Daily Dose Of Jazz…

Clark Tracey was born February 5, 1961 in London, England and began his music journey playing piano and vibraphone before switching to drums at age 13, studying under Bryan Spring. He played in several ensembles with his father Stan Tracey including a quartet called Fathers and Sons with John and Alec Dankworth in the 1990s. In addition to his work with his father, which took him around the world, he has played with numerous visiting American musicians, notably Bud Shank, Johnny Griffin, Red Rodney, Sal Nistico, Conte Candoli, Barney Kessell, John Hicks and Pharoah Sanders throughout his career.

Through the 1980s Clark performed and recorded with Buddy DeFranco, Martin Taylor, Charlie Rouse, Alan Skidmore and Tommy Smith. The Nineties saw him with Claire Martin into the new century. During the decade and beyond he led his own ensembles with a host of recognized names like Django Bates, Nigel Hitchcock and Jamie Talbot. Concentrating on promoting the music of his late father, his final group under his own name included Mark Armstrong, Tom Ridout, James Wade Sired, Gareth Williams and James Owston.

Drummer, band leader, and composer Clark Tracey, has received several honors and was awarded the British Empire Medal (BEM) in the 2019 Birthday Honours for services to music and the promotion of jazz. He continues to pursue excellence in the genre.

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Daily Dose Of Jazz…

Anthony Frank “Tony” Inzalaco, Jr. was born January 14, 1938 in Passaic, New Jersey. From childhood drumming he went on to obtain bachelor’s and master’s degrees from the Manhattan School of Music. He was active in the United States from 1959 to 1968, performing and/or recording with Vinnie Burke, Jaki Byard, Donald Byrd, Chris Connor, Maynard Ferguson, Jim Hall, Roger Kellaway, Morgana King, Lee Konitz, Morris Nanton, Duke Pearson, Benny Powell, Buddy Rich, Charlie Shavers, Johnny Smith, Billy Taylor, and Ben Webster.

Moving to Germany in 1968 he lived there for a decade as a member of the bands of Kurt Edelhagen and Eugen Cicero. He worked with Benny Bailey, Don Byas, Kenny Clarke and Francy Boland, Kenny Drew, Art Farmer, Dizzy Gillespie, Dexter Gordon, Johnny Griffin, Peter Herbolzheimer, Carmen McRae, Sal Nistico, Horace Parlan, Fritz Pauer, Oscar Peterson, Idrees Sulieman, Ben Webster again, Jiggs Whigham, Jimmy Woode, and Leo Wright during his time in the country.

After moving back to the States, he was active principally in Boston, Massachusetts in the 1980s, working with Byrd, Griffin, and Farmer again, as well as with Ruby Braff, Al Cohn, and Dakota Staton.

Relocating again to Los Angeles in the 1990s, drummer Tony Inzalaco  has led his own ensemble for the past decade.

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Daily Dose Of Jazz…

Ojārs Raimonds Pauls was born January 12, 1936 in Iļģuciems, Riga, Latvia  and is the second child of a glass blowing factory worker and a seamstress. His father played drums and his grandfather played the violin, and following in his grandfather’s footsteps he is enrolled into Riga’s institute of Music kindergarten branch. Being too young and his fingers unfit for playing violin, he started on the piano.

By 1943 he was studying at Riga’s 7th Elementary school while continuing piano lessons with professor Valerijs Zosts and teachers Emma Eglīte and Juta Daugule. 1946 saw Raimonds admitted to the Secondary Musical School of Emīls Dārziņš, combining his studies at the elementary school for three years.

When he turns 14, Pauls was playing piano at restaurants and clubs with a violin and saxophone virtuoso Gunārs Kušķis. Five years later he completed his studies at the Riga’s 7th Elementary school, however, during this time, he independently developed a liking for playing jazz by studying and imitating various jazz records.

He would go on to compose for musicals, ballets, theater performances, puppet shows, films, choirs, and instrumentals, He has received several honors from his home country, the USSR, Sweden, Japan and Armenia.

Composer, arranger and pianist Raimonds Pauls, who was the Minister of Culture of Latvia from 1988 to 1993, continues to record and perform.

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Cees See was born on January 5, 1934 in Amsterdam, Netherlands. He  worked in the 1950s with Freddy Logan and Jack Sels, however by the early Sixties he was performing with Rolf Kühn, Pim Jacobs, and Herman Schoonderwalt. He also played with an ensemble formed for Sender Freies Berlin, whose members included Herb Geller and Jerry van Rooyen.

In the second half of the 1960s he played with Teddy Wilson, Klaus Doldinger, Volker Kriegel, Dusko Goykovich, Nathan Davis, and Jan Hammer. He was a member of the New Jazz Trio with Manfred Schoof and Peter Trunk from 1970 to 1972. In the early 1970s he continued to work with Kriegel and Goykovich, as well as with Wolfgang Dauner and Chris Hinze.

Drummer Cees See transitioned on December 9, 1985 in The Hague, Netherlands.

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John McLaughlin was born on January 4, 1942 into a family of musicians in Doncaster, West Riding of Yorkshire, England. As a child he took up the guitar at the age of 11, exploring styles from flamenco to the jazz of Tal Farlow, Django Reinhardt and Stéphane Grappelli. Moving to London, England from Yorkshire in the early Sixties, hestarted playing with Alexis Korner and the Marzipan Twisters before moving on to Georgie Fame and the Blue Flames, the Graham Bond Organisation, and Brian Auger.

During this period he often supported himself with session work, which he often found unsatisfying but which enhanced his playing and sight-reading. Also, he gave guitar lessons to Jimmy Page. In 1963, Jack Bruce formed the Graham Bond Quartet with Bond, Ginger Baker and John McLaughlin. They played an eclectic range of music genres, including bebop, blues and rhythm and blues.

By the end of the decade McLaughlin recorded his debut album Extrapolation in London. The album’s post-bop style is quite different from McLaughlin’s later fusion works. He moved to the U.S. in 1969 to join Tony Williams’ group Lifetime. He went on to play on Miles Davis’ albums In a Silent Way, Bitches Brew, Live-Evil, On the Corner, Big Fun and A Tribute to Jack Johnson.

As his reputation as a “first-call” session player grew, he was tapped to record as a sideman with Miroslav Vitous, Larry Coryell, Joe Farrell, Wayne Shorter, Carla Bley, the Rolling Stones, DExter Godon, Santana, Paco de Lucia and others.

The Seventies saw him put together the Mahavisnu Orchestra, delved into Indian classical music, and recorded with Stanley Clarke on his School Days album. Throughout the rest of the century he continued to perform with Mahavisnu, no longer the orchestra, as well as sideman duties on a variety of albums, performances and genres well into the new century.

He has recorded nineteen albums as a leader, six collaborative albums, twelve live albums, and 45 as a sideman. Guitarist John McLaughlin continues to perform and record.

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