Daily Dose Of Jazz…
Jack” Brokensha was born John Joseph Brokensha on January 5, 1926 in Nailsworth, South Australia. He studied percussion under his father, and played xylophone in vaudeville shows and on radio. He played with the Australian Symphony Orchestra during the war years from 1942–44, and then joined a band in the Air Force from 1944 to 1946.
Forming his own group, Jack began performing in Melbourne in 1947, moving around Australia and playing in Sydney from 1949 to mid–50, Brisbane later in 1950 and Adelaide in 1951. By 1953 he had moved to Windsor, Ontario, Canada with Australian pianist Bryce Rohde and together they formed the Australian Jazz Quartet/Quintet. They enlisted fellow Australian bassoonist/saxophonist Errol Buddle and American saxophonist/flutist/bassist Dick Healey to complete the ensemble that toured together until 1958 and often grew to quintet /sextet to record.
Leaving Canada for Detroit, Michigan, Brokensha was hired by Berry Gordy of Motown Records as a percussionist, becoming one of the few white members of Motown’s Hitsville U.S.A. recording studio’s house band, The Funk Brothers. He was given the nickname “White Jack”, to distinguish him from Jack Ashford, an African American percussionist nicknamed “Black Jack”.
During the 1970s he ran “Brokensha’s”, a steakhouse high up in a Downtown Building whilst working at Motown. Though relatively small, the club had good food and Jack’s great music, with occasional appearance by his friend and pianist Detroit resident, pianist Bess Bonnier. Following tours of Australia with Sammy Davis, Jr. and Stan Freberg, he founded his own music production company and did a session with Art Mardigan in 1963. Jack then became more active in radio as a disc jockey and writing music for television. He recorded as a leader again in 1980 and continued to lead his own group well into the 1990s. The Australian Jazz Quartet also reunited for tours and recording in 1994, leaving a small collection of some thirteen albums as a leader and member of the quartet.
Vibraphonist Jack Brokensha moved to Sarasota, Florida, where he passed away due to complications from congestive heart failure, at age 84 on October 28, 2010.
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Daily Dose Of Jazz…
Reuben Radding was born on December 29, 1966 in Washington, DC and began his musical career in the DC punk scene. After moving to New York City in 1988, he studied double bass with Mark Dresser and composition with Edgar Grana, who were strong influence on his musical development as well as William Parker.
He played in various genres from avant-garde jazz to swing, folk, pop, Klezmer and chamber music with musicians such as John Zorn, Elliott Sharp, Anthony Coleman, Andrea Parkins, Dave Douglas, Roy Campbell and Rashid Bakr. With Marc Ribot he toured Europe and Canada in 1995 and leading his own band Myth Science, he played compositions by Sun Ra. He recorded the album Love in Outer Space at the Knitting Factory. Radding co-founded the experimental trio Refuseniks with John Hollenbeck and Ted Reichman .
By early 1997 he moved to Seattle, Washington playing in the trio of alto saxophonist Wally Shoup, and performing improvisationally with musicians Saadet Türköz , Carlo Actis Dato and Wolfgang Fuchs . In 2001 he performed in a duet with Daniel Carter on the Earshot Jazz Festival, and in 2003 gained international notoriety with his release of Luminescence.
He has recorded albums with Ursel Schlicht , Stephen Gauci, Carlos Bechegas, Nate Wooley, Mary Halvorson, Frank London and Tomas Fujiwara. Currently back in New York, bassist Reuben Radding performs and records with his trio comprised of vibraphonist Matt Moran and clarinetist Oscar Noriega, as well as with an improvising trio with Tara Flandreau and Carrie Shull, and operates Pine Ear Music label.
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Daily Dose Of Jazz…
Marshall Brown was born on December 21, 1920 in Framingham, Massachusetts. Little recorded, he devoted most of his career to education, earning a music degree from New York University, as a member of the Zeta Psi Fraternity.
