Daily Dose Of Jazz…

David Nathaniel Baker Jr. was born on December 21, 1931 in Indianapolis, Indiana and took up the trombone attending Crispus Attucks High School. He went on to matriculate through Indiana University, earning his Bachelor and Master degrees in Music, having studied with J. J. Johnson, János Starker, and George Russell.

His first teaching position was at Lincoln University in Jefferson, Missouri in 1955, a historic black institution, but Baker had to resign his position under threats of violence after he had eloped to Chicago, Illinois to marry white opera singer Eugenia (“Jeanne”) Marie Jones. Thriving in the Indianapolis jazz scene of the time, he was as a mentor of sorts to Indianapolis-born trumpeter Freddie Hubbard. Forced to abandon the trombone due to a jaw injury that left him unable to play, he subsequently learned to play cello.

The shift to cello largely ended his performing career but began his life as a  composer and pedagogue. Among the first and most important people to begin to codify the then largely aural tradition of jazz he wrote several seminal books on jazz, including Jazz Improvisation in 1988. Baker taught in the Jazz Studies Department at Indiana University and made the school a highly regarded destination for students of jazz. His students included Michael Brecker, Randy Brecker, Peter Erskine, Jim Beard, Chris Botti, Jeff Hamilton, and Jamey Aebersold.

Baker’s compositions range from Third Stream to traditional to symphonic works. He composed some 2000 compositions, has been commissioned by over 500 individuals and ensembles, nominated for a Pulitzer and a Grammy award, honored three times by Down Beat magazine, and was the third inductee to their jazz Education Hall of Fame, as well as several other jazz awards.

Trombonist, cellist, composer and pedagogue David Baker, who performed with his second wife Lida, a flautist, since the Nineties and has more than 65 recordings, 70 books, and 400 articles to his credit, passed away on March 26, 2016, at age 84 at his Bloomington, Indiana home.

ROBYN B. NASH

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Daily Dose Of Jazz…

Heywood Allen was born Allan Stewart Konigsberg on December 1, 1935 in Brooklyn, New York. He began playing the clarinet as a child and took his stage name from clarinetist Woody Herman. He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of Sleeper. One of his earliest televised performances was on The Dick Cavett Show on October 20, 1971.

Woody Allen and his New Orleans Jazz Band have been playing each Monday evening since 2011 at Manhattan’s Carlyle Hotel, specializing in classic New Orleans jazz from the early twentieth century. He plays songs by Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone and Louis Armstrong.

The documentary film Wild Man Blues directed by Barbara Kopple documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: The Bunk Project in 1993 and the soundtrack of Wild Man Blues in 1997. Allen and his band played the Montreal International Jazz Festival on two consecutive nights in June 2008. At 81, clarinetist Woody Allen continues to perform with his band when not writing scripts or directing and acting in films.

FAN MOGULS

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Daily Dose Of Jazz…

Eggy Ley was born Derek William Ley on November 4, 1928 in London, England and first played drums and boogie-woogie piano. During his military service in the Royal Air Force he discovered and began playing the soprano saxophone.

In 1952 he played with Mick Collier’s Chicago Rhythm Kings followed by stints with Eric Silk and Stan Sowden. Then he put together his own Trad-Jazz band, which received a long guest appearance at the New Orleans Bar in Hamburg, Germany in 1955. Eggy kept the band going throughout Germany and Scandinavia until 1962, and recorded several records, with Benny Waters and for different labels, of which the Blues for St. Pauli became a hit in Germany.

Playing regularly with his band in London, Ley also produced for Radio Luxembourg and between 1969 and 1983 he produced for the British Forces Broadcasting Service. During the 1970s he co-directed the band Jazz Legend with Hugh Rainey and also recorded together with Cy Laurie.

In 1982, he founded his band Hot Shots, ran the Jazzin’ Around newspaper and toured overseas before emigrating to Canada in the late 1980s. Soprano and alto saxophonist Eggy Ley, considered one of the first British soprano saxophonists in jazz, passed away as a result of a heart attack on December 20, 1995 in Delta, British Columbia, Canada.

BRONZE LENS

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Daily Dose Of Jazz…

Sterling Bruce Conaway was born on October 26, 1900 in Washington, D.C. and learned to play the banjo and mandolin. His early career was spent playing with fellow Washingtonian Duke Ellington in their hometown. Relocated to Chicago, Illinois he joined the band of Carroll Dickerson.

He played in Cyril Fullerton’s band in 1924 and recorded with Helen Gross on ukulele. By the late 1920s he moved to Europe where he worked with Eddie South, Noble Sissle, Freddy Johnson, Freddy Taylor, and Leon Abbey. During this period in his career Sterling led several groups as well.

1936 saw him in Bombay, India playing with Crickett Smith, however, three years later returned to the United States. Banjoist and mandolinist Sterling Conaway continued to perform in big bands and leading his own groups until his passing away in November 1973.

ROBYN B. NASH

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Daily Dose Of Jazz…

Paul Evans was born on October 18, 1904 in Lawrence, Kansas. Picking up the nickname Stump, originated in his petite size, he was largely taught music by his father, an alto horn player named Clarence Evans. He started out on the same instrument, stretching into trombone for a position in the Lawrence High School Band.

Switching back to alto saxophone not too far into his professional career, he soon became known as one of the better baritone sax players on the scene. He had a reputation for brandishing the full array of saxophones through his many band jobs, even playing the justifiably obscure C-Melody saxophone.

A move to Chicago saw him gigging with a variety of groups including King Oliver’s Original Creole Orchestra, Jelly Roll Morton, Kid Ory and Erskine Tate. He had to quit the latter band due to tuberculosis. Saxophonist Stump Evans passed away from tuberculosis at age 24 on August 29, 1928 in Douglas County, Kansas.

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