Daily Dose Of Jazz…

William Luther Johnson was born on September 30, 1912 in Jacksonville, Florida and studied piano as a child and began playing the alto saxophone at the age of 16. After working with lesser-known bands he studied in conservatories in Wisconsin and Illinois before attending Marquette University.

While in Milwaukee, Wisconsin he played with Jabbo Smith and others. He worked with Baron Lee and Tiny Bradshaw, and in 1936 joined Erskine Hawkins, with whom he performed into the early 1940s, recording with him from 1939 to 1942. He composed Tuxedo Junction with Hawkins and appeared with the band in the short film Deviled Hams in 1937.

Around mid-1946 he recorded under Bill Johnson and Orchestra, with several of the members becoming the Musical Notes. Bill Johnson and the Musical Notes recorded for Harlem, RCA, King, Regal, Tru-Blue.He recorded for Ronnex as the Bill Johnson Quartet, and the Bill Johnson Quintet for Baton. Over the years, there were many personnel changes, but Bill and Gus Gordon were on all the recordings.

In the Fifties failing health caused the breakup of the group, although he re-formed it on a couple of occasions. Alto saxophonist, clarinetist, and arranger Bill Johnson, who was diagnosed with lung cancer in 1957, transitioned on July 5, 1960 at 47 years old in New York City.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Bill McKinney was born William McKinney on September 17, 1895 in Cynthiana, Kentucky. Early in his career he worked as a drummer in a circus band until he was inducted into the Army in World War I. After service, he settled in Springfield, Ohio where he took over leadership of the Synco Jazz Band.

After hiring drummer Cuba Austin, McKinney worked as leader and business manager. After touring the U.S. Midwest, they got a residency at the Arcadia Ballroom in Detroit, Michigan in 1926. While there, they were heard by bandleader and music promoter Jean Goldkette, who arranged a more lucrative home base for the band in Detroit’s Graystone Ballroom. The band was renamed McKinney’s Cotton Pickers.

During the Great Depression the band broke up in 1934 and Bill led and played with a dance band in Boston, Massachusetts for a time. From 1937 on McKinney managed a Detroit Cafe with a dance floor and live bands who McKinney booked, while booking bands for other locations on the side.

Drummer Bill McKinney retired in the 1950s and spent his last years in his childhood hometown of Cynthiana, where he transitioned on October 14, 1969 at 74.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Johnny Lindsay was born John Lindsay on August 23, 1894 in New Orleans, Louisiana and learned both instruments while young. He played trombone in a military band and in ensembles late in the 1910s. While living in his hometown he played with John Robichaux and Armand J. Piron’s Olympia Orchestra.

Lindsay was Piron’s trombonist on recordings made in New York City in 1923 and 1924 and was a member of Dewey Jackson’s riverboat band. Relocating to Chicago, Illinois he played with Willie Hightower, Carroll Dickerson, Lil Hardin, and Jelly Roll Morton’s Red Hot Peppers. Most of his Chicago playing in Chicago was subsequently on bass rather than trombone.

Later in his career Johnny toured nationally with Louis Armstrong in the early 1930s, and then with Richard M. Jones, Jimmie Noone, Punch Miller, Johnny Dodds, Chippie Hill, Georgia White, Harlem Hamfats, and Baby Dodds.

Double-bassist and trombonist Johnny Lindsey, who was active on the New Orleans and Chicago jazz scenes and was sometimes listed as John Lindsey, transitioned on July 3, 1950.

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Daily Dose Of Jazz…

Claude Barthélemy was born on August 22, 1956 in St. Denis, France and started playing guitar when he was fourteen years old. He began playing professionally with Michel Portal’s Ensemble Unit in 1978 and worked with Aldo Romano, Stu Martin, and Gérard Marais.

In the early 1980s he assembled a trio with Jacques Mahieux and Jean-Luc Ponthieux. Additionally he  worked with Jean-Marc Padovani and Nouvel Orchestre Philharmonique. By the mid-1980s he concentrated on composition, writing for mixed ensembles. Several of his pieces incorporated video and dance.

Barthélemy co-founded the group Zhivaro in 1987 and from 1989 to 1991 was the director of Orchestre National de Jazz. The 1990s saw him leading the octet La Nouvelle-Orleans, the quartet Monsieur Claude, and accompanying Elise Caron and Sylvie Cobo.

Guitarist Claude Barthélemy continues to perform as a director and leader of various ensemble configurations

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Daily Dose Of Jazz…

Wik Horn was born on August 9, 1943 in Amsterdam, Netherlands. Classically trained piano education for 4 years starting at 10, when he was 14 he started to play classic jazz with his younger brother trumpeter Fred.

After playing in several school bands he formed his first real band in 1965,The Court Town Rhythm Kings. The band played authentic old jazz in the way of Oliver, Morton, early Armstrong, Williams, Beiderbecke and Half Way House.

The band broke up in 1972 due to moving members and Wik moved from The Hague to resettle in Amsterdam. There along with his brother they founded in 1973 as Madam Zenja and Her Jazz Horns in 1973, together with singer Zenja Damm, recording two albums, Changes and Was It A Dream. From 1974 to 1980 he was president of the oldest and famous Jazzclub in Holland, the Haarlemse Jazz Club. Many of the great American musicians who came to Europe and Amsterdam performed there.

Settling in the little village of Leiderdorp between Amsterdam and The Hague, he spent some time in advertising and public relations. He started the jazz club De Wagenschuur from 1984 to 1994 and a new band, Swingin’ Crash, that started as a little swing ensemble but grew within a year into a small big band.

He went on to write charts and arrangements for the band and well as compose, song texts and write a little booklet for special occasions like the 60th anniversary of the The Hague Jazz Club. Pianist Wik Horn retired but has continued to have a life filled with music, writing and painting.

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