He was also a high school band director leading the Farmingdale New York Daler Band from the early 1950s through 1957. Brown was the first high school band director to initiate a jazz education program, which he did in his tenure at Farmingdale High. By 1956 his stage band, the Daler Dance Band, a jazz big band with an average age of 14 years old, was so formidable and impressive, boasted future jazz stars pianist Michael Abene, saxophonist Andrew Marsala, and whiz drummer Larry Ramsden. One night at the 1957 Newport Jazz Festival, Count Basie, who was late for his appearance as he entered the festival grounds heard the Daler Band performing their set and exclaimed, “Damn, they started already”, mistaking the Dalers for his band.
Marshall received some attention for performing and recording in a quartet with Pee Wee Russell in the early 1960s. While Russell was most often associated with Dixieland or swing, their quartet performed more adventurous, free jazz-oriented pieces, including pieces by Ornette Coleman and John Coltrane.
During the Sixties he was the resident trombonist at Jimmy Ryan’s, a noted dixieland venue. He also club dated with Luke O’Malley’s Irish band during this time. Brown also performed or recorded at one time or another with Ruby Braff, Beaver Harris, Lee Konitz, George Wein and Basie.
Conductor, arranger and educator Marshall Brown, who also played the valve trombone, trumpet, euphonium, electric bass and the banjo, passed away on December 13, 1983 in New York City.
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Daily Dose Of Jazz…
Ehud Asherie was born on December 20, 1979 in Israel and with his family moved to Italy at the age of three. He started playing piano at the age of seven and attended the Sir James Henderson School, now The British School of Milan, before they moved to the United States when he was nine. As a New York City teenager he visited Smalls Jazz Club, taking private lessons from Frank Hewitt, a pianist who often played there and attending the New School University.
Asherie first played at Smalls when he was a high school sophomore. In 2010 he recorded his debut solo piano album, Welcome to New York with a focus on stride and standards. The same year he played Hammond organ on his quartet release, Organic, mixing bop and swing with standards.
He has recorded seven albums as a leader ranging from duo to quintet group configurations on the Arbor and Posi-Tone labels. He has been a sideman recording with Bryan Shaw, Hilary Gardner and Harry Allen. He has performed with Peter Bernstrin, Joe Cohn, Billy Drummond, Bobby Durham, Frank Gant, Paul Gill, Jimmy Green, Dennis Irwin, Jimmy Lovelace, Joe Magnarelli, Bob Mover, Tim Pleasant, Ben Street and Mark Taylor.
Pianist and organist Ehud Asherie has for two years been playing regularly at Smalls with his own trio, the Grant Stewart Quartet and the Neil Miner Quintet. He has also served as a rehearsal pianist for the Village Vanguard Orchestra and Since January 2000 he’s part of Trio65 at New York City’s Rainbow Grill with bassist Joseph Lepore and drummer Tommaso Cappellato. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Jimmy Nottingham was born December 15, 1925 in New York City. His first professional job was with Cecil Payne in 1943 prior to serving in the Navy from 1944 to 45 and playing in Willie Smith’s band. Following his discharge from the service he worked with Lionel Hampton for two years and then with Charlie Barnet, Lucky Millinder, Count Basie and Herbie Fields through the rest of the decade.
He played Latin jazz from 1951–53, then was hired by CBS as a staff musician in 1954, working for the network for more than 20 years. In his spare time he played jazz with Budd Johnson, Dizzy Gillespie, Oliver Nelson, Benny Goodman, Thad Jones/Mel Lewis and Clark Terry. He recorded with Mose Allison, Joe Cain, Coleman Hawkins, Billy Byers, Seldon Powell, Charlie Mariano, Kenny Burrell, Tony Scott, Maynard Ferguson, Jimmy McGriff, Chico O’Farrill, Shirley Scott and Sonny Stitt among numerous others.
Trumpeter Jimmy Nottingham was such a valuable big band and studio musician that he spent most of his life playing anonymously in the background and had limited chances to solo. He never released an album as a leader, but did, record four songs for Seeco Records in 1957. He passed away at the age of 52 on November 16, 1978 in his home city.
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