Daily Dose Of Jazz…
William “Billy” Root was born March 6, 1934 in Philadelphia, Pennsylvania and was raised in a musical family, his father played drums in Philadelphia ensembles.
Root began playing professionally in the early 1950s, with Roy Eldridge, Hal McIntyre, Red Rodney, Bennie Green, and Buddy Rich. Later in the decade he worked extensively with Stan Kenton and with Rodney, as well as with Clifford Brown, Dizzy Gillespie, Hank Mobley, Lee Morgan, and Curtis Fuller.
He led his own ensembles from the late 1950s. In the 1960s he performed with Al Grey and Dakota Staton, and in 1968 settled in Las Vegas, Nevada. Saxophonist Billy Root played the casinos for the next two decades before retiring.
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Daily Dose Of Jazz…
Bill Pemberton was born William McLane on March 5, 1918 in New York City and played violin as a child before switching to bass. From 1941 to 1945 he was a member of Frankie Newton’s orchestra and then went on to work with Herman “Ivory” Chittison, Mercer Ellington, Eddie Barefield, and Billy Kyle later in the 1940s.
During the Fifties, he worked with Art Tatum and Rex Stewart, and from 1966 to 1969 was Earl Hines’s bassist, including for international tours and at the 1967 Newport Jazz Festival and Monterey Jazz Festival.
He also worked with Buck Clayton in 1967. In 1969 he joined the JPJ quartet alongside Budd Johnson, Oliver Jackson, and Dill Jones, and remained with the group until 1975. Simultaneously he played with Ruby Braff, Max Kaminsky, and Vic Dickenson. He rejoined Hines in 1977, playing in Europe with him and Benny Carter. Into the Eighties, he played with Panama Francis, Bill Coleman, and Doc Cheatham.
Double-bassist Bill Pemberton passed away on December 13, 1984 in New York City.
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Daily Dose Of Jazz…
Cliff Smalls was born Clifton Arnold on March 3, 1918 and was raised in Charleston, South Carolina. His father, a carpenter, performed piano and organ for Charleston’s Central Baptist Church. He taught Smalls classical music at an early age. He left home with the Carolina Cotton Pickers and also recorded with them, for instance, Off and on Blues and “Deed I Do, which he arranged and featured Cat Anderson in 1937 when he was 19.
With his career coinciding with the early years of bebop, from 1942 to 1946 he was a trombonist, arranger and also backup piano-player for band-leader and pianist Earl Hines, alongside Dizzie Gillespie and Charlie Parker. While in the Hines band he performed often during broadcasts seven nights a week on open mikes coast-to-coast across America. Hines also used Teddy Wilson, Jess Stacy and Nat “King” Cole as backup piano-players but Smalls was his favorite. He also played in the Jimmie Lunceford and Erskine Hawkins bands.
After the inevitable post-World War II breakup of the Hines big-band, Cliff went on to play and record in smaller ensembles with his former Earl Hines band colleagues, singer and band-leader Billy Eckstine, trombonist Bennie Green, saxophonist Earl Bostic and singer Sarah Vaughan. In 1949 he recorded with JJ Johnson and Charlie Rouse. He was the pianist on Earl Bostic’s 1950 hit Flamingo along with John Coltrane but had a serious automobile accident, with Earl Bostic, in 1951 and laid in bed all of 1952, till March of 1953.
Recovering, Smalls shifted his musical career to serve as music director/arranger for singers Eartha Kitt, Ella Fitzgerald, Sammy Davis, Jr., Smokey Robinson and the Miracles, Clyde McPhatter, Roy Hamilton and Brook Benton. He recorded Bennie Green with Art Farmer in 1956 and was, for many years, a regular with Sy Oliver’s nine-piece Little Big-Band from 1974-1984, a regular stint in New York’s Rainbow Room.
In the 1970s he returned to jazz-recording, including four solo tracks for The Complete Master Jazz Piano Series in 1970, with Sy Oliver in 1973, Texas Twister with Buddy Tate in 1975, Swing and Things in 1976 and Caravan in France in 1978. In 1980 Smalls was featured playing piano in The Cotton Club, directed by Francis Ford Coppola. Trombonist, pianist, conductor and arranger Cliff Smalls, who worked in the jazz, soul and rhythm & blues genres, passed away in 2008.
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Daily Dose Of Jazz…
Chris Anderson was born on February 26, 1926 in Chicago, Illinois and was a self-taught pianist. He began playing in Chicago clubs in the mid-1940s and played with Von Freeman and Charlie Parker, among others. Hired as Dinah Washington’s accompanist in New York City, his tenure with Washington was a brief six weeks as she changed accompanists frequently. After his firing, he decided to stay in the city.
In 1960 he recorded what might be his best-regarded album My Romance on the VeeJay label with bassist Bill Lee and drummer Art Taylor. He was a great influence on his student Herbie Hancock.
Despite the respect of his peers, Anderson had difficulty finding work or popular acclaim due in large to his disabilities. He was blind and his bones were unusually fragile, causing numerous fractures, which at times compromised his ability to perform at the times or places requested, although he continued to record until he was well into his 70s. A DownBeat profile indicated he had osteogenesis, probably meaning osteogenesis imperfecta.
He would record his first album as a leader in 1960 and ultimately record a total of ten. As a sideman, he worked with Charlie Haden, Clifford Jordan, Sun Ra, and Frank Strozier. Pianist Chris Anderson passed away on February 4, 2008 in Manhattan, New York City.
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Daily Dose Of Jazz…
Nathan Tate Davis was born on February 15, 1937 in Kansas City, Kansas and eventually would travel extensively around Europe after World War II. He moved to Paris in 1962 but would return to the U.S. by 1969, holding a Ph.D. in Ethnomusicology from Wesleyan University and was a professor of music and director of jazz studies at the University of Pittsburgh, an academic program that he helped initiate.
He was the founder and director of the University of Pittsburgh Annual Jazz Seminar and Concert, the first academic jazz event of its kind in the United States. He also helped to found the university’s William Robinson Recording Studio as well as establish the International Academy of Jazz Hall of Fame located in the school’s William Pitt Union and the University of Pittsburgh-Sonny Rollins International Jazz Archives.
One of Davis’ best known musical associations was heading the Paris Reunion Band from 1985 to1989, which at different times included Nat Adderley, Kenny Drew, Johnny Griffin, Slide Hampton, Joe Henderson, Idris Muhammad, Dizzy Reece, Woody Shaw, and Jimmy Woode. He also toured and recorded with the post-bop ensemble leading Roots which he formed in 1991. He composed various pieces, including a 2004 opera entitled Just Above My Head.
He retired as director of the Jazz Studies Program at Pitt in 2013. Davis also served as the editor of the International Jazz Archives Journal. Over the course of his career, he recorded eighteen albums as a leader.
Multi-instrumentalist Nathan Davis, who played the tenor saxophone, soprano saxophone, bass clarinet, and flute, and was awarded the Mid-Atlantic Arts Foundation’s BNY Mellon Jazz Living Legacy Award at the Kennedy Center for the Performing Arts, passed away in Palm Beach, Florida on April 8, 2018 at the age of 81.
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