Daily Dose Of Jazz…
Benjamin David Goodman was born on May 30, 1909 in Chicago, Illinois and was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. Growing up in the slums of the Maxwell Street neighborhood, his father would take him to free band concerts in a nearby park. When he was ten his father enrolled him and two of brothers in free music lessons at the synagogue, in addition he received lessons from clarinetist Franz Schoepp of the Chicago Symphony Orchestra. He went on to join a boy’s club band and by the time he turned thirteen he got his first union card,
He made his professional debut in 1921 at the Central Park Theater on the West Side of Chicago. He entered Harrison Technical High School in Chicago in 1922 and with card in tow Benny worked in a band featuring Bix Beiderbecke. Two years later, in 1926, he joined the Ben Pollack Orchestra and made his first recordings. Moving to New York City he became a session musician for radio, Broadway musicals, and in studios. In addition to clarinet, he sometimes played alto and baritone saxophones.
The Thirties saw him charting for the first time with He’s Not Worth Your Tears. He would go on to have top ten hits and from 1936 until the mid-1940s, with arrangements written during the Depression by Fletcher Henderson. Goodman hired Henderson’s musicians to teach his musicians how to play the music. He went on to lead one of the most popular swing big bands in the United States. His bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet.
Clarinetist Benny Goodman, while pursuing an interest in classical music, continued performing until the end of his life on June 13, 1986 in New York City.
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Daily Dose Of Jazz…
Pete Edward Jacobs was born on May 7, 1899 in Asbury Park, New Jersey. His first professional job was playing with the Musical Aces. He then joined the band of Claude Hopkins from 1926 to 1928.
Leaving Hopkins he joined Charlie Skeete for a short stint but returned to play with Hopkins from 1928 until 1938. During this ten-year tenure in Hopkins’s orchestra, Jacobs recorded extensively with the group on Brunswick Records, during 1932 to 1937.
Additionally, he appeared with the band in the short films Barbershop Blues in 1933) and By Request in 1936.
Falling ill in 1938 he hung up his drummsticks and quit the group, never returning to active performance. Drummer Pete Jacobs, who was prominent during the swing era for about a decade, died in 1952, month and day unknown.
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Daily Dose Of Jazz…
Leonard Arthur Barnard was born on April 23, 1929 in Melbourne, Victoria, Australia. Before forming his own traditional jazz band in the late 40s he played drums in the family band. This band, one of the earliest Australian groups to make jazz records, was so popular that it remained active for more than two decades.
During this same period Barnard played with other groups ranging from jazz to dance music. He gigged and recorded with Ade Monsbourgh and Dave Dallwitz. In the early 1970s his relocation to Sydney, Australia saw him playing with many of the country’s leading musicians including Errol Buddle and John Sangster. Then he joined Galapagos Duck, a band led by Tom Hare.
On occasion Len played with bands led by his younger brother, Bob Barnard. By the late 90s he remained active playing and recording with a variety of artists including Janet Seidel. His playing and able use of brushes made him an accomplished mainstream drummer.
Drummer Len Barnard, whose playing was forceful yet had a discreet and propulsive swing, died on November 5, 2005 in Sydney.
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Daily Dose Of Jazz…
Matt Lavelle was born on April 11, 1970 in Paterson, New Jersey and began his music career with Hildred Humphries, a swing era veteran who played with Count Basie and Billie Holiday.
Playing in ensembles led by Sabir Mateen since 2002, three years later Matt began study with Ornette Coleman. He has been a member of the Bern Nix Quartet since 2010 and recorded with Giuseppi Logan the same year.
In 2011 he created the 12 Houses Orchestra. Lavelle is also a visual artist inspired by his Grandfather Fritz Kluber. He is author of the Substack No Sound Left Behind. Matt published a book titled New York City Subway Drama and Beyond, in 2011. In 2013 he published a short story titled The Jazz Musician’s Tarot Deck.
He has recorded nineteen albums as a leader, and another forty-five as a sideman with Nix and Logan as well as Sumari, Eye Contact, Daniel Carter, Bern Nix, Giuseppi Logan, Matana Roberts, William Hooker, Francois Grillot, Steve Swell, Sabir Mateen, Ras Moshe, Assif Tsahar, William Parker, Charles Waters, Barry Chabala, Earth People, Allen Lowe, D3, Julie Lyon, Tom Cabrera, The Cooperative Sound, Stars Like Fleas, Eric Plaks, and Pete Dennis.
Trumpeter Matt Lavelle, who also plays flugelhorn, alto and bass clarinet, continues to perform, record and tour.
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Daily Dose Of Jazz…
Nick Paul was born on April 5, 1939 and raised in London, England. Growing up while playing a host of woodwind instruments his influences were George Lewis and John Handy.
Very active during the 60s, 70s and 80s in the south of England, in Europe he also played New Orleans Jazz. Paul played with many bands including The Barry Martin Ragtime Band, Malc Murphy’s Storyville Stompers, Bill Brunskil, The New Iberia Stompers, The New Revival Jazz Band. He spent time in New Orleans listening to the masters and improving his knowledge of the music.
Leaving England in 1987 for sunnier climes, Nick lived aboard his sailing boat Storyville in Cyprus for ten years playing in hotels and clubs. His musical tastes broadened and for the last twelve years he has been playing mainly small group swing and mainstream jazz of the 50s era.
Woodwind master Nick Paul, who now lives in Thailand, is still playing and has established a small recording studio.
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