Daily Dose Of Jazz…
Michael Pedicin was born on July 29, 1947 in Bryn Mawr, Pennsylvania. He started playing at eight and joined a band at 15. His ability to read music and play alto, tenor, and soprano saxophone made him a sought-after session musician at Sigma Sound Studios. His session skills not only got him into the R&B side of music with Gamble & Huff but led to a self-titled debut solo album in 1980 on Philadelphia International Records that did well only in New York. His single You piqued CBS Records’ interest but ultimately they withdrew their offer when he demanded a three-record deal.
By 1981 the casinos and lounges of Atlantic City were calling his name and he moved there to pursue his musical dreams. Gigs were plentiful at first, but Atlantic City wasn’t Las Vegas, and many lounges discontinued their live entertainment and the saxophonist hit the road with Dave Brubeck for two years. He resurrected the Michael Pedicin Quartet after the stint and found work in Atlantic City’s revitalized lounges. He also started a talent agency, promoted major jazz acts, did a second album — City Song on the Optimism Records label and served as the musical director at different times for three casinos.
He formed Bayshore Music, a management company , recorded a third solo album, Angles, on Optimism that featured Peter Erskine and Micki Rossi. A fourth album, You Don’t Know What Love Is , featured the Holland, Dozier, and Gorman tune Forever, popularized by the Marvelettes and Marvin Gaye, that has been reissued by Peter Pan and Triloka Records.
Michael has worked with Lou Rawls and Maynard Ferguson, taught at Temple University, and started 12th Street Music with Sigma Sound engineer Joe Tarisa. The post-bop saxophonist Michael Pedicin continues to commute to Philadelphia for sessions, remains active on the jazz scene and composes, performs and records with his current quintet with drummer Vic Stevens, bassist Andy Lalasis, guitarist Johnnie Valentino and pianist Rick Germanson.
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Jack Six was born on July 26, 1930 in Danville, Illinois. He studied trumpet between 1945-1947 and worked in Chicago, Los Angeles and New York City where he spent a year studying composition at the Juilliard School in 1955.
As a bassist he played in the Tommy Dorsey Ghost Band led by Warren Covington, then in the big bands of Claude Thornhill and Woody Herman while he continued his studies. He spent several years in groups led by Herbie Mann and also Don Elliott . From 1968 to 1974 he was a part of the Dave Brubeck Trio with drummer Alan Dawson and this tenure Jack followed with Jim Hall.
After a few years in television shows and the musical director of a hotel band from 1989-1998, Six returned to work with Brubeck on tour. Over the course of a forty year career he recorded some 77 jazz sessions with Maxwell Davis,Tal Farlow, Jack Reilly, Dave Pike, Marlene Verplanck, Gerry Mulligan, Susannah McCorkle, Dick Meldonian, Johnny Rae’s Afro-Jazz Septet, Marco Di Marco and Marty Grosz among numerous others.
Bassist Jack Six, a consummate sideman who never led his own recording session, passed away on February 24, 2015.
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Daily Dose Of Jazz…
Edward Lee Morgan was born on July 10, 1938 in Philadelphia, Pennsylvania, the youngest of Otto Ricardo and Nettie Beatrice Morgan’s four children. Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet and at thirteen his sister gave him his first trumpet, but he also knew how to play the alto saxophone. His primary stylistic influence was Clifford Brown, with whom he took a few lessons as a teenager.
He joined the Dizzy Gillespie Big Band at 18, and remained for a year and a half, until Dizzy to disband the unit in 1958. Lee began recording for Blue Note Records in 1956, eventually recording 25 albums as a leader for the label, with more than 250 musicians. He also recorded on the Vee-Jay label and one album for Riverside Records on its short-lived Jazzland subsidiary.
He was a featured sideman on several early Hank Mobley records, as well as on John Coltrane’s Blue Train, joining Art Blakey’s Jazz Messengers in 1958 further developed his talent as a soloist and composer. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire tenor saxophonist Wayne Shorter to fill the chair. This version of the Jazz Messengers, including pianist Bobby Timmons and bassist Jymie Merritt, recorded the classic The Freedom Rider album. However, in 1961 the drug problems of Morgan and Timmons forced them to leave the band.
Returning to New York City two years later he recorded The Sidewinder which became his greatest commercial success and was the background theme for Chrysler television commercials during the 1963 World Series. Due to the crossover success of the album’s boogaloo beat, Morgan repeated the formula several times with compositions such as Cornbread and Yes I Can, No You Can’t.
