Daily Dose Of Jazz…
Sol Yaged was born on December 8, 1922 in Brooklyn, New York and began playing the clarinet at the age of 12 after hearing Benny Goodman’s broadcasts for Nabisco in 1935. He studied under a New York Philharmonic clarinetist, however turned down a classical career to play jazz in New York City nightclubs.
After three years in the Army during World War II, Yaged played clarinet professionally and continuously for over 70 years, with Phil Napoleon, Coleman Hawkins, Red Allen, and Jack Teagarden among others. In the 1960s, he began working primarily as an ensemble leader in City. In the Nineties he worked in Felix Endico’s swing band, and served as a consultant on Benny Goodman’s musical style for the 1956 film, The Benny Goodman Story.
For two years in the mid-1990s he worked under the musical direction of bandleader Jack Vartan at the Stony Hill Inn in Bergen County, New Jersey. He recorded four albums as a leader and six as a sideman. Clarinetist Sol Yaged, who was strongly influenced by Benny Goodman passed away on May 11, 2019.
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Daily Dose Of Jazz…
Marshal Walton Royal Jr. was born into a musical family on December 5, 1912 in Sapulpa, Oklahoma. His first professional gig was with Lawrence Brown’s band at Danceland in Los Angeles, California. In a very short time, he secured a regular gig at the Apex, working for Curtis Mosby in Mosby’s Blue Blowers, a 10-piece band. Following that gig, he began an eight-year stint from 1931–1939 with the Les Hite Orchestra at Sebastian’s Cotton Club in Los Angeles. He spent 1940 to 1942 with Lionel Hampton, until the war interrupted his career.
With his brother Ernie, he served in the U.S. Navy in the 45-piece regimental band that was attached to the Navy’s pre~flight training school for pilots at St. Mary’s College in Moraga, California. Two swing bands were organized from the larger regimental band, and they played for smokers and dances at USOs and officers clubs. Royal was the leader of the Bombardiers, one of those bands, which also included not only his brother Ernie, but Jackie Kelson (later known as Jackie Kelso), Buddy Collette, Jerome Richardson, and Vernon Alley.
When he left Basie in 1970, Royal settled permanently in Los Angeles, continuing to play and record, working with Bill Berry’s big band, Frank Capp and Nat Pierce, Earl Hines, and Duke Ellington. Royal recorded as a soloist with Dave Frishberg and Warren Vache. He co-led a band with Snooky Young in the 1970s and 1980s, recording with the band in 1978.
Alto saxophonist and clarinetist Marshal Royal, best known for his twenty years with Count Basie, passed away in Culver City, California, on May 9, 1995, aged 82.
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Daily Dose Of Jazz…
Victor Sproles was born on November 18, 1927 in Chicago, Illinois. During worked in the 1950s with Red Rodney and Ira Sullivan and appears on the Sun Ra recordings Super-Sonic Jazz, Sound of Joy and Deep Purple.
>As a session player he recorded with Stan Getz and Chet Baker on the 1957 Verve album Stan Meets Chet. In 1960 he joined Johnny Griffin’s Big Soul Band and the following year he played in Muhal Richard Abrams’ Experimental Band.
1964 saw him joining Art Blakey’s Jazz Messengers, recording the album ‘SMake It for Limelight, Lee Morgan and his old Sun Ra bandmate John Gilmore were in the group. He recorded two more albums with the Messengers after Gilmore left. This led to his subsequent appearance on Morgan’s Blue Note albums The Rumproller and The Sixth Sense.
In 1974 he played in Clark Terry’s big band and appeared on Buddy DeFranco’s album Free Fall. He recorded sixteen albums as a leader and another fifteen as a sideman. Bassist Victor Sproles passed away on May 13, 2005.
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The Quarantined Jazz Voyager
POWER TO THE PEOPLE 11.12.20
As I sit socially distanced from the rest of the world ever vigilant of this pandemic, the next choice from the library is Power To The People by jazz saxophonist Joe Henderson. The album was recorded on May 23 and May 29, 1969 at Plaza Sound Studios in New York City and released on Milestone Records the same year.
Produced by Orrin Keepnews, all songs are written by Henderson except Opus One-Point-Five and Lazy Afternoon. It was his first to feature an electric instrument with Hancock playing the electric piano. This Quarantined Jazz Voyager is looking forward to listening to this lineup of talented musicians.
Track Listing | 42:27- Black Narcissus ~ 4:50
- Afro-Centric ~ 7:00
- Opus One-Point-Five (Ron Carter) ~ 4:56
- Isotope ~ 4:53
- Power to the People ~ 8:42
- Lazy Afternoon (Moross, Latouche) ~ 4:33
- Foresight and Afterthought (An Impromptu Suite in Three Movements) ~ 7:33
- Joe Henderson — tenor saxophone
- Mike Lawrence — trumpet (2, 5)
- Herbie Hancock — piano (3, 4, 6), electric piano (1, 2, 5)
- Ron Carter — bass
- Jack DeJohnette — drums
As you listen I hope you enjoy this great addition to the jazz catalog. Continue your social distancing, wear your masks and stay healthy. During this sabbatical from flying and investigating jazz around the globe, enjoy the listen and know that the world and I will be back.
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Daily Dose Of Jazz…
Alfredo Remus was born on November 9, 1938 in Argentina. He learned to play the double bass and by 1964 was part of the ensemble recording the historic album La Misa Criolla by Ariel Ramírez. He has performed and/or recorded with Paul Gonsalves, Vinícius de Moraes, Maria Bethânia, Enrique “Mono” Villegas, Gato Barbieri, Mercedes Sosa, Tony Bennett, Ariel Ramírez, Víctor Heredia, Alberto Cortez, Trio Los Panchos, Raphael, Cuarteto Zupay, Dyango, Leonardo Favio, Sandro, Susana Rinaldi, and Antonio Carlos Jobim, among others.
He was regularly participated in a series of improvisation and casual folk experimentation at the house of Eduardo Lagos, named humorously by Hugo Diaz as folkloréishons, the jazz jam sessions with Astor Piazzolla, Diaz, Oscar Cardozo Ocampo, Domingo Cura, and Oscar López Ruiz, to name a few. Double bassist Alfredo Remus, the interpreter of tango, jazz, Argentine folklore, and bossa nova, continues to perform.
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