Daily DoseOf Jazz…
Dick McDonough was born on July 30,1904. As a child learning and perfecting his technique on the banjo, by 1927 at age 23 he was playing and recording Chasin’ A Buck and Feelin’ No Pain with Red Nichols. Soon after he joined Paul Whiteman’s outfit and later exchanged the banjo for guitar.
As a guitarist Dick did extensive work as a session musician in the 1930s playing with Jimmy and Tommy Dorsey, The Boswell Sisters, Joe Venuti, Benny Goodman, Miff Mole, Adrian Rollini, Red Norvo, Jack Teagarden, Johnny Mercer, Billie Holiday, Pee Wee Russell Frank Trumbauer, Glenn Miller and Gene Gifford among others too numerous to list.
McDonough teamed with Carl Kress to record as a guitar duet in the mid-1930s as well. He played in the Jam Session at Victor with Fats Waller, Tommy Dorsey, Bunny Berigan and George Wettling. His more notable compositions included Dr. Heckle and Mr. Jibe, recorded by the Dorsey Brothers Orchestra with Johnny Mercer on vocals; Stage Fright with Carl Kress, Chicken a la Swing and Danzon.
An influential guitarist and composer, the recording of his version of Fats Waller’s Honeysuckle Rose has to be considered the first “guitar solo” rendition of a jazz standard still preserved. It is a known fact that New Orleans’ guitarist Snoozer Quinn did the same in the 1920’s before everybody else, but those recordings were never issued and, until now, are considered totally lost.
The ‘guitar unaccompanied solo’ tradition followed with among others, Carl Kress, Oscar Aleman, Django Reinhardt, George Van Eps, Al Viola and in the Seventies Joe Pass brought it to a new level. But had it not been for Dick McDonough with his acoustic L5 giving to guitar a new dimension in 1934, this tradition would not have been created. Dick McDonough was unfortunately also an alcoholic and subsequently succumbed to the illness at the age of 33 on May 25, 1938.
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Daily Dose Of Jazz…
Noble Lee Sissle was born July 10, 1889 in Indianapolis, Indiana. His father was a pastor, his mother a schoolteacher and juvenile probation officer. As a youth he sang in church choirs and as a soloist with his high school’s glee club in Cleveland, Ohio. He went on to attend De Pauw University in Greencastle, Indiana on scholarship, later transferring to Butler University in Indianapolis before turning to music full-time.
In 1918 Sissle joined the New York 369th Infantry Regiment and helped to form the 360th Regiment Band. He played violin and also served as drum major for the 369th, and under James Europe’s leadership is now considered amongst the greatest jazz bands of all time. He sang several vocals on the last disc recorded by the band that was released in March 1919.
Leaving the army after the war he joined Europe’s civilian version of the band. Not long afterwards, a disgruntled band member murdered Europe thus leaving Noble to take temporary charge of the band with the help of his friend Eubie Blake. Years earlier the two had struck up a partnership after meeting in Baltimore, Maryland. They would go on to perform in vaudeville, collaborate on the songs I’m Just Wild About Harry and Love Will Find A Way, and then produce the musical Shuffle Along and The Chocolate Dandies. He is the only Black artist to appear in the Pathe film archives.
In 1923, Sissle made two films for Lee DeForest’s Phonofilm Sound-On-Film process titled Noble Sissle and Eubie Blake featuring their song Affectionate Dan, and Sissle and Blake Sing Snappy Songs featuring Sons of Old Black Joe and My Swanee Home. These films are preserved in the Maurice Zouary film collection at the Library of Congress.
He would also appear in other short films, performed with Walter Donaldson, Nina Mae McKinney, the Nicholas Brothers and Adelaide Hall. In 1954, New York radio station WMGM, owned by the Loew’s Theatre Organization, signed him as a disc jockey. His show featured the music of African-American recording artists. Jazz composer, lyricist, bandleader, singer and playwright Noble Sissle passed away on December 17, 1975 at the age of 86 in Tampa, Florida.