He would go on to record a string of more than twenty albums as a leader and perform and record as a sideman with Shorter, Grachan Moncur III, Stanley Turrentine, Freddie Hubbard, Joe Henderson, McCoy Tyner, Lonnie Smith, Elvin Jones, Jack Wilson, Reuben Wilson, Larry Young, Clifford Jordan, Andrew Hill, as well as on several albums with Art Blakey and the Jazz Messengers. Together with John Gilmore, this lineup was filmed by the BBC for seminal jazz television program Jazz 625.
He became more politically involved in the last two years of his life, becoming one of the leaders of the Jazz and People’s Movement. The group demonstrated during the taping of talk and variety shows during 1970-71 to protest the lack of jazz artists as guest performers and members of the programs’ bands. His working band during those last years featured reed players Billy Harper or Bennie Maupin, pianist Harold Mabern, bassist Jymie Merritt and drummers Mickey Roker or Freddie Waits and were featured on the three-disc, Live at the Lighthouse, recorded during a two-week engagement at the Hermosa Beach, California club in 1970.
Hard bop trumpeter and composer Lee Morgan passed away in the early hours of February 19, 1972 at Slug’s Saloon in the East Village of New York City. Following an altercation between sets, Morgan’s common-law wife Helen More shot him and though not immediately fatal, he bled to death, due to a heavy snowfall and the ambulance’s lengthy arrival time. He was 33 years old.
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Daily Dose Of Jazz…
Jorge Dalto was born on July 7, 1948 in Roque Pérez, Argentina. During the mid-80s Jorge led the InterAmerican Band featuring his wife, Adela, on vocals. He continued to build his internationally-flavored sound, and collaborations with his wife blended their Latin and Brazilian backgrounds. He served as arranger for the Percussion Jazz Ensemble with Tito Puente, Carlos “Patato” Valdes and Alfredo De La Fe.
As a leader he recorded six albums since his debut recording Chevere in 1976 and another dozen as a sideman performing and recording with Tito Puente, Grover Washington, Fuse One, Spyro Gyra, George Benson, Dizzy Gillespie and Machito, Grant Green, Heaven and Earth, Willie Colón, Gato Barbieri, Bernard Purdie, Ronnie Foster, Tom Malone, Jerry Dodgion, Ernie Royal, Victor Paz, Rubén Blades, David Sanborn, Eric Gale, Steve Gadd, Bob Mintzer, Alan Rubin, Dave Valentin, Jay Beckenstein, Carlos Valdes, Buddy Williams, Stanley Banks, Phil Upchurch, Hubert Laws, Michael Brecker, Randy Brecker, Anthony Jackson, Harvey Mason and Frank Malabé.
Pop, jazz and Afro-Cuban pianist and former George Benson musical director Jorge Dalto passed away of cancer at the age of 39 on October 27, 1987.
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Garry Dial was born on July 2, 1954 in Montclair, New Jersey. He began piano lessons at the age of 10 with Elston Husk and his mother, a pianist helped him practice. His 7th grade teacher gave him his first jazz record The Oscar Peterson Trio which instilled in him the love of jazz. Entering high school at St. Benedict’s Prep in Newark, New Jersey where the priests at St. Benedict’s supported his love of jazz. While in church he met Mary Lou Williams who offered him free lessons, took him under her wing and for the next few years went into Harlem to study with her. It was there he learned of Miles, Monk, Bud Powell and Cecil Taylor.
As a junior in high school Garry took the Summer Jazz Workshop at Berklee College Of Music and realized that music and jazz would be his calling. After high school graduation he returned to Berklee where he met his teacher of 37 years, the late Charlie Banacos. After one year at Berklee fellow musician Kenny Werner recommended him for a gig in Bermuda as the pianist at The Princess Hotel from 1975 to 1978.
A move to New York saw Dial playing with Charli Persip, performing at Frank Sinatra’s private parties, joining Gerry Mulligan’s Big Band, the Mel Lewis Quartet and Joe Morello Quintet. He was enlisted by Ruth Ellington Boatwright, Duke’s sister, to perform and record on tape each composition in the entire Ellington archive, as many were never recorded or played by the composer and would have been lost to history. Shortly afterward, he met Red Rodney and where he first came to fame as an important modernizing force with the Red Rodney-Ira Sullivan Quintet. After a ten-year association Sullivan departed and was replaced by saxophonist Dick Oatts, and they eventually formed the group Dial & Oatts, recording for the DMP label. Garry has also recorded with his own trio for the Continuum label.
As an educator he has leant his talent and knowledge to the students at the Manhattan School of Music and the New School, has given private lessons with Stefon Harris, Jacob Sacks, Mary J. Blige, Bette Midler, Alexa Joel and Amanda Brecker, to name a few. Hard bop and post bop pianist Garry Dial continues to perform, record, tour and educate.
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