Daily Dose Of Jazz…
Nicole Glover was born on July 18, 1991 in Portland, Oregon. Her musical journey began when her father introduced her to improvised music at a young age. She started playing the clarinet at the age of ten, transitioning to tenor saxophone the following year. Her interest and curiosity for music blossomed in high school, becoming involved in a variety of performance groups, both within her school and in the community.
Nicole was chosen to be one of nineteen students from across the nation for the Next Generation Jazz Orchestra, who embarked on a national tour that involved performances with Bobby Watson and Julian Lage, and concluded with a performance at the Monterey Jazz Festival with Wynton Marsalis.
After studying at William Paterson University, in 2011 Nicole returned to Portland where she was invited to record on Esperanza Spaulding’s Grammy-award winning album Radio Music Society. She now performs in multiple groups with multi-instrumentalist George Colligan, as well as her own jazz trio and several other improvisational ensembles, such as, the Alan Jones Storyline Sextet, Thomas Barber’s Spiral Road, and the Kerry Politzer Quintet.
2015 saw Glover releasing her debut album First Record, featuring pianist and trumpeter George Colligan, bassist Jonathan Lakey and drummer Alan Jones. She leads her own trio with bassist Tyrone Allen II and drummer Kayvon Gordon. This was followed with the release of Plays, and HighNote-Savant Records Memories, Dreams, Reflections.
Throughout her musical career, Nicole has performed with Mulgrew Miller, Esperanza Spalding, Kenny Garrett, George Colligan, Geoffrey Keezer, Bennie Maupin, Bobby Watson, Mike Clark, Carl Allen, Kenny Washington, Al Foster, Victor Lewis, Lenny White, Joe Farnsworth, Reggie Workman, Dee Dee Bridgewater, Ben Wolfe, Bill Stewart, Essiet Essiet, Mel Brown, Julian Lage, Obo Addy, Rob Scheps, Red Holloway, Terell Stafford, Helen Sung, Dana Hall, Scotty Barnhart, and Thara Memory, to name a few.
Glover is a member of Ural Thomas and Pain, Artemis led by Renee Rosnes, Ursa Major led by Christian McBride, and has toured with Jazz at Lincoln Center Orchestra.Tenor saxophonist, bandleader, composer, and educator Nicole Glover, who is on faculty at the Manhattan School of Music and has taught masterclasses and private lessons to students around the world, continues to fit performance in her busy schedule.
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Daily Dose Of Jazz…
Hank Johnson was born Stuart H. Tresser on July 14, 1949 in the Bushwick section of Brooklyn, New York. He began piano study early in life at age three with Mrs. Henryetta Klein as his first piano teacher. Graduating from George W. Wingate High School in 1967, he continued his education and in 1970 was awarded an AAS Degree in Graphic Arts and Advertising Technology, from New York City Community College. In 1973 a BFA degree was awarded from New York Institute of Technology, with a major in Communication Arts.
He continued his private piano instruction with classical pianist Ms. Malady, who taught piano at the Brooklyn Conservatory of Music. He also received lessons fromMorty Kessler, and Morty Reed, a showband pianist in Las Vegas, Nevada, as well as from Horace Parlan and Teddy Wilson..
Hank learned to write music, and developed the friendship and guidance of Ray Cox, who worked for Machito, as a copyist and arranger. In 1977 Johnson had replaced Jimmy Nottingham’s trio at the Village Door Restaurant and Supper Club in Jamaica, Queens, New York. It was at the Village Door that he got the hands-on experience that ignited his passion to be the best piano player.
He founded the independent record label Jazzbone Records. Presently pianist Hank Johnson is the Director of Tresser Printing Office, a security printer, and a division of Tresser Music, music publishers.
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Daily Dose Of Jazz…
Brian Priestley was born on July 10, 1940 in Manchester, England and began studying music at the age of eight. In the 1960s he gained a degree in modern languages from Leeds University, while playing in student bands. In the mid-1960s, he began contributing to the jazz press and was responsible for entries in Jazz on Record: A Critical Guide to the First Fifty Years, 1917–1967.
In 1969 he moved to London, England and began playing piano with bands led by Tony Faulkner and Alan Cohen. Priestley helped transcribe Duke Ellington’s Black, Brown and Beige, and Creole Rhapsody for Cohen. He formed his own Special Septet featuring Digby Fairweather and Don Rendell. His compositions include Blooz For Dook, The Whole Thing and Jamming With Jools, based on a live broadcast with Jools Holland.
As a broadcaster he worked on the BBC, London Jazz FM, and for BBC Radio London, and influenced the renewed interest in jazz in the 1980s. Priestley taught jazz piano at Goldsmiths College from 1977 until 1993, and has taught jazz history for various other universities and conservatoires over the years.
Priestley has also written biographies of Charles Mingus, John Coltrane and Charlie Parker, as well as the book Jazz on Record: A History. He co-authored The Rough Guide to Jazz, as well as contributing to several other reference books, and has compiled and/or annotated more than a hundred reissue compilations.
Writer, pianist and arranger Brian Priestley has lived in Tralee, Ireland since 2006 where he continues playing the piano and presents a show on Radio Kerry.
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Daily Dose Of Jazz…
Karl Kiffe, born July 6, 1925 in Los Angeles, California first attracted attention as winner of the annual Gene Krupa Contest in 1943. Succeeding Chuck Falkner as leader of the Hollywood Canteen Kids he was featured in novelty numbers in several feature films before working as a single in Ken Murray’s Blackouts.
1945 saaw him hired by Jimmy Dorsey, with whom he worked for about a year, and then again from 1950 through 1953. Over the next decade, Kiffe worked with Stan Getz, Zoot Sims, Charlie Shavers, Red Norvo and Woody Herman, as well as singers Andy Williams, June Christy, and Ella Fitzgerald.
Speaking in 1946, when asked which drummer he most admired, Kiffe cited the solos of Buddy Rich, while praising the big band work of Don Lamond and Jo Jones.
Drummer Karl Kiffe, who was great friends with saxophonist Warne Marsh, died on May 10, 2004 at the age of 76 in Las Vegas, Nevada
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Daily Dose Of Jazz…
Charles William Jenkins was born July 5, 1956 in Bromley, Kent, England and was known to the jazz and blues worlds as Billy. He began learning the violin from the age of nine and two years later added piano and choir. By twelve he taught himself to play the guitar.
As a young teenager, Billy started regular jam sessions in the basement of the bohemian twenty-three room former hotel where he grew up. This jam session attracted many local contemporaries, his best friend at the time, Bill Broad, who the world came to know as Billy Idol and Steven Bailey, later to become Steven Severin.
During those teen years he performed in local church halls, USAF Bases in East Anglia, riverside pubs, local colleges and clubs under various names 1970-72. Jenkins toured and recorded for Arista Record’s Clive Davis with art rock band Burlesque from 1972-77, performed as a young adult with ‘alternative musical comedy’ duo The Fantastic Trimmer & Jenkins from 1979-82 and drummer Ginger Baker before founding the VOGC, the Voice of God Collective.
From 1983 – 93 he lived and worked at Wood Wharf Rehearsal Studios in Greenwich, England. Since then Billy has produced a large body of over 40 recorded albums including Scratches of Spain, Motorway At Night, Entertainment USA and Music For Two Cassette Machines. Some of his recordings are about his SE London environs and include Sounds Like Bromley, Greenwich, Still Sounds Like Bromley and Suburbia.
Guitarist, composer and bandleader Billy Jenkins, who is immersed in improvisation as ell as standards, continues to pursue his love of jazz and blues.
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