Daily Dose Of Jazz
Paul James Abler was born April 3, 1957 in Saginaw, Michigan but grew up in Pontiac, Michigan. He first came into contact with jazz as a child when his grandfather played drums on recordings of Stan Getz, Dave Brubeck and Duke Ellington. Influenced by Jimi Hendrix, he turned to the guitar and in 1982 he moved to Los Angeles, California where he studied with Joe Diorio, Carl Schroeder and Ron Eschete at the Musicians Institute (Guitar Institute of Technology). In 1988 he moved to Boston, Massachusetts where he took improvisation lessons with Jerry Bergonzi.
1990 saw Paul moving back to Michigan where he played in Detroit with Marcus Belgrave, Harold McKinney, James Carter, David McMurray, Roy Brooks, Straight Ahead, and Leonard King. By 2003 he was living in New York permanently and has worked with Cindy Blackman, Allen Farnham, Joe Lee Wilson, Charles Davis, Cameron Brown, Guilherme Franco, Yusef Lateef, the Mingus Big Band, Ted Curson, David Ruffin and The Funk Brothers, among others.
In 2005, Abler released the album In the Marketplace as a leader under his own name, in which Marion Hayden, Cindy Blackman, William Evans, and Robert Pipho had worked. In addition, he worked with his own formations, which in various formations, among others Bobby Battle, Gerald Cleaver, Craig Taborn, Ugonna Okegwo, Helio Alves, Santi Debriano, Adriano Santos and Harvie S belonged.
Abler wrote over 150 compositions, some of which were used in films and television series such as Madam Secretary, Breaking Bad, 20/20, The Big Bang Theory and Mad Men. Abler, who most recently lived in New Jersey, was involved in six recording sessions from 1991 to 2013. On March 3, 2017 in Livingston, New Jersey guitarist and film composer Paul Abler passed away at the age of 69.
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Daily Dose Of Jazz…
William Barron, Jr. was born on March 27, 1927 in Philadelphia, Pennsylvania where he spent his formative years. Moving to New York City in 1958 and came to the jazz world’s attention when he first appeared on a Cecil Taylor recording in 1959, later recorded extensively with Philly Joe Jones, after which he co-led a fine post-bop quartet with Ted Curson.
His younger brother, pianist Kenny appeared on all of the sessions that the elder Barron led. Other musicians he recorded with included Charles Mingus and Ollie Shearer.
Barron spent much of the remainder of his career as an educator, directing a jazz workshop at the Children’s Museum in Brooklyn, teaching at City College of New York, and becoming the chairman of the music department at Wesleyan University.
His day job made it possible for him to consistently record non-commercial music for Savoy, recording that label’s last jazz record in 1972, and Dauntless and Muse. The Bill Barron Collection is housed at the Institute of Jazz Studies of the Rutgers University Libraries,
Tenor and soprano saxophonist William Barron Jr., who never compromised his music or received much recognition, passed away in Middletown, Connecticut on September 21, 1989.
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Daily Dose Of Jazz…
Andy Raphael Thomas Hamilton, MBE was born March 26, 1918 in Port Maria, Jamaica, and learned to play saxophone on a bamboo instrument. He formed his first band in 1928 with friends who were influenced by American musicians such as Duke Ellington and Count Basie and by the Kingston-based bands of Redver Cook and Roy Coburn.
While in the U.S. he worked as a cook and farm laborer but also held short jazz residencies in Buffalo and Syracuse, New York. Returning to Jamaica, he worked as musical arranger for Errol Flynn at his hotel The Titchfield, and on his yacht the Zaka.
Hamilton emigrated to the United Kingdom in 1949 as a stowaway and eventually lived in Birmingham and worked in a factory, while at night he played jazz with his own group, the Blue Notes formed with fellow Jamaican pianist Sam Brown in 1953. He would go on to play local gigs, promote numerous Jamaican bands like Steel Pulse, and established a regular weekly venue in Bearwood, inviting visiting musicians such as Joe Newman, Al Casey, Teddy Edwards, Art Farmer, Harry Sweets Edison, and David Murray.
