Daily Dose Of Jazz…
Art Anton was born on September 8, 1926 in New York City. In the early 40’s he was a private student of Irving Torgman, and was a music major at New York University from 1943 through 1944. He returned for further studies from 1946 through 1947. In between, the Navy grabbed him to play its own military paradiddles. From the late ’40s onward, he began working with leaders such as Herbie Fields, Sonny Dunham, Bobby Byrne, Tommy Reynolds, and Art Wall.
In 1952, he got into the combo of saxophonist Bud Freeman, moving to pianist Ralph Flanagan’s band the following year. Anton’s drumming style stuck closely to straight-ahead jazz swinging or whatever other beat was required. After gigs in 1954 with Jerry Gray and Charlie Barnet, he relocated to the west coast and began freelancing. He performed and recorded with the big band of Stan Kenton to multi-instrumentalist Jimmy Giuffre’s smaller units.
Maintaining steady employment as a jazzman on the stingy Los Angeles, California scene was difficult, and Artie looked for other types of employment. During the ’60s, he turned to selling vacuum cleaners, worked as a private detective, while remaining a highly respected West Coast percussionist.
Drummer and percussionist Art Anton, who is also listed as Artie or Arthur, died on July 27, 2003 in Yakima, Washington.
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Daily Dose Of Jazz…
Tom Kennedy was born on August 21, 1960 in St. Louis, Missouri and is the son of a professional trumpet player. He began playing acoustic bass at the age of nine on a double-bass brought home by his older brother, jazz pianist Ray Kennedy. It wasn’t long before he began to perform with such as Freddie Hubbard, James Moody, Nat Adderly, Sonny Stitt and Stan Kenton passing through the Midwest.
Specializing in acoustic jazz until he picked up the electric bass at the age of 17. Soon he was dividing his time between mainstream and progressive jazz fusion. Tom gained a reputation beyond St. Louis and he relocated to New York City, where he quickly found work with multiple groups. He recorded with guitarist Bill Connors and toured with Michael Brecker in the jazz-fusion group Steps Ahead. He went on to have tours and recordings with Tania Maria and Al DiMeola.
In 1998, Kennedy became an integral part of Dave Weckl’s band, a group he toured, composed and recorded with for over nine years. They have continued to perform and record together on various projects for other artists, including Mike Stern, Didier Lockwood, Dave Grusin and Lee Ritenour.
He has recorded six albums as a leader and another twenty as a sideman with Dave Weckl, Bill Connors, Don Grolnick, Ray Kennedy, Al DiMeola, Planet X, Derek Sherinian, and Mike Stern.
Tom has also performed and recorded with top contemporary players Simon Phillips, Steve Gadd, Frank Gambale, Steve Lukather, David Sanborn, Jeff Lorber, Ricky Lawson, Joe Sample, Renee Rosnes and George Garzone and fusion band Planet X.
Double-bass and electric bassist Tom Kennedy, who moved to New York City in 1984 and immersed himself in the hard bop, fusion and swing genres, continues to perform and record.
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Daily Dose Of Jazz…
Monk Hazel was born Arthur Frank Hazel to a drummer father on August 15, 1903 in Harvey, Louisiana. Early on he played drums with Emmett Hardy, who gave him his first cornet, and then with Stalebread Lacombe. In the 1920s he worked with many bands including the Halfway House Orchestra led by Abbie Brunies, Tony Parenti with whom he recorded in 1928, and Johnny Wiggs.
From the late 1920s to the early 1930s, Hazel led his own Bienville Roof Orchestra which played atop the Bienville Hotel at Lee Circle, and made recordings in 1928 and then spent time in New York playing with Johnny Wiggs, Jack Pettis and with his own group from 1929 to 1931.
Hazel relocated to Hollywood in Los Angeles, California for a period working with Gene Austin but eventually returned to New Orleans, Louisiana performing with Joe Caprano in 1937 and the Lloyd Danton Quintet. He spent 1942-43 in the Army and then worked for a time outside of music.
During his final twenty years, Hazel was once again active in New Orleans, recording with his own band in 1945 and performing with Sharkey Bonano from 1949 to 1952, George Girard, Mike Lala, Santo Pecora and virtually every other important name in New Orleans jazz.
As a leader, Monk recorded four titles in 1928 for Brunswick Records and a full album for Southland Records in 1954; Pete Fountain and Al Hirt were among his sidemen on the latter recording.
Drummer and cornetist Monk Hazel, who occasionally took cornet and mellophone solos, died on March 5, 1968 in New Orleans.
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Daily Dose Of Jazz…
Robert De Kers was born Robert De Keersmaeker on August 10, 1906 in Antwerp, Belgium. He learned to play piano as a child, and began playing jazz with local musicians while in his teens. He was the pianist for the Bing Boys in 1924-1925, then picked up trumpet.
As a trumpeter Robert toured Italy with the Jeff Candrix Band, brother of Fud Candrix, and played there with Carlo Benzi and David Bee’s Red Beans. Later in the 1920s he was associated with Harry Flemming and Josephine Baker.
The 1930s saw him working with Jean Robert and Jean Omer in addition to leading his own ensemble, the Cabaret Kings, which toured Europe. He continued recording into the 1950s, also working as an arranger and composer; he led bands in the United States, and Germany following World War II and was later head of the Wurlitzer Company’s Belgian operations.
Trumpeter and bandleader Robert De Kers died on January 16, 1987 in Brussels, Belgium.
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Daily Dose Of Jazz…
Peter Packay was born Pierre Paquet on August 8, 1904 in Brussels, Belgium and lived with his family in China for part of his childhood, but returned to Belgium in 1912. As a teenager he was crippled in one arm by an accident, but decided to learn to play trumpet anyway at age 20, joining the Varsity Ramblers.
He co-founded a band called Red Beans with David Bee and served as its principal composer of originals. Bee left the group and was replaced by Robert De Kers, and Packay remained its leader until its dissolution in 1929. In the 1930s he formed another group, Packay’s Swing Academy, which played with Coleman Hawkins among others. He also did arrangements for bandleader Billy Arnold.
As a composer, Packay’s works included Alabama Mamma, The Blue Duke, Dixie Melody, and Lullaby for a Mexican Alligator. Following World War II he gave up performance to concentrate on composition and arrangement for songs like Jazz in the Rain, One Day and Grey Skys.
Trumpeter, arranger, and composer Peter Packay died on December 26, 1965 in Westende, Flanders, Belgium.
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