Daily Dose Of Jazz…
Frederick Charles Slack was born on August 7, 1910 in Westby, Wisconsin and learned to play drums as a boy. He later took up the xylophone and at the age of 13 he changed to the piano. He studied with a local teacher throughout high school and at the age of 17, he moved with his parents to Chicago, Illinois where he continued his musical training.
Meeting clarinetist Rosy McHargue gave him the opportunity to accompany her to hear Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin before moving to Los Angeles, California where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton.Then in 1934 he joined Ben Pollack.
He went on to play with the Jimmy Dorsey Band in the 1930s and was a charter member of the Will Bradley Orchestra when it formed in 1939. Known to bandmates as Daddy Slack, he played the piano solo on Bradley’s recording of Beat Me Daddy, Eight to the Bar, one of the early white boogie-woogie hits and a classic of the big band era.
Forming his own band in 1942 he signed with the newly founded Capitol Records and recorded three songs at his third recording session. His recording of Cow Cow Boogie was sung by the 17-year-old Ella Mae Morse and was Capitol’s first gold single. Slack continued to record some 80 tracks with Capitol until 1950.
Slack also recorded with Big Joe Turner, Johnny Mercer, Margaret Whiting and Lisa Morrow. He has been mentioned in song, co-wrote the 1945 classic The House of Blue Lights, first recorded with singer Ella Mae Morse.
Swing and boogie-woogie pianist and bandleader Freddie Slack was found dead in his bedroom in Hollywood, Los Angeles, California, from undetermined causes on August 10, 1965.
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Daily Dose Of Jazz…
Floyd Maurice “Stumpy” Brady was born on August 4, 1910 in Brownsville, Pennsylvania. At the end of the 1920s he performed and recorded with Zack Whyte’s Chocolate Beau Brummels before touring with Al Sears. During the next decade he played with Andy Kirk in New York, recorded with Blanche Calloway, and returned briefly to Whyte’s band in 1933.
He replaced Ed Cuffee in McKinney’s Cotton Pickers, and then performed and recorded with Claude Hopkins from 1936 to 1938 and Teddy Wilson from 1939 to 1940. As a member of the Lucky Millinder orchestra, Stumpy played a solo while accompanying Sister Rosetta Tharpe in the soundie Lonesome Road in 1941.
Other musicians and bandleaders he worked with include Al Sears, Count Basie, Joe Guy touring with Billie Holiday in 1945, Jay McShann, Fletcher Henderson, Roy Eldridge, and Cat Anderson. After a period of inactivity in the 1950s, Brady resumed playing in the 1960s with Slide Hampton’s band, Luckey Roberts’s orchestra, and Edgar Battle’s big band.
Trombonist Stumpy Brady died on February 11, 1998.
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Daily Dose Of Jazz…
Lawrence Brown was born on August 3, 1907 on August 3, 1907 in Lawrence, Kansas. When he was about six or seven years old his family moved to Oakland, California. He began playing the violin at a young age, but quickly grew tired of it and turned to playing the tuba in his school’s band.
Coming from a musical background, his mother played the organ and the piano and he often sang as a part of his father’s sermons when he preached at the A. M. E. Church. Brown discovered the trombone while doing janitorial work at his father’s church and wanted to replicate the sound of cello on a trombone.
Beginning his career with Charlie Echols and Paul Howard, in 1932 he joined Duke Ellington’s band. He was featured with the band every year on compositions such as Blue Cellophane and Golden Cress. Leaving Ellington’s band in 1951, Lawrence joined Johnny Hodge’s band, where he stayed for four years. After this stint he took a five year position as a session player with CBS.
He rejoined Ellington in 1960 and stayed with him until 1970. After leaving Ellington’s band the second time at the age of 63, Brown stopped performing.
Trombonist Lawrence Brown, whose fast technical style inspired trombonists from Tommy Dorsey to Bill Harris, died on September 5, 1988 in Los Angeles, California, at the age of 81.
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Daily Dose Of Jazz…
Charlie Queener was born in Pineville, Kentucky on July 27, 1921 or 1923, the actual year of his birth is in question. During the Forties he worked with the Muggsy Spanier Orchestra, Harry James Orchestra, Benny Goodman Orchestra, Joe Marsala Orchestra, and Glen Gray among others.
Between 1946-50 Queener settled into Nick’s in New York and then spent much of his career freelancing with Dixieland all-stars. Among his associations were Bobby Hackett, Billy Butterfield, Jimmy McPartland, Ruby Braff, Max Kaminsky, Wingy Manone from 1954 to 1960, Wild Bill Davison and with Clarence Hutchenrider on and off from 1958 to 1973, to name a few.
He worked into the 1990s, also composed orchestral works starting in the mid-1960s but never led a record session of his own. Pianist Charlie Queener, who played in Dixieland, swing and mainstream settings, died in July 1997.
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Daily Dose Of Jazz…
Mary Osborne was born in Minot, North Dakota on July 17, 1921 into a musical family. As early as age three she showed an interest in music with her earliest instruments including piano, ukulele, violin, and banjo. At nine, she picked up the guitar. At ten, she started playing banjo in her father’s ragtime band. She was featured on her own radio program, performing twice weekly until she was fifteen. At twelve she started her own trio of girls to perform country music in Bismarck, North Dakota.
By the time she turned fifteen, Osborne joined a trio led by pianist Winifred McDonnell, for which she played guitar, double bass, and sang. After hearing Charlie Christian play electric guitar she immediately bought her own electric guitar and had a friend build an amplifier. She sat in with Christian to learn his style of guitar. Her husband and trumpeter Ralph Scaffidi encouraged her musical career.
The early 1940s saw Mary sitting in on jam sessions on 52nd Street, on the road with jazz violinist Joe Venuti and working freelance in Chicago, Illinois when she made a recording with Stuff Smith. In 1945, Osborne headlined a performance with Dizzy Gillespie, Art Tatum, Coleman Hawkins, and Thelonious Monk in Philadelphia, Pennsylvania to reviews and audiences that praised her specifically. She, Tatum, and Hawkins went on to record a concert in New Orleans.
Returning to New York City she recorded with Mary Lou Williams in 1945, Coleman Hawkins, Mercer Ellington, and Beryl Booker in 1946, and led her own swing trio. For three years her trio played 52nd street clubs, had a year-long engagement at Kelly’s Stables, and made several recordings. Throughout the 1950s, she played with Elliot Lawrence’s Quartet on The Jack Sterling Show, and appeared on the television show Arthur Godfrey’s Talent Scouts.
By the Sixties her focus changed to learning Spanish classical guitar under Alberto Valdez-Blaine and incorporated pick-less playing into her jazz playing. Osborne moved to Bakersfield, California, where she lived the rest of her life, and founded the Osborne Guitar Company with her husband. Mary taught music and continued to play jazz locally and in Los Angeles, California as well as several jazz festivals over the next two decades.
Guitarist Mary Osborne died on March 4, 1992 at the age of 70, the result of chronic leukemia.
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