Daily Dose Of Jazz…

Sonny Fortune was born on May 19, 1939 in Philadelphia, Pennsylvania. After moving to New York City in 1967 he recorded and appeared live with drummer Elvin Jones’s group. In 1968 he was a member of Mongo Santamaria’s band. He subsequently performed with singer Leon Thomas and then with McCoy Tyner from 1971–1973.

In 1974 Sonny replaced Dave Liebman in Miles Davis’s ensemble and remained until spring 1975. He went on to join Nat Adderley after his brief tenure with Davis, and then formed his own group, recording two albums for A&M’s Horizon label. During the 1990s, he recorded several acclaimed albums for Blue Note.

He has performed with Roy Brooks, Buddy Rich, George Benson, Rabih Abou Khalil, Roy Ayers, Oliver Nelson, Gary Bartz, Rashied Ali and Pharoah Sanders, and was a part of the live album The Atlantic Family Live at Montreux.

Alto saxophonist and flautist Sonny Fortune, who also played the soprano, tenor and baritone saxophone and clarinet, continued to perform, record and tour until he died of a stroke at the age of 79 on October 25, 2018.


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Billy Cobham was born William Emanuel Cobham on May 16, 1944 in Panama but moved to New York City with his family during his early childhood. A drummer from his youth, he attended New York’s High School of Music and Art. Graduating in 1962, he played in a U.S. Army Band from 1965 to 1968, followed by joining Horace Silver’s ensemble for a year. He went on to work with Stanley Turrentine, Shirley Scott and George Benson.

Branching out into jazz fusion Cobham blended elements of jazz, rock and funk to create a signature sound and recorded with the Brecker Brothers in their 1970 group Dream. From here he performed with John Abercrombie, then touring extensively with Miles Davis and recording on may albums including A Tribute To Jack Johnson.

By 1970s, Cobham was working with John McLaughlin, co-founding the Mahavisnu Orchestra, released his first solo debut titled Spectrum, and played with Carlos Santana, George Duke and Jan Hammer. It was during this period that he began recording a series of groundbreaking fusion records and experiencing astral projections during his concerts.

He would record extensively for the fusion-oriented CTI Records, while simultaneously becoming a member of the New York Jazz Quartet. By the Eighties he was working with Jack Bruce & Friends, joined up with the Grateful Dead for a performance at Radio City Music Hall, formed his Glass Menagerie, releasing two albums with Michael Urbaniak, Gil Goldstein, Tim Landers and Mike Stern. The Nineties saw Billy with an all-star cast Live At The Greek with Stanley Clarke, Larry Carlton, Najee and Deron Johnson.

In the millennium a number of solo albums have followed with drummer Billy Cobham releasing more than 30 recordings under his own name, and continuing to record, perform and teach.


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Andrea Brachfeld was born on May 3, 1955 and grew up in a household where it was mandatory to take the piano. She began her study at age six for seven years but at age 10 she discovered she could I found out of class if she took flute. Adding the instrument to her lessons she entered the High School of Music and Art in 1969, majoring in the flute. There she met and played with, Noel Pointer, Nat Adderley Jr., Dave Valentín, as well as Angie Bofill, Kenny Kirkland, Fred Hersch and Rodney Jones among many other musicians. But it was Noel who taught her how to write music down.

She went on to attend the Manhattan School of Music and study with Hubert Laws, Jimmy Heath, George Coleman, and Mike Longo, who helped her develop her own improvisational style. She began her professional career as a musician at age 16, composing music for the quartet she put together. Her breakthrough moment came in performance as the flutist for the popular Latin band Charanga ’76, catapulted her into Salsa history and fame as the first female flutist to play this music in the United States.

Andrea has performed and recorded jazz, Latin jazz, Charanga, funk, country western, and devotional music. She received the Louis Armstrong Award, Chico O’Farrill Lifetime Achievement Award, the Pionero Award, and the Tribute to the Charanga Flutes. She has six CDs out as a leader, another 17 as a side woman and is a member of the Wallace Roney, “Universe” Orchestra playing Wayne Shorter’s long lost music originally written for Miles Davis.

She has presented her flute and composition workshops and has performed with Hubert Laws, Rufus Reid, Winard Harper, Paquito D’Rivera, Tito Puente, Ray Barretto, Nestor Torres, Wallace Roney, Dave Valentín, Wycliffe Gordon, Hilton Ruiz, Steve Turre and Wayne Wallace. Flutist, piccolo player, composer and educator Andrea Brachfeld continues to perform and record.


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Matso Limtiaco was born May 2, 1963 and majored in music education as an undergraduate. After a brief period teaching public school music, he earned his MA in music theory/composition at Washington State University in 1990. After spending six years teaching music at all levels from junior high band to university jazz ensembles, arranging music for groups he led and for a variety of local performers.

Limtiaco gained his first notoriety as a marching band arranger for Washington State University, and then for the University of Washington. Matso quit teaching music full-time and is active as a freelance composer, arranger, and performer in the Seattle area. His baritone saxophone work has anchored the Emerald City Jazz Orchestra saxophone section since 1994, and the band’s two recordings “Alive and Swinging” and “Come Rain or Come Shine” feature his charts.

After spending several years in music education, he left teaching and now works as an independent composer/arranger, with a “day job” as a technical writer for a large manufacturing company. Among jazz arrangers and composers Matso is not the most well-known nor the most prolific but he rapidly established himself as one of the most polished and professional writers anywhere.


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Ambrose Akinmusire was born May 1, 1982 and raised in Oakland, California. A member of the Berkeley High School Jazz Ensemble, he caught the attention of saxophonist Steve Coleman who was visiting the school to give a workshop. Coleman hired him as a member of his Five Elements band for a European tour and the young trumpeter was also a member of the Monterey Jazz Festival’s Next Generation Jazz Orchestra.

Ambrose studied at the Manhattan School of Music before returning to the West Coast to obtain a master’s degree at the University of Southern California and attend the Thelonious Monk Institute of Jazz in Los Angeles. In 2007, he won the Thelonious Monk International Jazz Competition, the Carmine Caruso International Jazz Trumpet Solo Competition and released his debut recording Prelude…To Cora on the Fresh Sound New Talent label.

Moving back to New York City he began performing with Vijay Iyer, Aaron Parks, Esperanza Spalding and Jason Moran, taking part in Moran’s innovative multimedia concert event In My Mind: Monk At Town Hall, 1957. It was also during this time that he caught the attention of Bruce Lundvall, President of Blue Note Records. Akinmusire released his sophomore album as a debut on the Blue Note label in 2011 titled When The Heart Emerges Glistening, featuring his quintet of tenor saxophonist Walter Smith III, pianist Gerald Clayton, bassist Harish Raghavan and drummer Justin Brown. His third album, The Imagined Savior Is Far Easier To Paint was released in 2014.

Trumpeter Ambrose Akinmusire has won the North Sea Jazz festival Paul Acket award and has worked with Kendrick Lamar, Aaron Parks, Sara Gazarek, Alan Pasqua, Mike Ladd, Josh Roseman, David Binney, John Escreet, Le Boeuf Brothers, Vince Mendoza, Jack DeJohnette and Dana Stephens. He continues the tradition of performing and recording.


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