Daily Dose Of Jazz…

Roy Haynes was born in Boston, Massachusetts on March 13, 1925, and was keenly interested in jazz ever since he can remember. Primarily self-taught, he began to work locally in 1942 with musicians like guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown. In the summer of 1945 he got a call to join bandleader Luis Russell to play for the dancers at New York’s Savoy Ballroom. When not traveling with Russell, the young drummer spent much time on Manhattan’s 52nd Street and uptown in Minton’s, the incubator of bebop.

From 1947 to 1949 Haynes was Lester Young’s drummer, worked with Bud Powell and Miles Davis in ’49, became Charlie Parker’s drummer of choice from 1949 to 1953, toured the world with Sarah Vaughan from 1954 to 1959, did numerous extended gigs with Thelonious Monk in 1959-60. Through the Sixties he performed and recorded with Eric Dolphy, Stan Getz, John Coltrane, has collaborated with Chick Corea since 1968, and with Pat Metheny during the ’90s. He’s been an active bandleader from the late ’50s to the present, featuring on his recordings Phineas Newborn, Booker Ervin, Roland Kirk, George Adams, Hannibal Marvin Peterson, Ralph Moore and Donald Harrison to name a few.

A perpetual top three drummer in the Downbeat Readers Poll Awards, he won the Best Drummer honors in 1996 (and many years since), and in that year received the prestigious French Chevalier des l’Ordres Artes et des Lettres and in 2002 his album “Birds Od A Feather” was nominated for a Grammy. Roy Haynes, percussionist, composer and bandleader nicknamed Snap Crackle, continues to compose, performer, record and tour.

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Daily Dose Of Jazz…

Roy Eldridge was born David Roy Eldridge on January 30, 1911 on the North Side of Pittsburgh, Pennsylvania. His mother was a gifted pianist with a talent for reproducing music by ear, a talent inherited from her. He began playing piano at age five, took up drums at six, played bugle in church and by eleven began seriously honing the instrument, especially the upper register. Though lacking a proficiency at sight-reading, he could replicate melodies by ear effectively.

Eldridge’s early years had him leading and playing in a number of Midwest bands and absorbed the influence of saxophonists Benny Carter and Coleman Hawkins in developing an equivalent trumpet style. Leaving home after expulsion from high school in ninth grade he joined a traveling show at sixteen until it folded in Youngstown, Ohio. He then joined a carnival, returned home and found work in another traveling show. By 20, he led an orchestra, auditioned for Horace Henderson, played in a number of territory bands, formed his own short-lived band once again, moved to Milwaukee and took part in a cutting contest with Cladys “Jabbo” Smith.

Eldridge moved to New York in 1930, playing in Harlem dance bands, and got the nickname “Little Jazz” from Ellington saxophonist Otto Hardwick. He laid down his first recorded solos with Teddy Hill in 1935, led his own band at the reputed Famous Door nightclub and recorded a number of small group sides with singer Billie Holiday. He would join Fletcher Henderson’s band, becoming his featured soloist because of his ability to swing a band. He would move to Chicago to form a band with his older brother, playing saxophone and arranging. In the 40s he joined the Gene Krupa Orchestra, staying until the band broke up after Krupa was jailed for marijuana possession.

Over the course of his career, Little Jazz would play with Anita O’Day, Jazz At The Philharmonic, Coleman Hawkins, Ella Fitzgerald, Earl Hines, Abbey Lincoln, Charles Mingus, Eric Dolphy, Kenny Dorham, Max Roach, Count Basie, Artie Shaw and the list goes on and on. His sophisticated use of harmony, including the use of triton substitutions, his virtuosic solos exhibiting a departure from the smooth and lyrical style of earlier jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.

In 1971 trumpeter Roy Eldridge was inducted into the Down Beat Jazz Hall of Fame.  After suffering a heart attack in 1980, he gave up playing. He died at the age of 78 on February 26, 1989 at the Franklin General Hospital in Valley Stream, New York, three weeks after the death of his wife, Viola.

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Daily Dose Of Jazz…

Kay Davis was born Katherine McDonald on December 5, 1920 in Evanston, Illinois. She studied voice and piano at Northwestern University, earning bachelor and master’s degrees.

In 1944 Kay joined Duke Ellington’s orchestra, singing alongside Joya Sherrill and Al Hibbler. She is best known for her wordless vocals in pieces such as “Transblucency” and “On a Turquoise Cloud” but also sang many lyrical compositions and is the only person Ellington ever allowed to reprise Adelaide Hall’s famous wordless vocal on “Creole Love Call”.

Although she never recorded as a solo artist, Davis’ tenure with Ellington’s band coincided with their increasing exposure on film, especially for Universal Pictures. She performed with Billy Strayhorn on the very first performance of his composition “Lush Life” at Carnegie Hall in 1948, though he wrote the song in the Thirties.

Kay toured England with Ellington alongside Ray Nance in 1948 and two years later with the full orchestra throughout Europe. In 1950 vocalist Kay Davis left the Ellington organization, got married and retired to Florida. After a long and full life, the vocalist passed away on January 27, 2012 in Apopka, Florida.

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Daily Dose Of Jazz…

Edward “Corky” Cornelius was born in Indiana on December 3, 1914 but was raised in Binghamton, New York. Learning music from his father who worked as a drummer in regional Texas dance bands, he began his professional career in the early 1930s.

The trumpeter was first hired by Les Brown, Corky would go on to play with Frank Dailey and Buddy Rogers but by 1039 was playing alongside Gene Krupa in Benny Goodman’s band. Following his short tenure Cornelius left with Gene Krupa when the later decided to form his own band.

It was during this period that Cornelius met and married popular vocalist Irene Daye and left Krupa for the Casa Loma Orchestra from 1941 until his sudden death from kidney failure at age 28 on August 3, 1943.

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Daily Dose Of Jazz…

Benny Moten was born on November 30, 1916. A solid and supportive bassist, he had a long career as a sideman for decades. He began seriously playing professionally in 1941 and quickly developed relationships with top players of the time.

Over the course of his career Benny played and recorded with such artists as Hot Lips Page, Henry “Red” Allen, Stuff Smith, Arnett Cobb, Ella Fitzgerald, Wilbur DeParis, Roy Eldridge and Dakota Staton, just to name a few. He toured Africa from 1956 – 1957.

Bassist Benny Moten, often confused or mistaken for pianist and bandleader Bennie Moten, was never a leader however he remained musically active as a sideman until the time of his death at the age of 60 on March 27, 1977.

Dose A Day – Blues Away

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