In 1988 EndBoards Production produced a documentary called Silver Shine about Andy Hamilton’s migration to the UK and the hurdles experienced in growing his music career, the changing musical taste of Windrush generation and their descendants. The documentary features Andy’s Band the Blue Notes with lead vocalist Ann Scott; his first youth band The Blue Pearls, Tony Sykes, Millicent Stephenson, his children Graeme and Mark.
Having recovered from a diabetic coma in 1986, he celebrated his 70th birthday in 1988 playing at his regular venue, The Bear, performed at the Soho Jazz Festival, and in 1991 at the age of 73, Hamilton made his first-ever recording with Nick Gold, Silvershine on World Circuit Records. It became the biggest selling UK Jazz Album of the Year, The Times Jazz Album of the Year, and one of the 50 Sony Recordings of the Year. It was followed two years later by Jamaica at Night, which led to Caribbean and European concerts and national tours. Playing regularly until his death, his 90th birthday concert featured Courtney Pine, Sonny Bradshaw, Myrna Hague, Lekan Babalola, Nana Tsiboe, son Mark and The Notebenders.
Saxophonist Andy Hamilton, appointed Member of the Order of the British Empire (MBE) in the 2008 New Year Honours among other awards, continued to play, teach and promote music even as he approached his 94th birthday, passing away peacefully on June 3, 2012.
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Daily Dose Of Jazz…
David Burns was born on March 24, 1924 in Perth Amboy, New Jersey and began playing trumpet when he was nine years old. As a teenager, he heard bebop performances at Minton’s Playhouse, among others Dizzy Gillespie. His first ensemble was in Al Cooper’s Savoy Sultans, with whom he played from 1941 to 1943, prior to joining the Army Air Force. There he led a band from 1943 to 1945 that included James Moody as a sideman.
He joined Gillespie’s band in 1946 and appeared with Gillespie in Jivin’ in Bebop in 1947. After leaving Gillespie’s band in 1949, he worked with Duke Ellington from 1950 to 1952 and then with James Moody until 1957.
The late 1950s saw Dave playing shows in New York City and in the Sixties recorded for Vanguard Records. He worked with Billy Mitchell, Al Grey, Willie Bobo, Art Taylor, Dexter Gordon, Johnny Griffin, Leo Parker, and Milt Jackson. From the 1970s through the end of his career he increased his work as an educator. Trumpeter, flugelhornist, arranger, composer, and teacher Dave Burns passed away on April 5, 2009 in Freeport, New York.
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Requisites
Today and Tomorrow is the fourth album by jazz pianist McCoy Tyner. It was produced by Bob Thiele and recorded for the Impulse! label in 1963 and 1964.
Tracks | 38:44 ~ All compositions by McCoy Tyner except where noted
- Contemporary Focus ~ 8:28
- A Night in Tunisia (Gillespie) ~ 5:07
- T ‘N A Blues (Jones) ~ 4:05
- Autumn Leaves (Kosma) ~ 6:10
- Three Flowers ~ 10:12
- When Sunny Gets Blue (Marvin Fisher, Segal) ~ 4:42
- McCoy Tyner ~ piano
- Jimmy Garrison ~ bass (4-9)
- Albert Heath ~ drums (4-9)
- John Gilmore ~ tenor saxophone (1-3)
- Thad Jones ~ trumpet (1-3)
- Frank Strozier ~ alto saxophone (1-3)
- Butch Warren ~ bass (1-3)
- Elvin Jones ~ drums (1-3)
I was in the mood to hear some piano jazz a few nights ago when I came across a title I’d not listen to for a while. I’ve never heard anything by pianist McCoy Tyner that I didn’t like and the album up for discussion before learning of his passing on March 7, 2020, is no exception. I placed the record on my Dual 1246 turntable, dropped the stylus and became immersed in the music of this gifted musician. Today and Tomorrow (Impulse! A-63) was recorded and released in 1964 while McCoy (only twenty-five years old at the time) was still a member of The John Coltrane Quartet. Here, he’s featured in three sextet and trio settings each leading an all-star group of Thad Jones on trumpet; Frank Strozier on alto sax; John Gilmore on tenor sax; Butch Warren on bass; Elvin Jones on drums (tracks: A1, A3, B2); Jimmy Garrison on bass; Tootie Heath on drums (tracks: A2, B1, B3). My copy used in this report is the 1972 Stereo reissue (Impulse!-ABC Records AS-63), the fourth US pressing.
