Daily Dose Of Jazz…
James “Plunky” Branch was born on July 20, 1947 in Richmond, Virginia and educated in the city’s segregated schools. He then attended Columbia University in New York City, but by 1971 he had moved to San Francisco, California. It was here that he formed Juju, a musical group that combined rhythm and blues, jazz, soul, and African musical influences.
He founded the band Plunky & Oneness, which began as Juju in 1971 which he renamed twice, Oneness of Juju and Plunky & the Oneness of Juju, before it was given its current name in 1988. One of Plunky & Oneness’ songs, Every Way But Loose, is featured on the video game Grand Theft Auto: Vice City Stories, playing on fictional radio station Paradise FM.
Branch is the president and founder of the independent record label N.A.M.E. Brand Records, through which he has released 25 albums. As a studio musician Plunky has worked for The Cosby Show and has appeared on several avant-garde jazz albums.
As an educator he has been Director of the Jazz Ensemble at Virginia Union University as well as an instructor of Afro-American Music History at Virginia Commonwealth University.
He has been the recipient of two NEA Jazz Fellowships and was appointed to the Governor’s Task Force for the Promotion of the Arts in Virginia. In 1999 he was recognized by Richmond Magazine as Musician of the Year for 1999. J. Plunky Branch continues to perform, record, compose and produce.
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Daily Dose Of Jazz…
Abraham Laboriel López was born on July 17, 1947 in Mexico City, Mexco into a talented family with a rock singer brother and a sister who is a singer, film and television actress. A classically trained guitarist, he switched to bass guitar while studying at the Berklee College of Music, graduating in 1972.
It was during this time that he learned the importance of versatility as a musician. Henry Mancini encouraged Laboriel to move to Los Angeles, California, to pursue a recording career, which he did in 1976. Though he struggled to find work for two years, he found his first gig on a road tour with Olivia Newton-John. After a consequent European tour with Al Jarreau, he settled into a full-time studio career in Los Angeles.
He would go on to work and record with Al Jarreau, Billy Cobham, Freddie Hubbard, George Benson, Herbie Hancock, Lalo Schifrin, Gary Birton, Stan Getz, Larry Carlton, Lee Ritenour, Quincy Jones, Randy Crawford, Dave Grusin, and Umberto Tozzi as well as Stevie Wonder, Michael Jackson, Barbra Striesand, Madonna, Andre Crouch, Herb Alpert Minnie Riperton, Barry Manilow, and many others.
Abraham was a founding member of the bands Friendship and Koinonia. With the latter he recorded four albums. In addition he recorded several solo albums on which he recruited a cast of musicians that included Alex Acuña, Al Jarreau, Jim Keltner, Phillip Bailey, Ron Kenoly, his son Abe Laboriel Jr. on drums, and others.
In 2005, he was awarded an Honorary Doctorate of Music by the Berklee College of Music. Electric bassist Abraham Laboriel has played on over 4000 recording sessions, is ranked No. 42 on Bass Player magazine’s list of The 100 Greatest Bass Players of All Time, and continues to record and perform as a member of the band Open Hands with Justo Almario, Greg Mathieson, and Bill Maxwell.
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Daily Dose Of Jazz…
Olivia Meyer was born on July 15, 1990 in Rochester, New York and first encountered her father’s tenor saxophone when looking under his bedroom dresser. There she discovered a large black case covered with dust containing a Mark VI. Her fathe rnot only gifted her the saxophone but once she played it was smitten and the decision to pursue the saxophone was cemented. They would go to the public library, check out the maximum number of cds and listen to them together.
At the age of nine, Olivia played and studied in the programs provided by the inner city schools she attended. She began private lessons in classical and jazz piano and ultimately jazz and classical saxophone. By fifteen, she was splitting her time between the School of the Arts and the Eastman School of Music, studying music history, theory, jazz composition, and classical and jazz saxophone.
As a member of the Eastman Youth Jazz Orchestra, she also worked and studied regularly with visiting artists Eric Alexander, Peter Bernstein, Paquito D’Rivera, Victor Goines, Wycliffe Gordon, Vincent Herring, Pat Labarbera, Ralph Lalama, Joe Locke, Gerry Niewood, and Grant Stewart.
After graduating from the School of the Arts, she received a scholarship to attend the Berklee College of Music in Boston, Massachusetts. She has played gigs in and around Rochester, and while in Boston she headlined a quartet as a part of the new “Birth of La Femme” series at Wally’s Jazz Café in Boston. Tenor saxophonist Olivia Meyer, has yet to record her debut album, is currently a Brand, Sales and Marketing Associate at Jazz At Lincoln Center.
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Daily Dose Of Jazz…
Joseph A. Venuto, Jr. was born on June 20, 1929 in Bronx, New York into an Italian immigrant family where he received his first drum kit from his grandfather. Having had lessons with Henry Adler, he moved on to Phil Kraus to learn mallet percussion. After earning a master’s degree from the Manhattan School of Music, he became a member of the Sauter-Finegan Orchestra, with whom he made his first recordings Doodletown Races on the RCA label in 1953. He was a featured soloist with the orchestra on Solo for Joe and Swingcussion. The DownBeat Reader’s Poll voted him the best vibraphonist that year.
From the mid-1950s, Venuto worked with Billy Byers in the Westchester Workshop, the Kent Harian Orchestra, Bobby Dukoff, and the Johnny Richards Orchestra before joining Radio City Music Hall as a session musician in the recording and television studios. By 1959 he recorded his debut album for Everest Records under his own name.
Between 1953 and 1975 Joe was involved in 104 recording sessions with Jack Teagarden, Kenyon Hopkins, Rex Stewart, The Creed Taylor Orchestra, Irene Kral/Al Cohn Orchestra, Mary Ann McCall, Don Costa, Hal Mooney, Ruth Brown, Gene Krupa and His Orchestra, LaVern Baker, Budd Johnson, Marion Montgomery, Benny Goodman, Shirley Scott, Solomon Burke, Gary McFarland, Johnny Hodges, Hank Jones/Oliver Nelson, and numerous more.
the early 1970s when he was in his Forties, he left New York City and moved to Reno, Nevada. He met, married, performed and recorded with his wife, harpist Bev Colgan, in a harp/vibes duo. Percussionist Joe Venuto, who also played the vibraphone, marimba, bongos and drums, transitioned on Feb. 14, 2019 at age 89.
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Daily Dose Of Jazz…
Richard Alan Beirach was born on May 23, 1947 in New York City, New York and initially studied both classical music and jazz. While still attending high school, he took lessons from pianist Lennie Tristano. He later studied at the Berklee College of Music, however, after one year he left and began attending the Manhattan School of Music. While there, he studied with Ludmilla Ulehla.
In 1972, graduating from the Manhattan School of Music he took with him a Master’s Degree in Music Theory and Composition. Beirach’s style is influenced by Art Tatum, Bill Evans, McCoy Tyner, and Chick Corea along with his earlier classical training and many touches of his individualism all its own.
He recorded 57 albums as a leader and as a sideman with George Adams, John Abercrombie, John Scofield, Chet Baker, Dave Liebman, Jeremy Steig, Steve Davis, Laurie Antonioli, and the Ron McClure Trio he recorded 17. Pianist and composer Richie Beirach continues to perform, compose and record.
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