Daily Dose Of Jazz…
Duncan Lamont was born on July 4, 1931 in Greenock, Scotland. His first instrument was trumpet and he clearly showed promise right from the start. His father played accordion and soon he was joining him on the many gigs all over town. Falling in love with music he practiced all the time and began making a name for himself. In his teens he formed a jazz band with some of his fellow teenage enthusiasts and after taking part in a ‘Melody Maker’ magazine contest, received an offer to join Kenny Graham’s band and turn professional. Initially turning down the offer for work in the shipyards, friends persuaded him to go to London, England and joined the band. It was here that he met and eventually married vocalist Bridget Harrison.
Struggling with his lip he decided to quit the band and return home at just 21 years old. Once again a friend interceded and suggested he try the tenor saxophone, and found an affinity with it. Mastering the instrument he hit the road withthe big bands which led him back to London. A call to become a part of the Swinging Scots recording with Johnny Keating proved fortuitous and he became Keating’s go to saxophonist.
For the next thirty years, session work for TV, films and radio was to be a big part of his life. In this capacity, it’s fair to say he worked with most of the 20th century icons of popular entertainment, from Bing Crosby to Paul McCartney. During the 1960’s, to fuel his jazz needs he became a member of the Johnny Scott Quintet. Encouraged to write for the band’s book, Duncan gravitated to leading his own big band on the BBC.
His most enduring musical partnership was with trumpeter Kenny Wheeler, which lasted decades. As the industry changed Lamont turned his attention to songwriting, composing and lyrics. Having written hundreds of songs, many were recorded by the likes of Blossom Dearie, Natalie Cole, George Shearing, Cleo Laine and a long list of great vocalists. Returning home to Greenock a month towards the end of his career, he performed a homecoming gig with singers Esther Bennett and Daniela Clynes. Tenor saxophonist Duncan Lamont transitioned on July 2, 2019 at 87.
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Daily Dose Of Jazz…
John William Heard was born on July 3, 1938 in Pittsburgh, Pennsylvania and in his early years he played saxophone. He began playing bass at the age of 14. His professional career began in a band that included sax player Booker Ervin, drummer J.C. Moses, pianist Horace Parlan and trumpet player Tommy Turrentine. While in high school, he attended special classes at the Carnegie Museum of Art.
Joining the United States Air Force in 1958 John was sent to Germany. Because of his art experience he was given a job of designing posters for events. He also did some art teaching, teaching the wives of officers. He left the Air Force in 1961 and enrolled at the Art Institute of Pittsburgh. He returned to music and went to Buffalo, New York with a later move to California.
The Sixties saw him playing double bass with Turrentine, Al Jarreau, Jean-Luc Ponty, Sonny Rollins and Wes Montgomery. The 1970s he was with Toshiko Akiyoshi, Count Baie, Louie Bellson, Joe Henderson, Ahmad Jamal, John Cillins, Blue Mitchell and Oscar Peterson. By the Eghties he had moved on to perform with Eddie “Lockjaw” Davis, Buddy Montgomery and Pharoah Sanders and Larry Vuckovich. During the decade he teamed with Tom Ranier and Sherman Ferguson to create the group Heard, Ranier, Ferguson in which they released an album in 1983.
Desiring to retire from music in order to spend more time painting, Heard managed to record with Tete Montoliu, Eddie “Lockjaw” Davis, Art Pepper, Clark Terry, Pharoah Sanders, Zoot Sims and Joe Williams. He would return to music, record with Benny Carter, release his album The Jazz Composer’s Songbook and form his group, The John Heard Trio that played at Charlie O’s club in Van Nuys, California. With over 52 recording dates as a sideman with a who’s who list of jazz musicians from the 60’s to 2010, double bassist, bandleader and painter John Heard transitioned on December 10, 2021 at the age of 83.
