Daily Dose Of Jazz…
Scott Wendholt was born on July 21, 1965 in Denver, Colorado. He first picked up the trumpet in the third grade and began improvising in the fifth. Linda Walker and Ed Barnes, were two teachers he was inspired by, the latter ran a citywide elementary school group that played some Blues and a reasonable facsimile of jazz and provided at least some tools for jazz improvisation.
His major influences at the time were Al Hirt, Chuck Mangione, and Spyro Gyra until the ninth grade, when Greg Gisbert, a classmate and trumpeter, hipped him to Art Blakey’s “Straight Ahead,” featuring Wynton Marsalis and he started taking trumpet lessons in high school. Scott went on to study At Indiana University in David Baker’s Jazz Studies Program earning his bachelor degree.
A move to Cincinnati was fortuitous for the young trumpeter getting on the scene, landing him at the King’s Island amusement park with a Rock-and-Roll band. From there he went to work with the Blue Wisp Big Band, and working sideman gigs. It was a good training ground to be a leader, for learning appropriate tunes for small group gigs and learning how to hang out.
In 1991 Scott put together a quartet to play at Augie’s, a Harlem bar near Columbia University and the group lasted three and a half years. Then 1992, saw Vincent Herring hiring him for his first real legitimate sideman gig. Then a year later in 1993 Scott recorded his debut album The Scheme of Things on the Criss Cross Jazz label. He would go on to work inside the big band culture in New York City with the likes of Toshiko Akiyoshi, Bob Mintzer, the Maria Schneider Orchestra, the Carnegie Hall Big Band and the Vanguard Jazz Orchestra.
Wendholt has worked with Gisbert, Javon Jackson, John Gunther, Ralph Bowen, Chris Botti, Don Braden, Rim Ries, Roberta Piket, Bobby McFerrin, Dwayne Burno, Mike Abbott, Al DiMeola, Lounge Lizards, Sophie B. Hawkins, Peter Abbott, Brad Leali, John Fedchock, Woody Herman, Ira Coleman, Billy Drummond, Eric Alexander, Anthony Wonsey, Bob Mintzer, Bill Cunliffe, Phil DeGreg, Vincent Herring, Jim McNeely, Mingus Big Band, Buddy Rich and the list goes on and on.
Not one to reside in a single musical genre, the Mile High City trumpeter and flugelhorn player Scott Wendholt continues to perform, record and compose.
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Daily Dose Of jazz…
Bola Sete was born Djalma de Andrade on July 16, 1923 in Rio de Janiero, Brazil. His name translates to Seven Ball and in Brazilian billiards the seven ball is the black ball on the table. He got this nickname when he was the only black member of a small jazz group. He studied guitar at the Conservatory of Rio and started performing with his own sextet and local samba groups while he was still a student. His early influences were guitarists Django Reinhardt, Charlie Christian, Barney Kessell and Oscar Moore, as well as the big band sounds of Dizzy Gillespie, Tommy Dorsey and Woody Herman that toured South America.
His career began in 1952 playing various clubs and hotels around Italy for four years. Then returning to Brazil while touring South America he was spotted by the manager of the Sheraton hotels who brought him to the States to play in New York’s Park Sheraton and San Francisco’s Sheraton Palace. Dizzy Gillespie was staying there at the time and listening to Bola Sete playing every day. When Gillespie decided to bring his pianist Lalo Schifrin to the hotel, he discovered that Lalo and Bola had already met and played together in Argentina. This meeting was the beginning of Bola’s success in the US. In the fall of 1962, Gillespie took the guitarist to the 9th Annual Monterey Jazz Festival. Enjoying huge success he toured for a while with Gillespie then returned to San Francisco and joined the Vince Guaraldi Trio.
Bola was already well known in the US, and his partnership with Guaraldi yielded several well-received recordings. After staying for a couple of years Bola formed his own trio with his fellow Brazilians, bassist Sebastian Neto and drummer Paulinho da Costa. In the 1970s, he became friends with guitarist John Fahey, who had been an admirer of Sete’s. In 1975, Fahey used his Takoma label to release Ocean, which is now seen as one of Sete’s greatest accomplishments.
During the eighties, Sete suffered from lung cancer and though he attempted to counter with yoga and meditation, on February 14, 1987 guitarist Bola Sete passed away at Marin General Hospital in Greenbrae, California from complications caused by pneumonia and cancer.
