Daily Dose Of Jazz…
Gerhard Rochus “Gerd” Dudek was born September 28, 1938 in Wrocław, Poland. He studied clarinet privately and attended music school in the 1950s before joining a big band led by his brother Ossi until 1958.
During the early 1960s, Dudek played in the Berliner Jazz Quintet, in Karl Blume’s group and in Kurt Edelhagen’s orchestra until 1965. He then became interested in free music and joined Manfred Schoof’s quintet. He took part in the first sessions of The Globe Unity Orchestra in 1966, and played with them at various times into the 1980s.
He also worked with many other European free musicians and composers, including Alexander von Schlippenbach, Loek Dikker and The Waterland Ensemble And European Jazz Quintet.
He is best known for his work with Manfred Schoof, Wolfgang Dauner, Lala Kovacev, the Globe Unity Orchestra, Berlin Contemporary Jazz Orchestra, Albert Mangelsdorff, Don Cherry and George Russell. Tenor and soprano saxophonist, clarinetist and flautist Gerd Dudek continues to be involved in music.
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Daily Dose Of Jazz…
Archie “Skip” Hall was born in Portsmouth, Virginia on September 27, 1909 and studied piano under his father. From the age of eight he lived in New York City and in the late 1920s he relocated to Cleveland, Ohio where he led his own band for most of the 1930s.
He worked as an arranger on contract and arranged for Jay McShann from 1940 to 1944 and during World War II played with Don Redman. In 1943 he entered military service and played in a band while stationed in England. Around 1945 Skip worked with Hot Lips Page and then joined the Sy Oliver band, who was his brother-in-law. Following this he worked with Wynonie Harris, Thelma Houston, and Jimmy Rushing before joining Buddy Tate’s group in 1948.
Hall went on to work with Tate for twenty years both as a performer and arranger. He also played in the 1950s and 1960s with Dicky Wells, Emmett Berry, and George James, as well as solo and with his own small groups. Arranger, pianist, and organist Skip Hall, who never recorded as a leader, passed away in November 1980 in Ottawa, Canada.
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Daily Dose Of Jazz…
Nelson “Cadillac” Williams was born on September 26, 1917 in Montgomery, Alabama and began playing piano at age 13, however, he settled on the trumpet soon afterwards. It has been speculated that while still a teenager he may have played with blues pianist/singer Cow Cow Davenport.
In the 1930s, he played in the territory bands Trianon Crackerjacks and Brown Skin Models, and acted as musical director for the Dixie Rhythm Girls. Around 1940, he left Alabama for Philadelphia, Pennsylvania where he played with Tiny Bradshaw’s band before joining the U.S. Army during World War II.
After the war, Billy Eckstine hired Williams, before working with John Kirby and pianist Billy Kyle. In 1949, he began the first of several stints with Duke Ellington, who bestowed upon him the nickname “Cadillac”.
In 1951, he left Ellington’s employ and moving to Paris, France he led his own bands and recorded for French labels. He returned to Ellington in 1956, and played with him again in 1969 on a tour of Europe. Trumpeter Nelson “Cadillac” Williams settled in the Netherlands and passed away in 1973 in Voorburg.
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Daily Dose Of Jazz…
Charlie Allen was born in Jackson, Mississippi on September 25, 1908 and grew up in Chicago, Illinois. He began playing in the early 1920s just out of high school and through the decade worked as a member of the bands of Hugh Swift, Dave Peyton, Doc Cook, Clifford King, and Johnny Long.
Allen worked with Earl Hines from 1931 to 1934, then did a short stint in Duke Ellington’s orchestra in 1935, though he never recorded any solos with Ellington. He played with Fletcher Butler in 1936 and then returned to play with Hines again in 1937.
He played in various groups in Chicago in the 1940s and 1950s. Later in his life he became a music educator, worked in the Chicago Musicians’ Union, and designed custom trumpet mouthpieces, used by Cat Anderson, among others.
Trumpeter Charlie Allen passed away on November 19, 1972 in Chicago.
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Daily Dose Of Jazz…
John Wallace Carter was born on September 24, 1929 in Fort Worth, Texas and attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. Earning a Bachelor of Arts from Lincoln University in Jefferson, Missouri in 1949 and a Master of Arts from the University of Colorado in 1956. He also studied at the North Texas State and University of California at Los Angeles, California.
From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects, notably the New Jazz Art Ensemble. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his solo concerts.
At the New Jazz Festival Moers in 1979, he and the German clarinet player Theo Jörgensmann performed for three days. Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984, and played the Berlin JazzFest, both as a soloist and in duo.
Between 1982 and 1990, John composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music. It was a five album set that focused on African Americans and their history, and was acclaimed by jazz critics as containing some of the best releases of the 1980s.
He recorded seventeen albums as a leader and thirteen albums with Tim Berne, Clarinet Summit, Vinny Golia, Richard Grossman, John Lindberg, James Newton and Horace Tapscott. Carter planned a clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but it never came to fruition.
Clarinetist, saxophonist, and flutist John Carter passed away from a non-malignant tumor on March 31, 1991. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
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