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Doc Severinsen was born Carl Hilding Severinsen on July 7, 1927 in Arlington, Oregon. Nicknamed “Little Doc” after his father who was a dentist, he originally wanted to play the trombone, which he discovered at neighbor Art Fletcher’s home, but his father urged him to study that instrument instead. Insisting on the trombone, he had to settle for the trumpet, as it was the only horn available in Arlington’s small music store. A week later, with the help of his father and a manual of instructions, the seven-year-old was good enough to be invited to join the high school band.
At the age of twelve, Severinsen won the Music Educator’s National Contest. While still in high school he was hired to go on the road with the Ted Fio Rito Orchestra, however, his stay with the group was cut short by the World War II draft. After serving in the Army he made his broadcasting debut playing live popular music on KODL radio in Dalles, Oregon.
In 1952 during Steve Allen’s tenure as host of the Tonight Show, Doc played first trumpet in the band directed by Skitch Henderson. He actually joined the band several months before Johnny Carson became host in October 1962. Severinsen took over as bandleader in 1967 and soon became noted for his flashy fashions. It gave him the opportunity to update many well-known swing music and jazz standards including classics by Cole Porter, Dizzy Gillespie and others.He remained the bandleader until Carson’s retirement in 1992.
During the 1950s and 1960s, Doc released a number of albums of jazz standards. He recorded with the Enoch Light Comand Records label, with Tito Puente, Clarke-Boland Big Band, Thad Jones/Mel Lewis band, the Cincinnati Pops Orchestra, Henry Mancini and Don Caneva’s John Hersey High School Bands.
Over the course of his career he has conducted the Phoenix, Milwaukee Minnesota and Pacific orchestras, the Buffalo Philharmonic, his recording of Abblasen has been use as the theme for CBS’s Sunday Morning, he has scored films, co-wrote hit single with Mac Davis, was named Distinguished Visiting Professor of Music and Katherine K. Herberger Heritage Chair for Visiting Artists at Arizona State University. He still performs regularly with the San Miguel 5 playing gypsy jazz, Latin, American ballads and classical Spanish styles.
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Ian Christie was born on June 24, 1927 in Blackpool, Lancashire, England to a father who was a piano tuner and banjoist. He took lessons from Charlie Farrell but opted to join the Royal Air Force, taking up photography as his primary interest. After his brother Keith joined Humphrey Lyttleton’s band, he soon followed, finishing his photography studies with financial help from Humphrey.
During the 1950s and 1960s Ian worked extensively with Mick Mulligan and George Melly as well as playing in a number of trad jazz ensembles, and forming a group with his brother Keith, Ken Coyle and Dicky Hawdon called the Christie Brothers’ Stompers.
Throughout his career he continued to work in trad jazz ensembles into the 2000s, with the Wyre Levee Stompers, the Merseysippi & Parade Jazz Band, and the Tony Davis Band, among others. In his later years he played with Graham Tayar in his Crouch End All Stars. Aside from playing music clarinetist Ian Christie worked as a film critic for The Daily Express for over 25 years and as a photographer until his passed away on January 19, 2010.
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Rusty Jones was born Isham Russell Jones II on April 13, 1942 in Cedar Rapids, Iowa and began playing drums at the age of thirteen and continued on throughout his college years choosing traditional and modern jazz as his preferred mode of music.
He went “on the road” after graduating college in 1965 from the University of Iowa with a degree in history and political science, to “get it out of his system”, but he never stopped his pursuit of a musical vocation. He moved to the Chicago area in 1967.
Jones appeared with Chicago musician Judy Roberts from 1968 to 1972, soon after becoming a member of George Shearing, then accompanied pianist Marian McPartland, then free-lanced throughout Chicago with several bands, touring the United States and Europe. He has worked with Patricia Barber, Adam Makowitz, Larry Novak, Ike Cole, Clifford Jordan, Danny Long, Johnny Gabor, Frank D’Rone, Art Hodes, Buddy DeFranco, Mark Murphy, Eddie Higgins, Red Holloway, Anita O’Day Stephane Grappelli, Ira Sullivan and J. R. Monterose, and the list goes on.
Between 1958 and 2004 this consummate sideman has been a part of nearly four-dozen recording sessions, all while performing and touring the U.S. and the world. Drummer Rusty Jones currently, appears quite regularly around the Chicago area with the Johnny Gabor Trio featuring vocalist Connie Marshall.
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