Daily Dose Of Jazz…
Donald Arthur Rader was born October 21, 1935 in Rochester, New York and began playing trumpet at age five, being taught by his father. He studied at Sam Houston State Teachers College before serving in the Navy in the 1950s as a member of the band.
At the end of the decade he played and arranged for Woody Herman into the Sixties, followed by Maynard Ferguson, Count Basie, Louie Bellson, Harry James, Terry Gibbs, Frank Foster, Henry Mancini, Les Brown from 1967 to 1972. Then he left Brown for the Stan Kenton Orchestra.
He toured with Della Reese, Sarah Vaughn, Andy Williams, Percy Faith, Diana Ross, Elvis Presley, Jerry Lewis and Bob Hope, both intermittently for 28 years with five tours of wartime Vietnam with the latter.
Assembling a quintet in Los Angeles, California in 1972 Don continued working with West Coast jazz musicians, including Lanny Morgan, Lew Tabackin, and Toshiko Akiyoshi. He recorded as a leader and worked in music education for many years, including in Australia in the 1980s.
He has recorded eight albums as a leader, and as a sideman three with Count Basie, and seven with Maynard Ferguson. Trumpeter Don Rader continues to perform at the age of 87.
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Daily Dose Of Jazz…
William Jones Jr. was born October 20, 1929 in New York City, New York and mainly taught himself to play the drums, and played left handed. He performed and recorded with pianist Thelonious Monk in 1953, making his debut on the album Thelonious Monk and Sonny Rollins. Two years later he appeared with Monk on The Tonight Show.
He went on to become a sideman for another recording in 1955 on pianist Elmo Hope’s Meditations and with Randy Weston on his The Modern Art of Jazz by Randy Weston in the following year. Jones also played with Kenny Dorham, J. J. Johnson, Charlie Parker, and Cecil Payne in the mid-1950s.
In 1955–56 Jones was part of Charles Mingus’ Jazz Workshop, and was the drummer in the bassist’s band that recorded Pithecanthropus Erectus, which helped develop a freer form of group improvisation. Willie was tenor saxophonist Lester Young’s drummer from late 1956 to early 1959. In 1961, he played on Sun Ra’s The Futuristic Sounds of Sun Ra.
He went into obscurity after this recording session and his date of death was taken from social security records.
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Daily Dose Of Jazz…
Anthony Kerr was born in Belfast, Northern Ireland on October 16, 1965. From 1981 till 1984 he received his education at the Belfast School of Music. Moving to New York City after graduating, he studied vibes and marimba with David Friedman and Kenny Werner. He won a scholarship to the New School of Jazz and Contemporary Music in 1987.
Returning to Ireland, Anthony went on to work as a percussionist with the RTE Symphony Orchestra. There was a period of time when he was employed with the UK’s National Theater.
Kerr later worked as a jazz musician with John Taylor, Louis Stewart, Peter King, Norma Winstone, Mike Westbrook, a bandleader he toured with around Europe. He worked with Charlie Watts and Georgie Fame, while simultaneously leading his own group and conducting jazz workshops in Belfast.
He toured with the Irish Youth Jazz Orchestra and worked with BBC Big Band and collaborated with Ian Shaw and a saxophonist Dale Barlow. He leads his own quartet and the Mallet Band with Justin Woodward, Stewe Brown and Geoff Gascoyne.
In 1994 Kerr was voted best instrumentalist at the British Jazz Awards and the following year received the Young Jazz Musician of the Year. He also won nominations in the Rising Star category in 1995, 1996 and 1998.
His first album “First Cry” was made in collaboration with singer / lyricist Jacqui Dankworth. His second album, “Now Hear This” which was recorded live at Ronnie Scott’s Club, was released in 1997.
Vibraphonist Anthony Kerr currently teaches vibraphone and jazz improvisation at the Royal College of Music in London, produces and records music from his home studio in Hertfordshire, England.
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Daily Dose Of Jazz…
Linda Presgrave was born in St. Louis, Missouri on October 12, 1951. During her hometown years she performed as a leader with her group, After Six Jazz, at the finest jazz venues in St. Louis. At the same time she worked with the Sessions Big Band, the Modern Vintage Jazz Quartet and the Kim Portnoy Jazz Orchestra. As a former professional French Horn player, she performed regularly at the Muny, Fox and Riverport theaters in orchestral settings behind top entertainers, world class ballet ensembles and national theatrical productions.
Relocating to New York City in 1998 she left a very active music career in her native city for the vibrant jazz scene of a new city. Since moving Linda has released four compact discs on the Metropolitan Records label. She continues on a mission to bring attention to compositions by inspirational jazz artists who happen to be women.
Linda has performed on prestigious jazz festival stages in America and a few in Europe. When not performing with her own group she sits in the piano chair of Carol Sudhalter’s Astoria Big Band and also with a new group, Ladies Day, led by MJ Territo that features music and lyrics by women.
Linda Pianist, composer and arranger Linda Presgrave continues to perform, record and tour.
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Daily Dose Of Jazz…
Jacob Varmus was born on October 6, 1973 in San Francisco, California. He first heard the trumpet’s call when he was two years old and ten years later had a trumpet of his own. He began winning top marks at all the California Music Educators’ Association festivals for his work as soloist and chamber musician.
Evolving parallel to his love of music was a talent for using language artistically thru poetry, critical essays, and autobiographical stories. In high school he won awards for poetry and sports journalism as well as music. His first year of college at the University of Iowa, Jacob studied poetry closely with MacArthur grant recipient Jorie Graham and classical trumpet virtuoso David Greenhoe.
An initiation to the music of John Coltrane sent Varmus to focus on jazz. In 1994 he moved to New York City to finish his BFA at the New School Jazz program. There he received timeless lessons from a long list of artists including Arnie Lawrence and Billy Harper. Here he became known to his peers and elders as a composer of harmonically intricate yet compellingly simple and striking tunes.
By his senior year he was being commissioned by the Jazz Composers’ Collective to write a suite combining jazz quintet with string quartet. It featured Ted Nash and Frank Kimbrough. He went on to enroll in composer workshops, receiving a further commission for jazz quartet.
As an educator he is on the faculty of the New York Jazz Academy. Trumpeter and composer Jacob Varmus continues to pursue his highly melodic yet rigorous music.
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