Contemporary Focus, the first of three tunes by McCoy opens this six-song journey with a rousing collective midtempo theme treatment led by Thad who wails strongly on the lead solo. John and Frank demonstrate their strengths with vibrant enthusiasm for the next two readings. McCoy follows with a briskly swinging interpretation, then Butch and Elvin make the most of two brief juicy opportunities ahead of the closing chorus and fadeout.
A Night In Tunisia by Dizzy Gillespie and Frank Paparelli is a jazz standard from 1942 with many notable vocal and instrumental recordings to its credit. Jimmy Garrison and Tootie Heath provide the musical backing for this uptempo trio rendition beginning with an exhilarating theme treatment in unison. The pianist begins the opening statement at a very high temperature of molten intensity, then Tootie responds with a riveting performance that has lots of fireworks ahead of the pianist’s exuberant finale.
T’N A Blues, also by Tyner strolls in next to end the first side at midtempo with a relaxed attitude by the sextet on the opening chorus. Gilmore and Tyner are the featured soloists and John goes to work first with an infectiously happy groove. McCoy provides the summation on a leisurely paced performance that’s very danceable leading to the ensemble reassembling for the coda.
Side Two opens with the 1945 popular jazz standard Autumn Leaves by Joseph Kosma, Jacques Prévert who wrote the French lyrics for the song’s original title, Les Feuilles Mortes (The Dead Leaves), and Johnny Mercer who created the English lyrics. The trio exhibits their infectious chemistry on a lively intro that evolves into the sprightly opening chorus. McCoy kicks off the solos with a dazzling display of finger dexterity with a spirited performance of effortless spontaneity. Jimmy steps in next, walking his bass with bristling vitality and tastefulness, then Tyner communicates a few final choruses of brisk dialogue preceding the effervescent reprise and climax.
Three Flowers is the leader’s longest composition on the album, a mid-tempo waltz offering substantial solo space to himself, Thad, Frank, and John. The sextet opens with a delightfully charming melody and Tyner starts the soloing with an engaging reading possessing incredible beauty and enchantment. Thad follows with a beautifully phrased, vivaciously soulful presentation that’s lyrically pleasant. Frank keeps the ingredients stirring on the next solo with inherent high spirits, and buoyant lyricism. John takes the last spot with an exquisite solo that swings with a swagger into the melody reprise and coda.
The 1956 jazz standard, When Sunny Gets Blue by Marvin Fisher and Jack Segal brings the album to a close with a thoughtfully tranquil theme treatment led by Tyner. McCoy has the solo showcase to himself and gives an enchanting reading of elegant tenderness bringing the listener home with a gentle closing chorus and culmination.
The recording by Rudy Van Gelder is splendid with an excellent soundstage throughout the treble, midrange, and bass spectrum. Each instrument emerges from your speakers to your listening chair as if you’re in the studio with the musicians as they’re recording, producing a gorgeous sound reminiscent of his Blue Note recordings of the period. I had the pleasure of seeing McCoy Tyner three times live, twice here in Atlanta where I got to meet him and once at The Village Vanguard in New York City. He was an incredible musician and wonderful man who was never too busy to meet and chat with his fans, yours truly among them. If you’re a fan of piano jazz or are looking for a terrific album of Modal Jazz and Post-Bop that’s subdued, subtle, and also energetic, I offer for your consideration, Today and Tomorrow by McCoy Tyner. An extremely skilled musician who whether in performance or on record always brought out the absolute best in each of his bandmates.
Autumn Leaves, Night In Tunisia – Source: JazzStandards.com When Sunny Gets Blue – Source: Wikipedia.org © 2020 by Edward Thomas Carter
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