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Daily Dose Of Jazz…
Tim Warfield, Jr. was born in York, Pennsylvania, began studying the alto saxophone at age nine. He switched to tenor saxophone during his first year at William Penn Sr. High School and participated in various musical ensembles. He won many jazz soloist awards including coming in second out of forty competitors at the Montreal Festival of Music in Canada. After high school, Warfield attended Howard University in Washington, D.C. After two years of matriculation he left to lead and co-lead several groups in the Central Pennsylvania, Baltimore and Washington area.
In 1990 he was chosen to be a member of trumpeter Marlon Jordan in his quintet. The following year he was selected to record Tough Young Tenors on the Island/Antilles label, joined George Wein’s Jazz Futures, Also in 1991, Warfield placed third at the Thelonious Monk International Jazz Saxophone Competition. From 1994 to 1999, he was a member of bassist Christian McBride’s group, and then began a six-year collaboration with Nicholas Payton.
Warfield has recorded eight albums on the Criss Cross label as a beginning with his debut release of A Cool Blue, selected as one of the top ten recordings of the year in a 1995New York Times critic’s poll. as was his 1998 recording Gentle Warrior (featuring Cyrus Chestnut, Tarus Mateen, Clarence Penn, Terell Stafford, and Nicholas Payton.
Tenor saxophonist Tim Warfield is currently serving as a board member and Chair of the Music Committee for the Central Pennsylvania Friends of Jazz as well as an artist-in-residence at Messiah College. He continues to record, tour and perform in the hard bop, Neo-Bop,, post bop and straight-ahead jazz genres.
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Sherri Roberts was born on June 28, 1957 in Greenville, South Carolina and raised in Atlanta. She graduated from college in 1979 with a theater degree and moved to San Francisco. That same year she began exploring both jazz and classic pop, studying with Jeri Southern and working locally.
She began recording for Brownstone, starting with her 1994 Twilight World and continuing with Dreamsville in 1997. She moved to the Blue House/Pacific Jazz label in 2006 with The Sky Could Send You followed by Lovely Day in 2013.
She has worked with Phil Woods, Chris Potter, Lew Soloff, Mark Soskin, Danny Gottlieb, Harvie S and Carmen McRae. Sherri Roberts, vocalist with the warm voice continues to perform, record and tour.
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Daily Dose Of Jazz…
Royce Campbell was born on June 7, 1952 in Seymour, Indiana the son of a career navy man. Growing up in several U.S. cities and abroad including Asia, Europe and the West Indies he was exposed to different music genres as a child. These added to his musical style and approach in jazz composition and playing. Though mainly associated with mainstream jazz, his first love was rock and roll that connected him at age nine to the guitar and Chuck Berry, followed by Jimi Hendrix and Eric Clapton..
By the time Royce finished high school in the early 1970s, he was certain he wanted to pursue a professional career in music. His uncle, Carroll DeCamp, an arranger/pianist who arranged for Stan Kenton and Les Elgart invited the young guitarist to live with him and study in Indiana, providing most of his musical education in theory and composition. By age 21, he had begun touring with R&B artist Marvin Gaye and developing his talents for stage performance. In 1975 he was hired by a local music contractor to do three concerts with award-winning film composer Henry Mancini in Indianapolis. Soon after Royce became the touring guitarist with Mancini’s orchestra, holding that positing until Mancini’s death in 1994.
Though appearing on recordings as a sideman, and a couple as leader, during the early years of his career, Campbell started recording and touring more on his own during the 1990s, focusing at first on mainstream or straight-ahead jazz. Although he cites Wes Montgomery as his main influence, the horn of Dexter Gordon, and Chet Baker also had a great impact.
In 1993, he produced Project G-5: A Tribute to Wes Montgomery which also featured guitarists Tal Farlow, Jimmy Raney, Herb Ellis and Cal Collins. His 1994 album 6×6 featured guitarists Pat Martino, John Abercrombie, Larry Coryell, Dave Stryker and Bucky Pizzarelli. A follow-up Project G-5: A Tribute to Joe Pass, in 1999, Royce brought together the talents of Charlie Byrd, Gene Bertoncini, Mundell Lowe and John Pisano.
During his career guitarist Royce Campbell has released more than 30 CDs as leader or co-leader among various sideman projects. Fifteen of these CDs have made it onto the US national jazz radio charts. His soloing is documented among other jazz guitarists of the era, in Mel Bay’s Anthology of Jazz Guitar Solos: Featuring Solos by the World’s Finest Jazz Guitarists! He has been inducted into the Indianapolis Jazz Foundation Hall of Fame and continues to record, perform and tour.
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