The Quarantined Jazz Voyager

A simple statement: You know what to do to remain safe and healthy. The fat lady hasn’t begun to warm up because it’s not over.

This week I am featuring an album by an understated vocalist who recorded some two dozen albums. I’ve selected from the library. I Just Dropped By To Say Hello is a studio album by jazz vocalist Johnny Hartman, released on Impulse! Records. It was his second and next-to-last album on the label, after his highly successful collaboration with John Coltrane which produced John Coltrane and Johnny Hartman, recorded a few months earlier.

Tracks 1 & 6 were recorded on October 9, 1963 and the balance of the songs were recorded on October 17, 1963 at Van Gelder Studios in Englewood Cliffs, New Jersey. It was produced by Bob Thiele, The album was mastered at Longwear Plating and released in 1964. Tracks 1~6 were on the A side of the album and 7~11, the B side of the original album.

Track List | 33:09
  1. Charade (from Charade) (Henry Mancini, Johnny Mercer) ~ 2:38
  2. In the Wee Small Hours of the Morning (Bob Hilliard, David Mann) ~ 2:49
  3. A Sleepin’ Bee (Harold Arlen, Truman Capote) ~ 2:15
  4. Don’t You Know I Care (Or Don’t You Care To Know) (Mack David, Duke Ellington) ~ 4:14
  5. Kiss & Run (Rene Denoncin, William Engvick, Jack Ledru) ~ 3:35
  6. If I’m Lucky (Eddie DeLange, Josef Myrow) ~ 2:52
  7. I Just Dropped by to Say Hello (Sid Feller, Rick Ward) ~ 4:10
  8. Stairway to the Stars (Matty Malneck, Mitchell Parish, Frank Signorelli) ~ 3:09
  9. Our Time (Stanley Glick, Johnny Hartman) ~ 3:00
  10. Don’t Call It Love (Ronnell Bright) ~ 2:07
  11. How Sweet It Is to Be in Love (George Cardini, Danny DiMinno) ~ 2:20
The Players
  • Johnny Hartman ~ vocals
  • Illinois Jacquet ~ tenor saxophone
  • Kenny Burrell ~ guitar (tracks 2-5, 7-11)
  • Jim Hall ~ guitar (tracks 1, 6)
  • Hank Jones ~ piano
  • Milt Hinton ~ double bass
  • Elvin Jones ~ drums

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Beryl Audley Bryden was born May 11, 1920 in Norwich, Norfolk, England and was an only child Her enthusiasm for jazz music started during her teenage years, becoming a member of the National Rhythm Club when she was 17 and became secretary of the local branch in 1941. An ardent jazz fan she established a Nat Gonella fan club in her teens, before taking up the washboard and singing, influenced by Bessie Smith.

Moving to Cambridge in 1942 at 22, post WWII she returned to London with the hope of starting a career in music/ She worked with Mick Mulligan and George Melly at London jazz venues and became a supporter of visiting American jazz acts when the Musicians Union ban was lifted. Beryl befriended, amongst others, Buck Clayton, Louis Armstrong and Bud Freeman, with whom she recorded.

By 1949 she formed her own group called Beryl’s Back-Room Boys and later worked with Mike Daniels. In 1955 she joined the Chris Barber band on washboard, and played on Rock Island Line with Lonnie Donegan on vocals. This track helped trigger the ‘skiffle’ craze of the late 1950s.

Graduating to the Monty Sunshine jazz band she covered Bessie Smith’s Young Woman’s Blues, Gimme a Pigfoot (And a Bottle of Beer, and Coney Island Washboard Blues, which demonstrated her washboard technique.

She remained active at the end of the British trad jazz boom, and became particularly popular in Northern Europe, playing with the Ted Easton Jazz Band and The Piccadilly Six. She was active well into the Nineties playing with the Metropolitan Jazz Band, Digby Fairweather, Nat Gonella and her own Blue Boys.

