Daily Dose Of Jazz…
Everett Barksdale, born April 28, 1910 in Detroit, Michigan, played bass and banjo before settling on guitar. During early 1930 he moved to Chicago, Illinois where he joined Erskine Tate’s band. He recorded for the first time with violinist Eddie South in 1931, who he remained with until 1939.
A move to New York City saw Everett become a member of the Benny Carter Big Band. Around that same time, he recorded with Sidney Bechet and during the 1940s, he worked for CBS as a session musician.
As a sideman, Barksdale played guitar in many genres, working with vocalists Dean Barlow, Maxine Sullivan, the Blenders, and the Clovers. He played on the hit Love Is Strange by Mickey & Sylvia, was the music director for the Ink Spots, and beginning in 1949, he worked with pianist Art Tatum until Tatum died in 1956.
During the Fifties and Sixties, he was part of the ABC house band and played on recordings with a who’s who list of vocalists and musicians not limited to Lena Horne, Sammy Davis Jr., Dinah Washington, Sarah Vaughan, Milt Hinton, Buddy Tate, Chet Baker, Red Allen, Harold Vick, Oscar Brown Jr., J. J. Johnson, Clark Terry, Kai Winding, Louis Armstrong, The Drifters and Ben E. King. He also played guitar in the studio for pop and soul musicians such as.
Guitarist and session musician Everett Barksdale retired from active performance in the 1970s, moved to the West Coast and passed away in Inglewood, California on January 29, 1986.
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Daily Dose Of Jazz…
Reuben Bloom was born on April 24, 1902 in New York City, where he learned to play the piano. During the 1920s he wrote many novelty piano solos which are still well regarded today. He recorded for the Aeolian Company’s Duo-Art reproducing piano system various titles including his Spring Fever.
In 1927 Rube had his first hit with Soliloquy and his last hit was “Here’s to My Lady” in 1952, which he wrote with Johnny Mercer. In 1928, he made a number of records with Joe Venuti’s Blue Four for OKeh Records, including five songs he sang, as well as played piano.
He formed and led a number of bands during his career, most notably Rube Bloom and His Bayou Boys. They recorded three records in 1930 that are considered some of the best made during the early years of the Depression. The Bayou Boys was an all-star studio group consisting of Benny Goodman, Adrian Rollini, Tommy Dorsey and Mannie Klein. At other times, Bloom played with other bands, such as with Bix Beiderbecke and Frankie Trumbauer in the Sioux City Six as well as his continued frequent work with Joe Venuti’s Blue Four.
During his career, Rube also worked with many well-known performers, including Ruth Etting, Stan Kenton, Jimmy Dorsey. He collaborated with a wide number of lyricists including Ted Koehler, and Mitchell Parish. During his lifetime he published several books on the piano method.
Bloom’s I Can’t Face the Music with lyrics by Ted Koehler was recorded by Ella Fitzgerald on her 1962 Verve release, Rhythm is My Business, in a fabulous swing/big band version with Bill Doggett. Some of his best-known composition collaborations with lyricists were Day In, Day Out and Fools Rush In (Where Angels Fear to Tread) with lyrics by Johnny Mercer; Give Me the Simple Life with Harry Ruby; and Maybe You’ll Be There with lyrics by Sammy Gallop.
Pianist, vocalist, songwriter, arranger, bandleader, recording artist, and author Rube Bloom passed away on March 30, 1976 in his hometown.
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Daily Dose Of Jazz…
Bobby Rosengarden was born Robert Marshall Rosengarden on April 23, 1924 in Elgin, Illinois and began playing drums when he was 12, and later studied at the University of Michigan. After playing drums in Army bands in World War II, he moved to New York City and worked in several groups between 1945 and 1948 before becoming a busy studio musician.
He played in the orchestras at NBC-TV from 1949–1968 and ABC from 1969–1974 on The Steve Allen Show, The Ernie Kovacs Show, Sing Along With Mitch, Johnny Carson’s The Tonight Show Band, and led the band for The Dick Cavett Show.
Through the years, Rosengarden was an active studio musician, recording with Duke Ellington, Billie Holiday, Skitch Henderson, Quincy Jones, Peter Nero, Gil Evans, Miles Davis, Gerry Mulligan, Benny Goodman, Moondog, Dick Hyman, Arlo Guthrie, Carmen McRae, Ben E. King, Harry Belafonte, Barbra Streisand, Jimi Hendrix, Stan Getz, Oliver Nelson, Jimmy Smith, Sylvia Syms, Milt Hinton, Derek Smith, Bob Wilber, Keny Davern, Walter Wanderley, Kai Winding and Tony Bennett.
In later years, Rosengarden was most often heard as the drummer with a variety of all-star, swing-oriented groups, including the Soprano Summit. Drummer Robert Rosengarden passed away from Alzheimer’s disease on February 27, 2007 in Sarasota, Florida, at the age of 82.
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Daily Dose Of Jazz…
Lou Stein was born on April 22, 1922 in Philadelphia, Pennsylvania. By 1942 he had joined Ray McKinley’s band in 1942. While serving military service he played with Glenn Miller’s Army Airforce Band stateside during World War II but never went overseas.
After the war, he worked with Charlie Ventura in 1946 and 1947 and became a session musician. Lou performed with the Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, the Sauter-Finegan Orchestra, Louie Bellson, Red Allen, Coleman Hawkins, and Lester Young.
Recording as a bandleader, in 1957 Stein had a U.S. Top 40 hit with Almost Paradise, which peaked at No. 31 on the Billboard Hot 100. His cover version of Got a Match made the Cashbox Top 60 in 1958. His most famous composition was East of Suez.
He played with Joe Venuti and Flip Phillips from 1969 to 1972. From 1954 to 1994 he recorded sixteen albums as a leader and through the Fifties, he recorded with Louis Bellson, Woody Herman, Lee Konitz, Joe Newman, Charlie Parker, Cootie Williams. Pianist and composer Lou Stein, who was comfortable in swing, bop, Dixieland, and commercial settings, passed away on December 11, 2002.
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Daily Dose Of Jazz…
Raymond Ventura was born on April 16, 1908 into a Jewish family in Paris, France and learned to play the piano as a child. By the time he turned 17 in 1925 he was the pianist for the Collegiate Five, which recorded as the Collegians for Columbia Records beginning in 1928 and then for Decca in the 1930s.
Later he led the Collegians and it became a dance orchestra resembling a big band. His sidemen included Alix Combelle, Philippe Brun, and Guy Paquinet. In the early Forties, Ray led a big band in South America and in France during the rest of the decade.
One of his band’s popular songs from 1936 was Tout va très bien, Madame la Marquise in which the Marquise is told by her servants that everything is fine at home except for a series of escalating calamities. It was seen as a metaphor for France’s obliviousness to the approaching war.
Between 1931 and 1953 he appeared with his big band in four films, American Love, Beautiful Star, Women of Paris, and A Hundred Francs A Second. Pianist and bandleader Ray Ventura, who helped popularize jazz in France in the 1930s, March 29, 1979 in Palma de Mallorca, Spain.
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