
Daily Dose Of Jazz…
Richard Benjamin “Dick” Haymes was born on September 13, 1918 in Buenos Aires, Argentina. His mother was a well-known vocal coach and instructor and he became a vocalist in a number of big bands, worked in Hollywood, on radio, and in films throughout the 1940s and1950s.
Though never achieving the immensely popular status of fellow baritone crooners like Bing Crosby, Frank Sinatra or Perry Como was nonetheless just as respected for his musical ability. In 1942, Sinatra introduced him on the radio as his replacement in the Tommy Dorsey band, but prior to joining Dorsey’s group, he sang with the Harry James Orchestra.
Teaming with female vocalist Helen Forrest, they made numeroous hit duets during World War II, including Together, I’ll Buy That Dream, and Long Ago and Far Away, and he sang with Judy Garland on two Decca recordings of songs from the film The Shocking Miss Pilgrim, in which he appeared with Betty Grable. Haymes paired with the Andrew Sisters on a dozen or so Decca collaborations, including Teresa, Great Day, My Sin and Here In My Heart, backed by Nelson Riddle’s lush strings.
He joined Bing Crosby and The Andrews Sisters for 1947 session that produced the Billboard hit There’s No Business Like Show Business as well as Anything You Can Do (I Can Do Better). Between 1949 and 1950 Dick hosted Club Fifteen with the sisters.
In 1953, he nearly got deported for traveling to Hawaii, then a territory, without notifying the authorities, but eventually won his case to stay in the States. Falling on hard times financially by the 1960s he declared bankruptcy with a half million in debt. He appeared as unscrupulous doctor Elroy Gantman in a 1974 episode of the TV show Adam-12. Vocalist Dick Haymes, passed away from kung cancer in Los Angeles, California on March 28, 1980. He was 61 years old.
More Posts: vocal

Daily Dose Of Jazz…
Stacy Rowles was born on September 11, 1955 to jazz pianist and composer Jimmy Rowles. Picking up an old trumpet in the family home she took right to it. She first performed with her father at the Monterey Jazz Festival and for a period she studied with vibraphonist Charlie Shoemake.
Perpetually undiscovered in America except on the West Coast but was better known in Europe. Stacy made her name partly in the company of her father, with whom she often played until shortly before his death in 1996.
She played restful, melodic solos with a warm tone and sang in a wise, honest voice, shy but swinging. She recorded her debut and only album Tell It Like It Is in 1984. Rowles recorded albums with her father titled I’m Glad There Is You, Me and the Moon and Looking Back. She also recorded with the Ben Sluijs Quartet and Frank Mantooth.
For a stretch in the early ’90s, father and daughter shared a weekly gig at Linda’s, a Los Angeles jazz club. On her own, Stacy also played regularly in several all-female jazz groups, including the all-female quintet the Jazz Birds, Maiden Voyage, in both of which she played alongside the trumpeter Betty O’Hara, the Jazz Tap Ensemble, the DIVA Big Band and the European band Witchcraft, with which she had toured since 2002.
Trumpeter, flugelhorn player and singer Stacy Rowles who had been active on the Los Angeles jazz scene since the 1980s, passed away from complications due to a car accident on October 30, 2009 at her home in Burbank, Calif. She was 54.
More Posts: flugelhorn,trumpet,vocal

Daily Dose Of Jazz…
Jewel Brown was born on August 30, 1937 in Houston, Texas. Her first professional performance was at the age of 12 in the Manhattan Club in Galveston, Texas. Before graduating from Jack Yates High School, Lionel Hampton offered her the opportunity to tour professionally in Europe.
In 1957 while on vacation in Los Angeles, California she sat in with organist Earl Grant at the Club Pigalle. Grant hired her that night and her performing relationship lasted for a year. Jewel went on to work for Dallas, Texas nightclub owner Jack Ruby. In the next decade she was approached with offers of vocal positions with Duke Ellington and Louis Armstrong. She chose Armstrong and appeared with him in the films Louis Armstrong and All Stars and Solo.
Brown retired from singing and performing in 1971 to care for ailing family members and later established a hair salon in Houston. In recent years she has revived her singing career and in 2012 she released her first album as a co-leader title Milton Jackson & Jewel Brown. The following year she was nominated for a Blues Music Award in the Koko Taylor Award: Traditional Blues Female category. She is currently a member of the Heritage Hall Jazz Band.
More Posts: vocal

Daily Dose Of Jazz…
Anita Wardell, born August 23, 1961 is an English jazz singer born in Guildford, Surrey, England and from age 12 was raised in Australia. In due time she completed a four-year performance course in jazz and improvised music at Adelaide University. She began singing professionally and appeared at jazz festivals with Richie Cole, James Morrison and Don Burrows, with whom she later sang on tracks on two albums.
1989 saw Anita returning to the UK where she studied at the Guildhall School of Music and Drama. In the early 90s Wardell worked extensively in Europe and also visited the USA, singing at festivals in San José, Edinburgh and in Finland. She formed a close working relationship with John Stevens, performing drums/voice duos, and recording together in 1994.
Her debut album as a leader was a duet project titled Notes with pianist Liam Noble that allows her to exhibit her rich expressive and agile voice on standards but also her scat skills on bebop classics. Her sophomore project Kinda Blue came in 2008 and her third, The Road, was released in 2013 on the Specific Jazz label.
Wardell has won the BBC Best Jazz Award, and is noted for her vocalized rendition of Lee Morgan’s solo from Moanin’. An educator at heart, she teaches annual jazz course in Loire, France and continues to perform, record and tour.
More Posts: vocal

Hollywood On 52nd Street
The familiar standard, Jeepers Creepers is a collaborative effort between Harry Warren and Johnny Mercer for the 1938 musical comedy film Going Places. In the film Louis Armstrong sings the song to a horse by the name of Jeepers Creepers. Dick Powell and Anita Louise are the film’s stars and it received a nomination for an Oscar for Best Original Song when it premiered in the movie.
The Story: A sporting goods salesman is forced to pose as a famous horseman as part of his scheme to boost sales and gets entangled in his lies.
Sponsored By
www.whatissuitetabu.com
![]()