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Daily Dose Of Jazz…
Michael Abene ( was born July 2, 1942 in Brooklyn, New York. Growing up in a musical family he was influenced and inspired by his father, grandfather, and aunt who were musicians. He studied composition at the Manhattan School of Music
His reputation for accompanying singers and for arranging music led Michael to accompany Susannah McCorkle, Julius La Rosa, and others. His debut album was a solo piano project recorded in 1984 and released in 1986 titled You Must Have Been a Beautiful Baby.
He recorded with Maynard Ferguson, Dizzy Gillespie, Cal Tjader during the Sixties and Urbie Green in the Seventies. Abene co-produced the album Avant Gershwin, which won the Grammy Award for Best Jazz Vocal Album in 2007.
Pianist Michael Abene continues to perform, produce and conduct.
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Daily Dose Of Jazz…
Brandee Younger was born on July 1, 1983 in Hempstead, New York and grew up between her birth city and Uniondale, New York. She began her harp studies as a teen under the tutelage of Karen Strauss and continued with several harpists and bassist Nat Reeves. On to undergrad she earned degrees in Harp Performance and Music Business from The Hartt School of the University of Hartford. While at the latter she was mentored by Jackie McLean and the faculty of the Jackie McLean Institute of Jazz and African American Studies.
Off to New York University for grad school six months later with an impressive résumé, she opened for Slide Hampton as a member of Hartford-based collective The New Jazz Workshop. Younger then developed a working relationship with Grammy-nominated producer and artist Ryan Leslie and Grammy Award-winning producer Omen. Building upon that foundation, Younger began working with saxophonist Ravi Coltrane on a series of concerts honoring the music of his late mother, harpist Alice Coltrane.
Over time, Younger has built her career as an educator, concert curator, performer, and bandleader of the Brandee Younger Quartet. Her debut recording as a leader came with Prelude, released in 2011 with Dezron Douglas, E.J. Strickland and vocalist Niia. Since that auspicious moment she has performed with The Harlem Chamber Players, the Hartford Symphony Orchestra, Waterbury Symphony, Soulful Symphony, Ensemble Du Monde, Camerata New York and the Red Bull Artsehcro.
Younger is on the teaching artist faculty (harp) at New York University and The New School College of Performing Arts. She has taught at Adelphi University, Nassau Community College, The Hartt School Community Division at the University of Hartford and has lectured on both sides of the pond. As a leader she has released 6 albums and two compilations since her debut album Prelude in 2011. As a sidewoman/contributor since 2006 she has 38 albums to her credit with folks like E. J. Strickland, Ravi Coltrane, Jeremy Pelt, Common, Robert Glasper, Jane Monheit, Christian McBroide, Lauryn Hill, Drake, and more.
Harpist Brandee Younger infuses classical, jazz, soul, and funk influences to the harp tradition pioneered by her predecessors and idols Dorothy Ashby and Alice Coltrane. She continues to explore and expand her musical vocabulary.
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The Quarantined Jazz Voyager
Closing out the final week of the month is The Swing Machine. It’s another offering from the continent that this Jazz Voyager has discovered not in his collection but one that requires sharing.The title really says it all so aptly named by tenor saxophonist Gérard Badini in preparation for a good time!
The album was recorded May 30, 1975 at the Hoche Studio in Paris, France and was produced by Jacques Lubin. The recording engineer was Gerhard Lehner, the liner notes were written by Alexandre Rado, and the photography by Christian Rose.
Tracks | 44:48- It Don’t Mean A Thing (Duke Ellington, Irving Mills) ~
- Let’s Do It (Cole Porter) ~
- Sam Woodyard Is Back In Town (Gérard Badini) ~
- Cute (Neal Hefti)
- Asphodèle (Raymon Fol) ~
- Stomp, Lok And Listen ( Duke Ellington) ~
- Michel Gaudry ~ Double Bass
- Drums – Sam Woodyard ~ Drums
- Raymond Fol ~ Piano, Celesta
- Gérard Badini ~ Tenor Saxophone
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