman on September 10, 1924 in Falun, Sweden and grew up in Borlänge, Sweden where his parents hoped he would become a lawyer. He nagged them to allow him to go to high school in Stockholm, Sweden and when he arrived in the capital he still did not know what jazz was and probably the only 15 year-old who did not.
Not having access to a piano in Stockholm, he was given a clarinet by his mother as a Christmas present. As it turned out, he started to hang out with the worst elements in the class, those with jazz records. Wickman considered himself self-taught, having never taken classes on the instrument.
Artie Shaw and Benny Goodman were the role models for the young Wickman, who, in 1944 had turned to music full-time. He was taken on as band leader at Stockholm’s Nalen. He led a band at Nalen for eleven years, and during the 1960s he ran the big band at Gröna Lund and at Puttes, the club he co-owned, at Hornstull in Stockholm.
In 1994, Wickman received the Illis Quorum gold medal, today the highest award that can be conferred upon a private Swedish citizen by the government of Sweden.
Clarinetist Putte Wickman, who was a member of the Royal Swedish Academy of Music and active as a musician until shortly before his passing, died on February 14, 2006.
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Daily Dose Of Jazz…
Vinnie Cutro was born in New Jersey on September 9, 1953 and received his formal musical training throughout his formative years. He continued his education at New Jersey University, receiving his B.A in Music Education, then got his Masters in Jazz Performance from New York University. He furthered his studies in jazz composition, classical studies, jazz arranging and counterpoint with Dr. Tom Boras and Jim McNeely.
His working education began as a freelance musician in the New York City area. During the past 30 years Vinnie has performed with Horace Silver, Buddy Rich and Lionel Hampton. During his tenure with the latter he performed guest appearances with various American symphonic orchestras.
He has traveled extensively throughout the world appearing at jazz festivals and concerts in Europe, Japan, Africa, Canada, South America and the U.S.A. Cutro’s debut release as a leader, Blues for the Optimist, came in 1995 and featured Bob Mintzer, Jim McNeely, Victor Jones, and Mike Richmond. His sophomore release, Aberration, features guitarist Mike Stern, trombonist Bob Farrel, bassist Martin Wind, Sarah Jane Cion on piano, Victor Jones on drums and pianist Mitch Schechter.
Trumpeter Vinnie Cutro continues to compose, record and perform in the New York City area with his new ensemble New York City Soundscape.
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Daily Dose Of Jazz…
Art Anton was born on September 8, 1926 in New York City. In the early 40’s he was a private student of Irving Torgman, and was a music major at New York University from 1943 through 1944. He returned for further studies from 1946 through 1947. In between, the Navy grabbed him to play its own military paradiddles. From the late ’40s onward, he began working with leaders such as Herbie Fields, Sonny Dunham, Bobby Byrne, Tommy Reynolds, and Art Wall.
In 1952, he got into the combo of saxophonist Bud Freeman, moving to pianist Ralph Flanagan’s band the following year. Anton’s drumming style stuck closely to straight-ahead jazz swinging or whatever other beat was required. After gigs in 1954 with Jerry Gray and Charlie Barnet, he relocated to the west coast and began freelancing. He performed and recorded with the big band of Stan Kenton to multi-instrumentalist Jimmy Giuffre’s smaller units.
Maintaining steady employment as a jazzman on the stingy Los Angeles, California scene was difficult, and Artie looked for other types of employment. During the ’60s, he turned to selling vacuum cleaners, worked as a private detective, while remaining a highly respected West Coast percussionist.
Drummer and percussionist Art Anton, who is also listed as Artie or Arthur, died on July 27, 2003 in Yakima, Washington.
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