Vocalist Beryl Bryden, whose final recording was with Nat Gonella shortly before her death, transitioned from lymphoma, aged 78, at St Mary’s Hospital, Paddington, England on July 14, 1998

BRONZE LENS

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Daily Dose Of Jazz…

Lorne Lofsky was born May 10, 1954 in Toronto, Ontario, Canada and began playing rock at school dances but later took an interest in jazz after hearing the album Miles Davis’ Kind of Blue. During the 1970s he attended York University in Toronto studying music while working around Toronto’s clubs. He worked with Canadian musicians Butch Watanabe and Jerry Toth and with Pepper Adams, Bob Brookmeyer and Chet Baker when they visited.

In 1980, Lofsky met fellow Canadian, pianist Oscar Peterson, who produced his first album It Could Happen to You. He toured with Peterson in the 1980s, and he toured and recorded as a member of Peterson’s quartet and quintet in the 1990s. Lofsky has also worked with Ed Bickert, Ruby Braff, Rosemary Clooney, Kirk MacDonald, Rob McConnell, Tal Farlow, Dizzy Gillespie, Johnny Hartman, and Clark Terry.

In the early-1980s, Lofsky began an important musical association with saxophonist Kirk Macdonald leading to the formation of a quartet. From 1983 to 1991 Lofsky played in a quartet with guitarist Ed Bickert. This collaboration yielded two recordings, one for Concord Records titled This Is New, along with a tour of Spain in 1991.

He has taught at York University, Humber College’s Community Music School and the University of Toronto. Guitarist Lorne Lofsky continues to perform, record, and tour.

BRONZE LENS

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Daily Dose Of Jazz…

Steve Holt was born in Montreal, Quebec, Canada on May 9, 1954 and exhibited musical ability in early childhood, playing piano at the age of four. By the time he was a teenager, he was a regular on the Montreal club scene.

Self-taught until he entered McGill University, he received instruction from pianist Armas Maiste, whose bebop playing influenced him. Holt became a student of Kenny Barron, traveling regularly to New York City for private lessons. Graduating from McGill in 1981 with that university’s first Bachelor of Music major in Jazz Performance, he taught jazz improvisation there.

Steve’s 1983 debut album, The Lion’s Eyes was nominated for a Juno Award. He has worked with Larry Coryell, Eddie Henderson, and Archie Shepp. Moving to Toronto, Canada in 1987 he worked as an equity analyst and for a time he also continued playing clubs at night. He released three albums in the early Nineties ~ Christmas Light, Just Duet and Catwalk.

At the end of the decade Holt returned his concentration to music full-time and three years later his fifth album, The Dream, was released. He turned his attention to music production and stopped performing jazz live until 2014. A move to the countryside reignited his interest in jazz performance and in 2017 he opened a health food store in Warkworth, Ontario that operates as a jazz venue once a week.

Pianist Steve Hunt continues to play jazz while maintaining outside interests.

BRONZE LENS

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Daily Dose Of Jazz…

Nenad Vasilic was born on May 8, 1975 in Niš, Serbia and started playing piano at the age of 5. By twelve he received his first bass guitar and at the age of 15 he enrolled in the Secondary Music School in Niš. When he was 19 he studied contrabass and bass guitar at the Jazz Academy in Graz, Austria.

In 1998 he formed his own band Vasilić Nenad Balkan Band and 1999 saw him in Austria recording his debut album as a leader titled Jugobasija. Since that first outing he has produced albums as a band leader, double bass player and composer, collaborating with jazz singers Mark Murphy and Sheila Jordan, as well as Ritchie Beirah, Peter Ralchev, Vlatko Stefanovski, Wolfgang Puschnig, Bojan Zulfikarpasic, John Hollenbeck, Martin Lubenov, Stjepko Gut, Bilja Krstić, Tamara Obrovac, Lori Antonioli, Amira Medunjanin and others.

Bassist, composer and bandleader Nenad Vasilic continues to explore the possibilities of his music creativity.

BRONZE LENS

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